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"It's really interesting to inhabit a space where the limitations are removed …. What happens when a house ceases to be a dwelling and starts to become an object?" Maxine Arnheiter chats with ONCE REMOVED curators Sammy Skidmore and Zoë Hensley as they prepare for an art exhibition in a soon-to-be-demolished house, live on #arc. Written by @maxarnheiter Interview with @kid.brother and @sammy.skidmore Featuring @once__removed The next installment of ONCE REMOVED is coming June 13. Follow them @once__removed to keep up to date. Published by ARCADE NW Publishing
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Our Editorial/Exec Director Leah St Lawrence and contributing writer & editor Maxine Arnheiter attended Case Sensitive @casesensitive.show in NYC this past weekend for its inaugural conference bringing together independent publishers and magazines to support each other and learn / commiserate about working in this industry. ARCADE can receive your support through membership and event attendance, but if you can, we would really love to see you at our Oct 9th fundraiser (LiNk iN bIo) Independent publishing generates, solidifies, and archives culture - whether it’s about food, dance, tennis, or architecture and design 😉 - you know we matter, you know it would be devastating if we no longer existed. Support local and independent publishing and keep concept magazines and cultural journals alive! If you think your membership or subscription to these companies (like ARCADE) do not matter right now - I’m telling you it matters now more that ever before. Image borrowed from @casesensitive.show #buildwitharcade
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I am heartbroken to have to loop all of you in: I am no longer employed at PublicDisplay.Art. I have truly enjoyed the privilege of working with so many outstanding artists and writers throughout the greater Seattle area (and beyond) over the past year; my life has been profoundly enriched because of it. I would not have chosen to leave this way, but sometimes life has other plans. One of the best parts of the experience was getting to work with Maxine Arnheiter, assistant editor. I’m proud of what we achieved in a short amount of time, especially considering it was such a tiny (but mighty) team. I am crushed to not be completing the September issue, which was going to be truly spectacular. This experience has reminded me how much I love being active in the arts community in such a role—both writing about art and helping facilitate art. I’m looking forward to what’s next. And to spending more time at this drafting table that auspiciously arrived in time for my birthday—and for this transition. (Thank you, Jayson!) If you have projects, want to brainstorm, or would like to work together, please hit me up. I am in big productivity mode. Finally, if you are someone I have been actively working with on PDA-related jobs or content, please reach out here or via my personal email, and I will do my best to put you in touch with the right folks. For everyone else, let’s grab a drink soon!
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Yesterday, we got a sneak peek at the MiG-21 installation happening at the Museum of Flight (swipe for pics!). The exhibition by Ralph Ziman will open next weekend, June 21. It’s an absolute must-visit this summer, and the artist himself will be in attendance next Saturday! Plus, we wrote an article for the June issue about Ziman’s work and the deep cultural significance of his choice to transform weapons of war into works of art. Read it at the link in bio, and then go see the jet in person. #seattleartpost #seattleartevents #seattleartfair #seattlearts
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🫧Our assistant editor, Maxine Arnheiter, went out last week to try “Reality Massage”, Kate Bailey’s biofeedback meditation machine at Actualize AiR. Read her thoughts at the link in bio. Spoiler alert: bubbles are birthed. 🫧 Featuring @freetimeallthetime and @actualize.air Written by @maxarnheiter Photo credit to @basofibonacci #seattleartswriting #seattleart #seattlegallery #seattleartist
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“SOIL retains its edge of being something created by artists for artists, not constrained by commercial limitations.” In celebration of @soilart’s 30th birthday, Maxine Arnheiter writes about the origins and evolution of the gallery, from it’s very first members to the cohort of 28 that exists today. Read this article, from our April issue, online at the link in bio, or find a copy at your local bookstores/libraries/galleries and art spaces. Written by @maxarnheiter Featuring @margie.livingston, @rare.joolz, Sean Miller, and Katy Stone Images courtesy of SOIL archives Published by Public Display Art Vol. 4 No. 2: April 2025 #soilgallery #seattleartgalleries #seattleartswriting #seattleartpost
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"It’s this forthright reckoning with uncertainty that makes this band so interesting to listen to. Undone and raw, yet expertly crafted, Dining Dead is ready to make you feel everything—and then some." Check out today’s article — a review of Dining Dead (@diningdeadmusic)’s show at Sunset Tavern last Friday night, by Maxine Arnheiter. And stream Dining Dead! Stay tuned for more online content…. We’re just getting started. Photo by @rbennettphotography #seattlearts #seattlemusicfans #seattlemusic #seattleartswriting #seattlemusicians #seattlebands #seattleevents
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What a difference a year makes! Last year around this time we weren’t sure if PublicDisplay.ART would still be publishing in 2024, so we think 2024 was fab! Fingers crossed 2025 will eclipse this one. A big shout out of thanks to everyone who contributed to our success this past year. We couldn’t have done it without you! XoX
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“It's the idea of seeing layers, either faint or profound, that make a space richer, maybe a bit messy, more complex,” Professor Merlino explains to me. “Whether or not you know what the history is, you’re aware of one.” Read Maxine Arnheiter’s article about the evolution of UW’s Shell House: “The Enduring Palimpsest of the UW Shell House,” now available through our new mobile and desktop interface. Link in bio. Maxine Arnheiter is a freelance writer based in Seattle. She is interested in art, culture, and how we live. Featuring Kathryn Merlino, Nicole Klein, and Richard Franko Written by @maxarnheiter Photography by @maxarnheiter Design by @elyssayim Published by ARCADE NW Publishing Digital Magazine: Fall, No. 3 #uwshellhouse #seattleshellhouse #shellhouse #universityofwashington #universityofwashingtonshellhouse #boysintheboat #shellhouserenovation #mithun
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Fall, No. 3 has dropped - read all the essays now for free (LiNk iN BiO), but also☝ don’t forget to sign up for a membership to get all our print in the mail and support local writers and critical thinking on the designed environment! wearenotabletodoANYTHINGwithoutyourfinancialsupport. "Rico Quirindongo takes us through his morning; Rob Hutchinson creates something magical out of something destructive; you might already know about Refract; Shell House gets some attention; Rob Moura is not a graphic designer; Seattle Art Fair leans into community programming; and Lauren Gallow takes us through ‘Gleanings’ Cover art by Marisol Morales: La Cosecha, The Harvest" Also in this issue, Rico Quirindongo, Maxine Arnheiter, & Yuna Shin @ricoque2013 @yunaashin @maxarnheiter join our writers cohort of @anna.coum @catlinavalon @buildings_of_seattle @kadekrichko @solomoncohen @desert.ren @barkinmichael @webelongseattle @solomoncohen @mi__armour @cabaret__star design by @elyssayim cover art by @solecito_art edited by @leahstlawrence & @camillaszabo
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hair greying, vision going, but otherwise doing well at 26 ✅
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🤝
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