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Leo Sano

@leojsano

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About Last Thursday (pt 2), All About Alana curated by Ryan McGinley Rectangle Room Gallery at Primary Photographic 113 Eldridge St NY, NY thru November 15th Mon-Friday 9:30am-6:30pm Sat 10am-6pm Sunday Closed “Since the Greeks, artists have historically craved a muse. Alana Jessica Martin, one of New York City’s IT Girls— fulfills that desire. “All About Alana”, explores the sensibility that our star can shape through photographic vision. In this intergenerational group show, curated by Ryan McGinley, over 30 New York based photographers capture Alana in contrasting styles and contexts that accentuates her ever-expanding mythology.” Featuring : Ramie Ahmed, Daniel Arnold, Charles Caesar, Ross Collab, Cade Curran, Benjamin Fredrickson, Lee Foxcliff, Snake Garcia, Stas Ginzburg, Quil Harwood-Lemons, Jonah Hodari, Yuki James, Devin Khan, Jae Kim, Clifford Prince King, Milan Lazovski, Danielle Levitt, Emmy Laurie, Marcus Maddox, Ryan McGinley, Vivienne McFarland, Chloe Scout Nix, Luisa Opalesky, Stuart Perkins, Sam Penn, Rachel Filler, Ariel Sadok, Richie Shazam, Matthew Sprout, Simone Thompson and Maxwell Vice
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“All About Alana” curated by Ryan McGinley Rectangle Room Gallery at Primary Photographic 113 Eldridge St NY, NY thru November 15th Mon-Friday 9:30am-6:30pm Sat 10am-6pm Sunday Closed “Since the Greeks, artists have historically craved a muse. Alana Jessica Martin, one of New York City’s IT Girls— fulfills that desire. “All About Alana”, explores the sensibility that our star can shape through photographic vision. In this intergenerational group show, curated by Ryan McGinley, over 30 New York based photographers capture Alana in contrasting styles and contexts that accentuates her ever-expanding mythology.” Featuring : Ramie Ahmed, Daniel Arnold, Charles Caesar, Ross Collab, Cade Curran, Benjamin Fredrickson, Lee Foxcliff, Snake Garcia, Stas Ginzburg, Quil Harwood-Lemons, Jonah Hodari, Yuki James, Devin Khan, Jae Kim, Clifford Prince King, Milan Lazovski, Danielle Levitt, Emmy Laurie, Marcus Maddox, Ryan McGinley, Vivienne McFarland, Chloe Scout Nix, Luisa Opalesky, Stuart Perkins, Sam Penn, Rachel Filler, Ariel Sadok, Richie Shazam, Matthew Sprout, Simone Thompson and Maxwell Vice Video by Leo Sano & edited by Milan Lazovski
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One Night Exhibition @russianbaths @nymag
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The boys (and girls) in the baths 📸 @cadecurran @ryanmcginleystudios @m.ilan
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i love my friends and i love new york!!!
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💌
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Point & Shoot, Friends & Fam
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🍎📸
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The moment you’ve all been waiting for: the epic reel showcasing the thesis exhibitions I spotlighted all over New York! A mighty congratulations to every single student who produced such fantastic works that further enriched the magic of the New York art scene! Featuring the following colleges & universities: New York University, Hunter College, Fashion Institute of Technology, Marymount Manhattan College, Cornell University, Yale University, University of Hartford, School of Visual Arts, Pratt Institute, Parsons School of Design, Barnard College, and Cooper Union! This 3-minute reel contains over 200 images of artworks from the thesis shows! #artistfeature #artistfeatures #artsfeatures #contemporaryart #contemporary_art
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Zach Hussein (b. 2004) is a Palestinian-American visual artist. He works primarily in the Occupied West Bank and the East Coast of the United States using the documentary static and moving image around the desire to create empathy and connection in a society that is largely absent of solidarity and other expressions of care. Zach Hussein, “Untitled (Cross),” (2026). Archival inkjet print. 24 x 20 inches. The Relentless Image was on view from August 21-24, 2026, at KidSuper Gallery. hello@biascuagazine.com for sales and inquiries. Zach Hussein, “Sabr,” (2025). Archival inkjet print. 24 x 20 inches. The Relentless Image was on view from August 21-24, 2026, at KidSuper Gallery. hello@biascuagazine.com for sales and inquiries. Zach Hussein, “Untitled (Shadi and Khaled I),” (2026). Archival inkjet print. 6 x 8 inches. The Relentless Image was on view from August 21-24, 2026, at KidSuper Gallery. hello@biascuagazine.com for sales and inquiries. Zach Hussein, “Untitled (Shadi and Khaled II),” (2026). Archival inkjet print. 6 x 8 inches. The Relentless Image was on view from August 21-24, 2026, at KidSuper Gallery. hello@biascuagazine.com for sales and inquiries. Zach Hussein, “Untitled (Shadi and Khaled III),” (2026). Archival inkjet print. 6 x 8 inches. The Relentless Image was on view from August 21-24, 2026, at KidSuper Gallery. hello@biascuagazine.com for sales and inquiries. Leo Sano (b. New York, New York) is a multidisciplinary artist based in Astoria, Queens, working across photography, sculpture, and installation. The relationship between body and architecture is central to his practice, providing a framework for exploring the ways physical and ideological systems erode over time. Through photography, Sano applies images onto fabric, found objects, and three-dimensional surfaces, often using body contortion and garment manipulation to contrast natural form with artificial structure. Leo Sano, “Anthropos,” (2026). Mineral pigment print decals, antique glazed terracotta, rusted iron. 66 x 21 x 4 1/2 inches. The Relentless Image was on view from August 21-24, 2026, at KidSuper Gallery. hello@biascuagazine.com for sales and inquirie
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Point & Shoot, Friends & Fam
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“Bias Cut Presents: The Relentless Image” at KidSuper Gallery, Williamsburg. Curated by Archie Caride, Maisy Lewis, Olivia Wein. Organized by Jane Lewis, Editor-in-Chief of Bias Cut Magazine In an age where the expression “everyone is a photographer” proliferates, questions concerning creative uniqueness and originality arises. Right now, photography is at its most accessible than at any other point in history. On the one hand good, but on the other end, problematic because of how easily the field has gotten so diluted with images that do not say much. Yet, an exhibition like “The Relentless Image” underscores how even in the midst of image-saturated culture, individualized artistic voices and perspectives continue to thrive and shine. Most admirably, the exhibition’s curators each brought in an incredible assortment of young artists whose common denominator concerns the visual impact of the image. My friend Chloe Abidi - the sole video artist here - evokes the magic and spectacle of watching a silent film or live puppet performance with a light-shadow performance held within an implied set design. Or take the frozen, choreographed self-portraits of Olivia Wein, caught like a flicker of a memory or dream. Similarly, Pia Paulina Guilmoth’s spectral figures and shimmery cobweb vignettes possess that goth romantic flair further evened out by a hauntological aesthetic. Meanwhile, Adali Schell’s car and roadside subjects make an economical use of light, which can be likened to Maisy Lewis’s photographic trompe l’oeil of an all-too-clear full moon framed by an open curtain. And in a different kind of stage, Leo Sano’s photographic figures occupy the niches of architectural fragments, suggestive of cult of celebrity and performativity. The curators chose 20 excellent artists for this theme as the plurality of subjects contained here seemed to cover the gamut of photography’s endless preoccupations with the allure of the image! #williamsburg #photographyexhibition #artcritic #artcritics #artcritic
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