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Liang FU 付亮

@liang_f

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Paris based
@nicodimgallery
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Fu Liang, La Residencia, Deia, 2025
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NY! 𝑳𝑰𝑨𝑵𝑮 𝑭𝑼: 𝑺𝑼𝑩𝑳𝑼𝑵𝑨𝑹𝒀 OPENS THURSDAY, JUNE 25 AT NICODIM NEW YORK! Vernissage: Thursday, June 25, 6–8pm “𝑰 𝒕𝒉𝒊𝒏𝒌 𝒂𝒃𝒐𝒖𝒕 𝒉𝒐𝒘 𝒂 𝒎𝒂𝒕𝒆𝒓𝒊𝒂𝒍 𝒄𝒂𝒏 𝒊𝒏𝒕𝒓𝒐𝒅𝒖𝒄𝒆 𝒂𝒏 𝒊𝒎𝒂𝒈𝒆, 𝒉𝒐𝒘 𝒕𝒉𝒆 𝒄𝒆𝒏𝒕𝒓𝒂𝒍 𝒆𝒍𝒆𝒎𝒆𝒏𝒕 𝒄𝒂𝒏 𝒂𝒑𝒑𝒆𝒂𝒓 𝒂𝒏𝒅 𝒅𝒊𝒔𝒂𝒑𝒑𝒆𝒂𝒓 𝒂𝒕 𝒕𝒉𝒆 𝒔𝒂𝒎𝒆 𝒕𝒊𝒎𝒆, 𝒂𝒔 𝒎𝒂𝒕𝒕𝒆𝒓 𝒄𝒐𝒍𝒍𝒂𝒑𝒔𝒆𝒔.” – Liang Fu, 2026 “‘𝑻𝒉𝒊𝒏𝒈𝒔 𝒇𝒍𝒐𝒘 𝒂𝒃𝒐𝒖𝒕 𝒔𝒐 𝒉𝒆𝒓𝒆,’ 𝑨𝒍𝒊𝒄𝒆 𝒕𝒉𝒐𝒖𝒈𝒉𝒕 𝒕𝒐 𝒉𝒆𝒓𝒔𝒆𝒍𝒇.” – Lewis Carroll, 𝑻𝒉𝒓𝒐𝒖𝒈𝒉 𝒕𝒉𝒆 𝑳𝒐𝒐𝒌𝒊𝒏𝒈 𝑮𝒍𝒂𝒔𝒔, 1871 Fu has a practice of diving which has informed the atmosphere of his works. Some of the senses are withdrawn, especially speech, as if the figures were mute. The figures seem to exist between dreaming and a fragile state, as if they were out of breath. The images that Fu conjures are fantastical, yet they are also drawn from the everyday environments that he absorbs. On the outskirts of Paris, Fu is moved by the vulnerable beings he encounters, sleeping in the street, sometimes between life and death. In Fu’s works images appear in broken glass (𝘔𝘦𝘭𝘢𝘯𝘤𝘩𝘰𝘭𝘺 𝘴𝘶𝘳𝘧𝘢𝘤𝘦, 2026) or actual stone shards as if fragmented (selenite works, 2026) – the image is seldom full; we see cuts, details reinforcing the notion of fragility and imperfection. It is the profound effect of the images we absorb daily, and the fragility of life, that Fu captures in the 𝘚𝘶𝘣𝘭𝘶𝘯𝘢𝘳𝘺 series. – Oona Doyle ( @oonadoyle ) Pictured: Liang Fu 𝘔𝘦𝘭𝘢𝘯𝘤𝘩𝘰𝘭𝘺 𝘴𝘶𝘳𝘧𝘢𝘤𝘦, 2026 pigment, oil on canvas, ink marble artist made frame 34 1/2 x 31 in 88 x 78.1 cm 📸: @jiayundeng_photo #LiangFu #Sublunary #NicodimNewYork #NicodimGallery
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NY! 𝑳𝑰𝑨𝑵𝑮 𝑭𝑼: 𝑺𝑼𝑩𝑳𝑼𝑵𝑨𝑹𝒀 OPENS THIS THURSDAY, JUNE 25 AT NICODIM NEW YORK! Vernissage: Thursday, June 25, 6–8pm “𝑰 𝒕𝒉𝒊𝒏𝒌 𝒂𝒃𝒐𝒖𝒕 𝒉𝒐𝒘 𝒂 𝒎𝒂𝒕𝒆𝒓𝒊𝒂𝒍 𝒄𝒂𝒏 𝒊𝒏𝒕𝒓𝒐𝒅𝒖𝒄𝒆 𝒂𝒏 𝒊𝒎𝒂𝒈𝒆, 𝒉𝒐𝒘 𝒕𝒉𝒆 𝒄𝒆𝒏𝒕𝒓𝒂𝒍 𝒆𝒍𝒆𝒎𝒆𝒏𝒕 𝒄𝒂𝒏 𝒂𝒑𝒑𝒆𝒂𝒓 𝒂𝒏𝒅 𝒅𝒊𝒔𝒂𝒑𝒑𝒆𝒂𝒓 𝒂𝒕 𝒕𝒉𝒆 𝒔𝒂𝒎𝒆 𝒕𝒊𝒎𝒆, 𝒂𝒔 𝒎𝒂𝒕𝒕𝒆𝒓 𝒄𝒐𝒍𝒍𝒂𝒑𝒔𝒆𝒔.” – Liang Fu, 2026 “‘𝑻𝒉𝒊𝒏𝒈𝒔 𝒇𝒍𝒐𝒘 𝒂𝒃𝒐𝒖𝒕 𝒔𝒐 𝒉𝒆𝒓𝒆,’ 𝑨𝒍𝒊𝒄𝒆 𝒕𝒉𝒐𝒖𝒈𝒉𝒕 𝒕𝒐 𝒉𝒆𝒓𝒔𝒆𝒍𝒇.” – Lewis Carroll, 𝑻𝒉𝒓𝒐𝒖𝒈𝒉 𝒕𝒉𝒆 𝑳𝒐𝒐𝒌𝒊𝒏𝒈 𝑮𝒍𝒂𝒔𝒔, 1871 The images that Fu conjures are fantastical, yet they are also drawn from the everyday environments that he absorbs. On the outskirts of Paris, Fu is moved by the vulnerable beings he encounters, sleeping in the street, sometimes between life and death. In Fu’s works images appear in broken glass (𝘔𝘦𝘭𝘢𝘯𝘤𝘩𝘰𝘭𝘺 𝘴𝘶𝘳𝘧𝘢𝘤𝘦, 2026) or actual stone shards as if fragmented (selenite works, 2026) – the image is seldom full; we see cuts, details reinforcing the notion of fragility and imperfection. It is the profound effect of the images we absorb daily, and the fragility of life, that Fu captures in the 𝘚𝘶𝘣𝘭𝘶𝘯𝘢𝘳𝘺 series. – Oona Doyle ( @oonadoyle ) Pictured: Liang Fu 𝘤𝘰𝘮𝘱𝘳𝘦𝘴𝘴𝘦𝘥 𝘳𝘦𝘮𝘢𝘪𝘯𝘴, 2026 watercolor on selenite 7 x 5 x 1 in 17.5 x 12.1 x 1.9 cm 📸: @jiayundeng_photo #LiangFu #Sublunary #NicodimNewYork #NicodimGallery
