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LLS Paleis

@llspaleis

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Ruimte voor actuele kunst.

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The fourth edition of NowBelgiumNow is now open across three locations in Antwerp, bringing together emerging artists and artist collectives from across Belgium.

Curated by Simon Delobel and Stella Lohaus, @llspaleis offers an open space for artistic practices that resist expectations and established conventions. With no medium excluded, the exhibition embraces experimentation and uncensored expression, making room for unexpected ideas and a diversity of perspectives. Rather than seeking consensus or responding to the expectations of an audience, politics or a majority, it invites artists to speak freely and bring their work into dialogue.

NowBelgiumNow is on view until November 8, across three locations in Antwerp:
→ Paleisstraat 140
→ Vlaamsekaai 47
→ Maanstraat 17

Open Thursday–Sunday, 14:00–18:00, and by appointment.

Exhibiton view by Isabelle Arthuis, NowBelgiumNow at Paleisstraat 140.

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This week, as part of @designfestgent, @019ghent will be open every day from 14:00 to 18:00.

On view: @klaas_vanhee’s To Be Held at Both Ends & @adrientirtiaux’s Das Trojanische Ding. (In collaboration with @llspaleis)

On Friday, from 18:00 to 20:00, artist collective @shift.gent also invites you to a participatory screen-printing session at 019. Platforming @emeseveszely, the session dives into the forgotten history of the napkin.

Followed at 20:00 by the book launch of Klaas Vanhee’s To Be Held at Both Ends, published by @infinitif_publications.

Welcome!

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This week, as part of @designfestgent, @019ghent will be open every day from 14:00 to 18:00.

On view: @klaas_vanhee’s To Be Held at Both Ends & @adrientirtiaux’s Das Trojanische Ding. (In collaboration with @llspaleis)

On Friday, from 18:00 to 20:00, artist collective @shift.gent also invites you to a participatory screen-printing session at 019. Platforming @emeseveszely, the session dives into the forgotten history of the napkin.

Followed at 20:00 by the book launch of Klaas Vanhee’s To Be Held at Both Ends, published by @infinitif_publications.

Welcome!

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DAS TROJANISCHE DING by @adrientirtiaux opens again! Every weekend in september between 14:00 and 18:00!

The sculpture presents itself as being foldable. It is a shapeshifter, an adjustable “Thing” – yet one that refuses to fit in smoothly. Also for 019 it is too big, perhaps even more so here. Whereas at LLS Paleis it still appeared like a rather tame whale, it takes on a more combative form at 019. The structure is designed to entail various opportunities: In the large hall of 019, it can be turned and rotated, offering new possibilities for audience interaction each time. It can be used as a skating ramp, a bar, a terrace, or for access to the canal at the building’s rear. However, it will always remain too large for this site too.

Conceived as an open, accessible space, this work literally invites to conversation inside it as well. – Emilia Keller

In collaboration with @llspaleis

The work of Adrien Tirtiaux (1980, Brussels, BE) questions the delicate interface between private and public space. With a background in architecture and an approach that identifies a location’s inherent challenges and unused potentials, Tirtiaux develops proposals around these conditions.

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DAS TROJANISCHE DING by @adrientirtiaux opens again! Today and every weekend in september between 14:00 and 18:00!

The sculpture presents itself as being foldable. It is a shapeshifter, an adjustable “Thing” – yet one that refuses to fit in smoothly. Also for 019 it is too big, perhaps even more so here. Whereas at LLS Paleis it still appeared like a rather tame whale, it takes on a more combative form at 019. The structure is designed to entail various opportunities: In the large hall of 019, it can be turned and rotated, offering new possibilities for audience interaction each time. It can be used as a skating ramp, a bar, a terrace, or for access to the canal at the building’s rear. However, it will always remain too large for this site too.

Conceived as an open, accessible space, this work literally invites to conversation inside it as well. – Emilia Keller

In collaboration with @llspaleis

The work of Adrien Tirtiaux (1980, Brussels, BE) questions the delicate interface between private and public space. With a background in architecture and an approach that identifies a location’s inherent challenges and unused potentials, Tirtiaux develops proposals around these conditions.

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bunkermuseum antwerpen met llspaleis

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【Current Exhibition】
CAVE-AYUMI GALLERY では、2026年7月19日（日)まで、ベルギー・ゲントを拠点とするコレクティブ019の展覧会を開催中です。

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◼019
「019 による 5 つのベンチ」
会期: 2026年6⽉13⽇（⼟)〜 7⽉19⽇（⽇）
開廊時間: 12:00〜19:00
休廊⽇: ⽔・⽊曜⽇ ◼ 019
「019 による 5 つのベンチ」
会期: 2026年6⽉13⽇（⼟)〜 7⽉19⽇（⽇）
開廊時間: 12:00〜19:00
休廊⽇: ⽔・⽊曜⽇

019は、建築、グラフィックデザイン、ヴィジュアルアートのあいだに位置する実験的なプラットフォームとして、展示空間や公共空間における新たな関係性を探求してきました。ゲントのプロジェクトスペースを拠点に、ベルギー国内外で活動を展開し、アートと社会を接続する多様なインターフェースを創出しています。
本展では、019が近年手がけてきた複数のプロジェクトを再訪し、それらを新たなベンチ作品として再構成します。

