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@martharoslerstudio

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Kitchen, Kitchen, Kitchen. 1967–1977.
With Helen Chadwick, Mercedes Cuman & Diane Bond, Milli Gandini, Mako Idemitsu, Birgit Jürgenssen, Alile Sharon Larkin, Lucia Marcucci, Marisa Merz, Clemen Parrocchetti, Martha Rosler, Carolee Schneemann.

Set in the kitchen of a private apartment, “Kitchen, Kitchen, Kitchen” grew out of a rereading of Silvia Federici and Nicole Cox’s “Counterplanning from the Kitchen” (1975), which identifies the kitchen as one of the sites where domestic labour is organised and social reproduction takes shape. From the late 1960s through the 1970s, the kitchen surfaces with striking insistence in the work of many women artists, as feminist thought profoundly reshapes understandings of the relationship between body, labour, knowledge, desire and everyday life. Around the same time, Mariarosa Dalla Costa and Selma James recognise women’s labour within the home as one of the fundamental, yet least visible, structures underpinning economic and social organisation.

The exhibition brings together works made between 1967 and 1977 in different geographical and biographical contexts, forming a constellation of practices that seem to answer one another. The coincidence between the site of the exhibition and the space invoked by the works narrows the distance between representation and use: photographs, videos, textile works, writings, sounds and actions are brought back into contact with the objects and rhythms of a domestic life.

Curated by Francesca Verga. Communications: Alpha Bravo Charlie.  Design: Alessio Cancellieri.
Website: Alberto Arlandi.

Milan, 5–8 November 2026, 5-8PM. Private apartment, Via Soperga 14. Visits by appointment. Booking link in bio!

Thanks to @schneemannfoundation @archivioclemenparrocchetti @mercedescuman @estate_birgit_juergenssen @galeriehubertwinter @luciamarcucci_poesiavisiva @fondazionemerz @richardsaltoungallery @manuela.gandini.news @martharoslerstudio @makoidemitsu @lucatrevisani and many others

Kitchen, Kitchen, Kitchen. 1967–1977.
Con Helen Chadwick, Mercedes Cuman & Diane Bond, Milli Gandini, Mako Idemitsu, Birgit Jürgenssen, Alile Sharon Larkin, Lucia Marcucci, Marisa Merz, Clemen Parrocchetti, Martha Ro

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1897’de Avusturya-Macaristan İmparatorluğu’na bağlı Galiçya’da doğar ve Bukovina’da varlıklı babasının yönettiği büyük bir çiftlikte büyür Wilhelm Reich. Babası Leon, zengin olduğu kadar otoriter, kıskanç ve sert bir adamdır. Wilhelm ise -tabii ki- annesi Cecilia’ya çok bağlıdır. Evde eğitim görüyordur ve eve sık sık öğretmenler gelmekte, hatta bazıları aileyle birlikte yaşamaktadır.

>>> Metnin tümü için görselleri kaydırın lütfen 👉🏼👉🏼👉🏼

*Eser: Gülçin Aksoy, Aile, Yerleştirme, 2017 @gulcinaksoy (🥀)

*Görseller Arkipel arşivi ve çeşitli galeri ve diğer websitelerinden derlenmiştir. Bir kısmını da yapay zekayla düzenledim. Uyaran olursa kaynak bilgilerini eklerim. Görsellerin kimisi pek alâkasız görünse de aslında en alakasız görünen bile konuyla çok alakalı.

#wilhelmreich #arkipelkültür #arkipelsanat

Çiftlikte, aile üyeleriyle öğretmenlerin birbirine karıştığı bu kalabalık ve iç içe hayatın içinde büyüyen Wilhelm, daha çocuk yaşta cinsellikle ve bedenin doğal halleriyle karşılaşır. On iki yaş civarında, annesinin evde yaşayan öğretmenlerden biriyle ilişkisini fark eder, hatta geceleri onları gizlice izlemeye başlar. Kıskançlık, hayal kırıklığı ve korkuyla baş edemeyen genç Wilhelm, sonunda bu ilişkiyi babasına söyler.