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Some current inspirations, their work just works.
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Liang Fu Mind’s surface, 2025 pigment, oil on canvas 47 x 63 in, 120 x 160 cm @liang_f #painting #contemporaryart
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Ascension by @liang_f
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@liang_f at @nicodimgallery exhibition walkthrough ✨ On view through August 15 🎨 Liang Fu: Sublunary 🗓 Jun 25–Aug 15, 2026 📍 Nicodim, 15 Greene St Liang Fu’s exhibition Sublunary at Nicodim in New York presents approximately thirteen wall works characterized by an aquatic and lunar atmosphere. The Paris-based Chinese artist prepares his own pigments, mixing in mica quartz for a pearlescent luminosity, while works engraved on selenite and paintings mounted in sculpted stone frames evoke a contemporary neo-gothic aesthetic — faces undulating and distorting as if seen through shimmering veils, glass, or water. #art #Nicodim #LiangFu
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After they made a splash in the Berlin art scene with their exhibition “Polyphonic Views“ at Funkhaus Berlin this fall, I caught up with Victor Auberjonois who co-founded PASSAGE together with Konrad Biedenkopf. We chatted about the idea behind the project, what they are looking for in art and their plans for the future. Read the full interview on additivemag.com! Slides 1: Victor Auberjonois of PASSAGE. Shot by Marcus Fabian 2-4, 8-14: Installation view: “Polyphonic Views“ at Funkhaus Berlin, 2025. Photography by Adrian Escu 5: Installation view: Mercedes Llanos “Redemption“ at PASSAGE Hermannplatz, 2024 6: Installation view: Gerd Rohling “Ercolano Underground“ at PASSAGE Hermannplatz, 2025 7: Installation view: Liang Fu “Spine Boundary“ at PASSAGE Hermannplatz, 2025 15: Installation view: Ben Barbetta Thompson & Misha Todirascu “In Carnations“ at PASSAGE Hermannplatz, 2025 #interviews #passage #contemporaryart #exhbition #exhibitiontip #exhibitionsberlin #berlinart #additivemag
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LA photo dump (which is late for ten days). Still missing the sunshine ☀️ and all the tropical plants 🪴 But I don’t miss the traffic jam lmao (although they do have Lyft drivers who are actually fun to talk to) P1-2 LAX (yes my mirror birds flew over with me!) P3-4 My lovely hotel at Santa Monika P5-8 Frieze LA P9-15 Food and street scense (the shadow, the daytime moon, the Hawaii white fish, and the raven🐦‍⬛) P16-20 Gallery (mostly the ones in W Hollywood neighborhood)