🪑The Ertnedank bench
Images1-4 by Takaaki Akaishi
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助成：アーツカウンシル東京［東京芸術文化創造発信助成（単年助成）］
認定：日本・ベルギー友好160周年事業

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@019ghent
@ori.studio
@whatisramp

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𝗖𝗮𝗹𝗹 𝗳𝗼𝗿 𝗣𝗮𝗿𝘁𝗶𝗰𝗶𝗽𝗮𝗻𝘁𝘀: 𝗕𝗲𝗹𝗴𝗶𝘂𝗺 🇧🇪 & 𝗚𝗲𝗿𝗺𝗮𝗻𝘆 🇩🇪

For her upcoming project “IA Love Bots” artist Loïs Soleil (@loissoleil) is looking to interview individuals who have developed romantic feelings or deep emotional connection to an AI companion.

As part of her residency with the European Media Art Platform (EMAP) at Werkleitz Centre for Media Art, she is exploring the rise of digital intimacy and how algorithms are reshaping our experiences of love and desire today. Her goal is to create an immersive installation based on these vulnerable, real-life testimonies.

She is specifically looking for users in:
- Belgium/Brussels and surroundings (current research phase).
- Germany/Halle (Saale) and the surrounding Saxony-Anhalt region (upcoming residency phase).

If you are not in that region but are still open to share your story please contact her ! :))

If you are interested in sharing your story or would like more information, please send a DM to the artist (@loissoleil) or contact her at AI_love_bots@proton.me

Please share and help us spread the word! 💖

This work will be part of the upcoming 4th edition of the exhibition Now Belgium Now, co-organized by @llspaleis and @kioskgent, opening on the 26th of September 2026.

#IALoveBots #digitalIntimacy #DigitalArt #BrusselsArt #EMAP #Werkleitz #Cyberfeminism #AI #MediaArt

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Call for Participants: Belgium 🇧🇪 & Germany 🇩🇪

For my upcoming project “AI Love Bots”, I am looking to interview individuals who have developed romantic feelings or deep emotional connection to an AI companion.

As part of my residency with the European Media Art Platform (EMAP) at Werkleitz Centre for Media Art, I am exploring the rise of digital intimacy and how algorithms are reshaping our experiences of love and desire today. My goal is to create an immersive installation based on these vulnerable, real-life testimonies.

I am specifically looking for users in:

Brussels and surroundings (current research phase).
Halle (Saale) and the surrounding Saxony-Anhalt region (upcoming residency phase).

If you are not in that region but are still open to share your story please contact me ! :))

If you are interested in sharing your story or would like more information, please send me a DM (@loissoleil) or contact me at AI_love_bots@proton.me

Help me spread the word! 💖

#aigirlfriend #virtualdating #emap #aiart #aibae

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Call for Participants: Belgium 🇧🇪 & Germany 🇩🇪

For my upcoming project “AI Love Bots” I am looking to interview individuals who have developed romantic feelings or deep emotional connection to an AI companion.

As part of my residency with the European Media Art Platform (EMAP) at Werkleitz Centre for Media Art, I am exploring the rise of digital intimacy and how algorithms are reshaping our experiences of love and desire today. My goal is to create an immersive installation based on these vulnerable, real-life testimonies.

I am specifically looking for users in:

Brussels and surroundings (current research phase).
Halle (Saale) and the surrounding Saxony-Anhalt region (upcoming residency phase).

If you are not in that region but are still open to share your story please contact me ! :))

If you are interested in sharing your story or would like more information, please send me a DM (@loissoleil) or contact me at AI_love_bots@proton.me

Help me spread the word! 💖

@european_media_art_platform
@werkleitz

On photo 5) the Painting in the background is by Lindy Foss-Quillet

#ailovebots #digitalintimacy #digitalart #brusselsart #emap #ai lovebots, cyberfeminism digital art, Brussels art

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This Sunday, we open the doors at 019.

Join us 14:00–18:00 for the opening of DAS TROJANISCHE DING by @adrientirtiaux —
a foldable, shapeshifting structure that resists fitting in and instead asks to be entered, used, and inhabited.

At 15:00, a live performance by @thereal_limecrush unfolds inside the work.

A sculpture that opens doors rather than closing them.
Come by, take your time, be part of the conversation.

🗓 Sunday
🕑 14:00–18:00
📍 019

Project in collaboration with @llspaleis

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What an operation this Monday!

Following the final day of the exhibition at @llspaleis , Das Trojanische Ding was delicately pulled out onto the street by Arsène the crane master, then loaded onto a container truck for direct transport to Ghent. Completed within just a few hours, it may have been one of the fastest exhibition dismantlings in LLS history — made possible by the team’s careful preparation and many patient exchanges with city officials. Respect.

Now Das Ding continues its adventures at @019ghent , and we are happy to welcome you to the opening of its next configuration on Sunday, June 14, from 14:00 to 18:00.
Don’t arrive too late: at 15:00 there will be a special gig by @thereal_limecrush , just before they fly back to Austria!

Photos: @michieldecleene , except 7 and 13 by bibi

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