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It’s still summer in my heart OK?!!
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Thank you @giadk @nytimes for the preview of our Amusement in Rockaway @beachsessions_rockaway. 

Can’t wait to share what we’ve been working on beach 110 tomorrow 6pm 📣📣📣📣📣
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AMERICAN IDLE IS NEXT WEEK! 🪩 Fri Aug 14 at 7pm and 9pm. Stay til midnight to see these icons on the billboards 🌟 @photo_by_baranova 

@tsqarts @worthlessstudios @lenaengelstein @delaney_aoife @lilyohneill @sound.by.ryan @lolabasiliere
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I have a four-channel video on view at DDDD @dddd.pictures in Tribeca as part of Rara, curated by Blake Oetting. Go see the show before it closes on August 1. ⚾️

Alexa West uses the score as part of her choreographic practice. Adapted from Bob Fosse and Carol Haney’s duet in “From This Moment On” from Kiss Me, Kate, the artist’s four-channel installation takes the dance’s archetypal rendering of male and female relationships as a gendered schema to tinker with and unspool. Working with two dancers, one male and one female, West choreographs each into both Fosse’s and Haney’s roles, dressed alternately as a witch or a baseball player. The result is a programmatic video score in which four distinct gender arrangements are performed, demonstrating the ways “male” and “female” operate as readymade devices and dancerly languages within the language of the Hollywood musical. — Blake Oetting

Witch Baseball, 2026
Four-channel video installation
1:54
Dancers: Owen Prum and Molly Ross
Cinematography: Kayhl Cooper

Thank you, Bob. Thank you, Carol.
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