Aile içinde yaşanan kriz büyür, büyür, büyür ve kısa bir süre sonra annesi intihar eder. Cecilia, evde kullanılan bir dezenfektan olan Lysol’ü içerek hayatına son vermeye çalışır ve günler süren büyük acıların ardından ölür. Wilhelm tüm sürece şahit olur. Dört yıl sonra babası da ölür, resmi ölüm nedeni tüberkülozdur. Ancak Reich’ın daha sonraki anlatılarında, babasının kendisini soğuk suya ve kötü hava koşullarına bilerek maruz bırakıp hastalığını ağırlaştırdığı ve ölümünü bir tür yavaş intihara dönüştürdüğü düşüncesi de yer alır. On yedi yaşındaki Wilhelm, bir anda hem yetim kalır hem de babasından kalan büyük çiftliğin sorumluluğunu üstlenir.

>>> Metnin devamı için bir sonraki görsele kaydırın lütfen 👉🏼👉🏼👉🏼

*📸 3 yaş Wilhelm, 1900 (Wikimedia)

Reich, yıllar sonra Freud’un çevresine girer. Onun öğrencileri ve çalışma arkadaşları arasında yer alır. Zamanla Freud’la ilişkisi bozulacak, sonunda psikanalitik çevreden kopacaktır.

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Thank you, Joan Jonas for celebrating your work with us at Judson Church, and happy belated happy birthday to your 90th this summer.

You offered us insights into more six decades of artistic practice in New York City and your future projects, with a special thank you for your incredible Mirror Piece 1/2 reperformance that you did so triumphantly in Berlin in front of thousands of fascinated audience members last season at neue nationalgalerie.

From me, a special thank you, as you were the very first artist I worked with at KW in 1991. At the time you were 54 and I was 24. I'm so grateful that our artistic paths are still in parallel and I couldn't feel more privileged and honored, having started my curatorial career with an artist as groundbreaking and innovative as you. Also a huge thank you to Art International Foundation for organizing this series of artist conversations especially thank you to Carola Jain, Susan Rockefeller, and Marina Kellen French.
And the most special shout-out goes to Angela Goding!
With gratitude to Judson Church and Judson Commons, especially Micah and YooRae, and of course St. Mark's Church. These conversations became a tradition of bringing artists together in a community that is not about selling or buying but just about volunteering and sharing and enjoying each others company with content and a delicious potluck meal.

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Thinking Hands van Noorderlicht is nu te bekijken in THEA in Niemeyer. 🙌

Algoritmes hebben regels nodig.
De hand niet.
De hand weet.

Wat raken we kwijt nu technologie steeds meer van ons overneemt? Wat weet het lichaam, wat je hoofd niet weet?

Ontdek het tijdens Thinking Hands.

🗓️12 september t/m 1 november
THEA in Niemeyer
Paterswoldseweg 43, Groningen
noorderlicht.com

Tickets verkrijgbaar op locatie.

ENG

Thinking Hands by Noorderlicht is now showing at THEA in Niemeyer. 🙌

Algorithms need rules.
The hand does not.
The hand knows.

What are we losing as technology takes over more and more of our lives? What does the body know that your mind does not?

Find out at Thinking Hands.

🗓️12 September to 1 November
THEA in Niemeyer
Paterswoldseweg 43, Groningen
noorderlicht.com
Tickets available at the venue.

With and by: Martina Bacigalupo, Blommers & Schumm, Kévin Bray, Koos Breukel, Vera van de Burg, Devlin Claro, Chelsi Alise Cocking, Rebekka Deubner, Mandy Franca, Loïe Fuller, Andi Galdi Vinko, Jane Jin Kaisen, Paul Kooiker, Oldereid / Kvam, Jan Robert Leegte, Kiki Mager, Lisa Oppenheim, Frida Orupabo, Laure Prouvost, Robin de Puy / Strijbos & van Rijswijk, Martha Rosler, Works Progress Administration, Xhanti Zwelendaba & Ben Stanwix

Curated by @cyborgtruffel and @roosjeklap.