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ART021 Meets Collector: Maria Xu Maria Xu began collecting in 2018, anchored by Vicky Wright (@vicky_wright_artist)’s work. Wright’s fragmented, reassembled bodies echoed her long-held question: how does the self rebuild after rupture? That encounter set the course for much of what followed. When asked what threads through her collection, Xu points to a single, persistent question: "Who am I?" It runs through everything she acquires — from the texture of fur and the shells of animals to digital bodies and beyond. On long-termism, Xu is clear: “Collecting is trading time for space, and patience for insight.” Maria Xu holds an MBA from EM-LYON Business School and is the founder of MORCREATE Brand Management, as well as a managing partner at a biomedical investment fund. 🔗 Read the full interview via link in bio. #ART021 #art021shanghai #LongTermismInCollecting #ART021MeetsCollector #ContemporaryCollecting
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NY! 𝑳𝑰𝑨𝑵𝑮 𝑭𝑼: 𝑺𝑼𝑩𝑳𝑼𝑵𝑨𝑹𝒀 OPENS TONIGHT, THURSDAY, JUNE 25 AT NICODIM NEW YORK! Vernissage: Thursday, June 25, 6–8pm “𝑰 𝒕𝒉𝒊𝒏𝒌 𝒂𝒃𝒐𝒖𝒕 𝒉𝒐𝒘 𝒂 𝒎𝒂𝒕𝒆𝒓𝒊𝒂𝒍 𝒄𝒂𝒏 𝒊𝒏𝒕𝒓𝒐𝒅𝒖𝒄𝒆 𝒂𝒏 𝒊𝒎𝒂𝒈𝒆, 𝒉𝒐𝒘 𝒕𝒉𝒆 𝒄𝒆𝒏𝒕𝒓𝒂𝒍 𝒆𝒍𝒆𝒎𝒆𝒏𝒕 𝒄𝒂𝒏 𝒂𝒑𝒑𝒆𝒂𝒓 𝒂𝒏𝒅 𝒅𝒊𝒔𝒂𝒑𝒑𝒆𝒂𝒓 𝒂𝒕 𝒕𝒉𝒆 𝒔𝒂𝒎𝒆 𝒕𝒊𝒎𝒆, 𝒂𝒔 𝒎𝒂𝒕𝒕𝒆𝒓 𝒄𝒐𝒍𝒍𝒂𝒑𝒔𝒆𝒔.” – Liang Fu, 2026 “‘𝑻𝒉𝒊𝒏𝒈𝒔 𝒇𝒍𝒐𝒘 𝒂𝒃𝒐𝒖𝒕 𝒔𝒐 𝒉𝒆𝒓𝒆,’ 𝑨𝒍𝒊𝒄𝒆 𝒕𝒉𝒐𝒖𝒈𝒉𝒕 𝒕𝒐 𝒉𝒆𝒓𝒔𝒆𝒍𝒇.” – Lewis Carroll, 𝑻𝒉𝒓𝒐𝒖𝒈𝒉 𝒕𝒉𝒆 𝑳𝒐𝒐𝒌𝒊𝒏𝒈 𝑮𝒍𝒂𝒔𝒔, 1871 In a cinematic crop, two hands hold a translucent and turquoise shape like a found treasure of wonder and substance. This cordate shape seems to be made of glass as if it represented an inner sensitivity – a clear, fragile heart. In the smaller format of Liang Fu’s painting, it seems to be on the verge of melting, as if expressing an emotional state of vulnerability. This image also introduces the notion of transience which permeates the works of Paris-based Chinese artist Liang Fu. – Oona Doyle ( @oonadoyle ) Pictured: Liang Fu Sediment of memory, 2026 pigment, oil on canvas 59 x 79 in 149.9 x 200 cm (LF194) Liang Fu 𝘚𝘦𝘥𝘪𝘮𝘦𝘯𝘵 𝘰𝘧 𝘮𝘦𝘮𝘰𝘳𝘺, 2026 pigment, oil on canvas 59 x 79 in 149.9 x 200 cm 📸: @jiayundeng_photo #LiangFu #Sublunary #NicodimNewYork #NicodimGallery
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NEW YORK! Join us for the 𝟐𝟎𝟐𝟔 𝐀𝐃𝐀𝐀 𝐓𝐫𝐢𝐛𝐞𝐜𝐚 𝐆𝐚𝐥𝐥𝐞𝐫𝐲 𝐖𝐚𝐥𝐤 tomorrow, Wednesday, July 15, from 6–8 PM!! Nicodim New York is pleased to be one of nearly 20 participating ADAA member galleries opening our doors for an evening of exhibitions and special programming throughout Tribeca. Stop by to see 𝑳𝑰𝑨𝑵𝑮 𝑭𝑼: 𝑺𝑼𝑩𝑳𝑼𝑵𝑨𝑹𝒀 and explore the neighborhood's vibrant contemporary art community. 𝑹𝑺𝑽𝑷 through the link in our bio for a chance to win a curated tote bag filled with art books and exhibition catalogues. One winner will be selected by @the_adaa from all RSVPs. We look forward to welcoming you! Installation Views, Liang Fu: Sublunary, Nicodim New York, 2026. Photos by: @new_document_ #ADAATribecaGalleryWalk #ADAAGalleries #TribecaGalleries #LiangFu #NicodimNewYork #NicodimGallery
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