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That’s it—our album ‘viragezero’ is out everywhere!!! It was a great adventure to write and produce this record, and we’re super proud of it. We recorded between Geneva and the hills of Ticino; here are a few photos from our epic recording session. We hope you’ll enjoy the tracks.

A huge thank you to everyone who helped and supported us. @ohm.sweet_ on mixing, @almachrome on mastering, and @m3n1o on the artwork. Thank you, @bongojoerecords , for your unwavering support.
These songs are especially dedicated to the creatures of the forest and the mountains.

Subventionné par la Ville de Genève, avec le soutien de la République et Canton de Genève.
📸 @ngshka
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AUX1 regresa con LA LLAVE VOL. 3, la tercera entrega de su serie de compilaciones VA, reuniendo a 29 artistas de Argentina, Brasil, Chile, Colombia, Ecuador, México, Paraguay y Venezuela.

@aggromance 
@amantra__ 
@digestivo 
@andras_2020 
@entranas_ 
@worldxavior 
@djgabrieu 
@ludwigpsy 
@guza____ 
@maitech____ 
@illdabo 
@kali.cyberia 
@kontronatura 
@kue________ 
@lajelboi 
@manu_calmet 
@mutantkitty69 
@tatoestrada_ 
@negraconda 
@lyo.xs 
@____nu11_____ 
@okuboxsamurai 
@__vraba 
@p4xp1x 
@djpirobito 
@irmaruisenor 
@suturafina_ 
@thomiikka 
@traxxdealer_babyroger 

Track Id @lajelboi Gárgaras con Sangre

Imagen @m3n1o 
Master @negraconda 
Curado por @pielmixtaaaa 

🗝️
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Meet ( @m3n1o ) , m3n1o is based in Athens, where he leads the creative team at @k2design.gr , a branding and design studio with a forty-year history in the city. His personal practice operates independently from that world, centered on distorted, airbrush-rendered figures that feel like creatures pulled straight out of a dream.

His inspiration draws from two opposing impulses: things he’s drawn to, and things that appall him. One recent piece traces back to a statue he found strikingly ugly, situated on the rocks near his beach house. He deliberately resists settling into a single defined style or aesthetic, favoring an airbrush quality distorted enough to read as unmistakably synthetic rather than hand-rendered. This distortion, he notes, also lends itself to animation. As for knowing when a piece is finished, he attributes that to intuition rather than any fixed method.

This visual language extends well beyond his personal feed, showing up regularly in the collaborative work he takes on across the European club and music scene. Recent examples include the poster for @miscrooftop , the flyer for @tsum_records at @pankeculture in Berlin. and @dreamachine_fr x @actoral_ ’s event at @la_comerie in Marseille.
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