Instagram story viewer> @manuelajaespil> Tagged
POSTS STORIES REELS TAGGED
Speaking of cartoons and painting, this is a VERY special one! Ever since my good friends @saracoriat and @eversiempre visited his studio back in Buenos Aires and shared their impressions (and photos), I’ve been a fan of @manuelajaespil. So I was very pleased to hear that @l21gallery will be having a solo presentation with him (opening on Fri), especially after I got to see this new series while visiting Madrid back in Nov. 
•
Memories of Timothy Clarke comprises six new paintings in which #ManuelAjaEspil mixes classical, traditional painting and cartoons (Looney Tunes, to be precise), as well as his interest in digital technology. After years of working with the idea of building traditional painterly scenes featuring made-up characters influenced by the popular culture titans, the artist included AI as an important part of the process for this body of work. However pop-like that concept is doomed to be, his approach and technique transformed these images into timeless painterly artifacts of sorts. Sitting somewhere between nonsense and masterpiece, these paintings propose a unique way of blending the two or three differing worlds. And while originating from the virtual world, they are firmly intended for seeing with the naked eye (I’m aware of the irony).
•
Aya Espil started the process by asking AI to generate Looney Tunes-like characters as if painted by Rembrandt. The result captured the essence of what he was looking for and was used as a guideline. Not interested in recreating the generated images, they provided a model, a path within which he could focus on exploring the technique. “Most of the time I was working on these, I didn’t know what I was painting. It often felt like groping around in the dark of a room looking for the light switch,” the artist mentioned in the statement about these peculiar works, and it is great to see how loosely he approached “re-creating” them. In the end, painted with the thinnest layers of extra dry oils resulting in parched, crusty surfaces, these gloomy, melancholic paintings aren’t depictions of the cartoons teleported in another time and place, but Aya Espil’s “attempt to paint how the machine thinks.”
19
back to up