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tracing memory and landscape through film
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It happened 💫💫
World Premiere of Morne Fortune at @thenyff with @mar.achavez !! It was such a big moment for me and I felt very moved bringing the story of the Morne out of Saint Lucia, and to hear the voices of @sherween_gonzales @ashspeaksagain @jessie_mayers and many others resonate in the cinema room.

Watching the movie on the big screen I could feel the long and winding road that started the first day of my PhD in September 2021 - when I felt so distressed about being the only Black person in the new cohort & didn't know how I'll survive academia... To arrive to this day, 5 years later, many travels, collaborations and creations later, with my doctorate completed and the movie premiering in New York 🥹🥹 

it was wonderful to present the movie to such a kind and enthusiastic audience, and to share the space with @rachlaurenmuel and Laura Poitras, @vika.kirchenbauer and Ben Russell 
Thank you @leo.goldsmith and Tyler Wilson for moderating the Q&A's and allowing us to share some of the process behind Morne Fortune 🫶🏾
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Thank you so much for joining us for a program curated by @mar.achavez ‘Performed as Given: How Realities are staged, repeated, and undone’ and a Q&A with @zszophia moderated by @mar.achavez at @viennashorts 💚

Attention shifts from content to construction, where realities are re-enacted, circulated, and kept in play. How do archives, art, science, and film sustain what passes as given? In this program, the performance doesn’t quite hold. Echoes of colonial image-making resurface – gestures repeat, roles shift, meaning slips. Moving through spectacle and storytelling, these films stage myth until it starts to crumble. What appears as given reveals itself as constructed. Attention: the frame shows!

World premiere of the film China Girl by Sophia Yuet See (@chinagirlfilm, @zszophia). Curated & Moderated by Mara Chavez (Gewächshaus).

📸 (c) Peter Griesser/Vienna Shorts

#gewaechshausnetwork #gewaechshauscommunity #bipocfilmmakers
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