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Vernisáž Milan Kunc ,,Pop Renaissance", kurátor Filip Kazda, autor textu Peter Bielicky v Museum Kampa.

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Museum Kampa

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Milan Kunc - Pop Renaissance
▫️3. 10. – 17. 1. 2027

Výstava Pop Renaissance nabídne pohled na autora, který po desetiletí vytváří svébytný obraz současného světa. Jeho tvorba není pouze svědectvím o jedné epoše, ale otevřeným dialogem s přítomností, v němž se humor stává nástrojem kritického myšlení a malba prostorem pro svobodnou imaginaci.
Kurátor: Filip Kazda

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Talking Heads pt.1 @kasteeldursel

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Zitat von @milankuncarts damals in ELASTE #8/9 (1984) – heute im Best-of-ELASTE-Buch

„Ich bin gegen jede Art von Schmiererei in der Malerei (außer in Kinderbildern). Ich ziehe sorgfältige Malweise vor, wie bei den alten Meistern, aber mehr niedlich. Schließlich: Wir wollen und nicht wehtun. Was wir alle dringend brauchen ist die Liebe.“

the book: „ELASTE 1980 – 1986“ / 560 pages / language: german / english.
„Elaste 1980-1986“ is a powerful tribute to one of the most influential and innovative zeitgeist magazines of the new wave era. The Pulse of a Generation. First-hand accounts from the frontline of pop, wave, punk, style & subversion. Raw archives. Rare voices. Real history. This is ELASTE.

Exklusive interviews with:
Andy Warhol, Kraftwerk, Pedro Almodóvar, Dieter Meier (Yello), Mick Jagger, Marcel Reich-Ranicki, Charles Wilp, Bob Wilson, Boy George, Bill Wyman, John Lydon (Sex Pistols), Duran Duran, DAF a.m.o.

Exklusive photos of:
David Bowie, Depeche Mode, Die Toten Hosen, The Human League, Blixa Bargeld, David Byrne, Klaus Nomi, Lounge Lizards, Dead Kennedys, Echo & The Bunnyman, Keith Haring, Robert Smith (The Cure), Boy George, Paul Weller a.m.o.

Photographers with exclusive image material from:
Ellen von Unwerth, Sheila Rock, Claus Wickrath, Eamonn J. McCabe, Marc Lebon, Jean Jaques Castres, Martin Brading a.m.o.

Autors /Writers:
Giovanni Di Lorenzo, Diedrich Diederichsen, Jon Savage, Thomas Meinecke, Klaus Walter, Maxim Biller, Florian Langenscheidt a.m.o.

Foreword: Max Dax, Klaus Walter, Thomas Elsner, Larissa Beham. Epilogue: Michael Reinboth

#artbook #graphicdesign #Kunstbuch #80music #newwave

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Returning to where it all began.

As always, Anthology Film Archives feels like a Heaven of freedom and inspiration. It reminds me of my journey in film, which began in Vienna at my father’s Filmmuseum, continued with my work as an actress alongside Claude Chabrol and Peter Patzak, and later brought me to New York, where Jonas Mekas and Hollis generously welcomed me into their Broadway loft.

I helped organize Jonas’s archive, worked at Anthology—then still on Wooster Street—cooked Viennese dinners, and they became my New York family. Beyond the many wonderful people I met there, I watched films almost every day. When I screened my own work there last year, it felt like coming home.

A few days ago, I held a test screening of my new short film, THEY BURN WITCHES, DON’T THEY?, at Anthology Film Archives, in the presence of Jed Rapfogel and John Mhiripiri. It was exciting to see it on the big screen for the first time, and the sound was fantastic.

The film is currently part of an installation @kunsthaus_muerz in Austria, featured in the exhibition My World on Fire, curated by @mariotberg ❤️‍🔥 @myworldonfire888 @jedrapfogel @jonasmekasofficial @austrianfilmmuseum #peterkubelka @gertiefroehlichestate @eleonoraaauersperg #exhibiton #marielifröhlichfilmmaker @studiothomasbaumann @rudimolacek @milankuncart @rsloy @elkesilviakrystufek @jonathan_meese @marinaabramovic_______ @judy.chicago @stock_christian_art @rosaotberg @elisabeth_von_samsonow @rafaelaproell @karin.kneffel.art @ed.templeton @martinparrstudio @_robertmuntean @pollockfineart @niveswidauer @madelinevonfoerster @manfred_bockelmann @eisenbergerchristian

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#myworldonfire curated by @mariotberg @kunsthaus_muerz @milankuncart @katrinplavcak in-between #stillon #fire #painting

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Der zweite Bühnenhintergrund von Der Plan, gemalt von Moritz Reichelt und Milan Kunc, Dispersionsfarbe auf Leinwand, 600 x 400 cm, Düsseldorf 1980

© Moritz Reichelt und Milan Kunc

„Der Bühnenhintergrund für die zweite Plan-Tour muss das größte Bild sein, das ich je gemalt habe. Milan war ja bereits erfahren mit solchen Riesenformaten. So habe ich dann auch nähen gelernt, als ich die Stoffbahnen zusammengenäht habe. Die drei KuKluxKlan-artigen Spitzköpfe waren wohl irgendwie von den Residents beeinflusst, deren Film ‚Third Reich ‚N‘ Roll‘ ich 1979 in einem kleinen Kino in Los Angeles gesehen hatte.“

© Moritz Reichelt, 2020

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Vernisáž Expanze v GHMP PRAHA EXPANZE.

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Přehled oceněných ČAVU za rok 2021

Ceny předány 31. 10. 2022 v Umělecko-průmyslovém muzeu v Praze

SÍŇ SLÁVY
Magdalena Jetelová
Milan Kunc
Viktor Pivovarov
Jiří Sopko
Jiří Ševčík in memoriam

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Yesterday, during an Advent brunch hosted by Anne Frechen, who wanted to show us the large painting of the cubist Abbey Road cover by Moritz ®️ from 2015, which she has owned since 2017, there was a significant exchange between two WORKS ON SKIN artists. Flight 3 artist Moritz Reichelt exchanged his APs with Flight 2 artist Roman Frechen (artists receive 4 artist proofs from us, which they can dispose of as they wish – and finally, all of them have been produced. We expressly welcome artists exchanging among themselves). The connections are manifold: Roman is the son of Anne Frechen and pop art artist Milan Kunc, who was Moritz Reichelt's friendly teacher at the Düsseldorf Art Academy. When Anne was pregnant with Roman, she and Milan visited the studio of Flight 2 artist Mark Kostabi in New York, and there are photos of that too. It remains to be mentioned that Anne was the favorite student of Flight 1 artist and mentor Timm Ulrichs, who was virtually sitting at the table as a stone guest. What a memorable afternoon! Thank you, Anne!

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