Made possible by @stimuleringsfonds, @mondriaanfonds en Beringer Hazewinkel.

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Throwing it back to Copenhagen where I took a trip to the @louisianamuseum and caught some works by Sophie Calle, Dayanita Singh, Catherine Opie, William Kentridge, Martha Rosler and so so so many more than didn't fit in this becaude you wouldnt watch it till the end.

This visit was supported by @aceagrams

#sophiecalle #louisianamuseum #copenhagenart #danishart #dayinthelife
@adansophiecalle @dayanitasingh @csopie @francisbaconartist @williamkentridgestudio @martharoslerstudio

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Thank you to all who joined at @storefrontnyc to learn from the brilliant Martha Rosler and revisit “If You Lived Here…” (1989) and its reverberations into the present. Deeply grateful to Martha for her decades of commitment to housing advocacy and art practice, and to everyone doing the work.

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Join us Tuesday, August 18, for a lecture by artist Martha Rosler on her landmark project "If You Lived Here" (1989). Artist Alex Strada will be in conversation with Rosler exploring some of the lessons carried forward into Strada’s current project, "Public Address," currently on view across the city. Together, they will reflect on Rosler’s decades-long engagement with housing, public space, and community—inviting reflection on how questions raised over thirty years ago continue to shape socially engaged artistic practice, and the way we think about housing insecurity, home and belonging today. Photo: Mad Housers building a hut in Brooklyn, 1989. Copyright: Martha Rosler

Tap the link in our bio to learn more and RSVP. 🔗

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“El poder del arte está en condensar lecciones que puedas extraer del gran bombardeo de la vida cotidiana”, dice @martharosler.

La primera exhibición en Argentina dedicada a la artista y activista estadounidense, referente indiscutida del movimiento feminista, tuvo lugar en el marco de BIENALSUR 2019. El proyecto PUEDE QUE ESTA VEZ SEA DIFERENTE, curado por Lucrecia Palacios, incluyó la instalación de una biblioteca sobre arte y feminismo en el Km 0 de #BIENALSUR, el @muntref Sede Hotel de Inmigrantes, en la Ciudad de Buenos Aires.

Hoy, dos de sus obras pueden verse en el Museo de Artes Visuales de la @untref, en Caseros, en la exposición LO QUE TOCA LA MIRADA.

🔵 MUNTREF Museo de Artes Visuales
📍 Valentín Gómez 4838, Caseros, Provincia de Buenos Aires
🗓️ Lunes a sábados, de 10 a 18 h
🖼️ Visitas participativas: Sábados, 15:30 h

………..

“The power of art lies in distilling lessons you can draw from the constant barrage of everyday life,” says artist Martha Rosler

The first exhibition in Argentina entirely dedicated to US artist and activist Martha Rosler - undisputed reference of the feminist movement - took place in BIENALSUR 2019 with the exhibition WILL THIS TIME BE DIFFERENT, curated by Lucrecia
Palacios that included the installation of a library on art and feminism at Km 0 of BIENALSUR, MUNTREF Sede Hotel de Inmigrantes.

Today, two of her works can be seen at the MUNTREF Museum of Visual Arts of the @untref, in Caseros, as part of the exhibition LO QUE TOCA LA MIRADA.
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#artecontemporáneo #contemporaryart

@wechsled @untref @forodelsur

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Nos lo echamos en un tequesquite...?? Eh! Que viernes... hasta parece sábado...

Jajajajajajaja

De la: "Mercantilización del arte político a través del consumo"

Enclave: Planeación Urbana
La Paz, Baja California Sur, México
11.07.26

📍🌵🌊🏜️🏖️🧃

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Beginning of July be like...

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Martha Rosler: Bringing the War Home - Point & Shoot (2008) @gva_ivam @martharoslerstudio

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Extrait de l'article "L'écoute en tant qu'action anticapitaliste ?" à lire sur Fsociete.fr (lien en bio et story)

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