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MrFox Post

@mrfoxpost

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Post production collective of Editors and Flame Artists.

POSTS STORIES REELS TAGGED

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PORSCHE X ATARI “Taycan Arcade”
 The original idea was Porsche Pong in a studio with a projected pixel ball. What if we could push it further and make the stakes a little higher. 
So we moved it to a runway at night and turned the pixel into a flying LED cube mounted to a race drone. The team at @xm2cine dived into the engineering and technical challenge and, with limited testing and a whole lot of can-do energy, absolutely brought it on the night.

Huge thanks to @giles.watson and Beck for backing a risky spin on their great idea. It was an ambitious shoot that demanded a lot from everyone involved, but seeing how people responded to the finished film made it all worthwhile.

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Legends on and Off the field for this one. Teamed up again with Matt McCaughey, Nat Taylor and Liz Malcher from Poppet and Boyd and Isabella from Gemba. Full credit list below…
Agency: Gemba
Executive Producer: Nat Taylor
Director: Matt McCaughey
Producer: Elizabeth Malcher
Director of Photography: Warwick Field
Photographer: Chris Hillary
Assistant Director: John Sandow
2nd AD: Brett Omara
3rd AD: Darcy Mellor
Gaffer Tommi Hacker
Grip: Peter MacDowell
Location Manager: Tony Saliba
Sound Recordist: David Ross
Wardrobe Stylist: Kris Knab
HMUA: Nisal Atapattu
Art Director: Lance Davis
Offline Editor: Michael Houlahan
Online Editor: Drew Moden, Mr Fox
Colour Grade: Martin Greer
Mix: Sam Hopgood, Bang Bang Studios

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@gmspecialtyvehicles Corvette Love Song featuring E-Ray Stingray & Z06. Dream gig belting round the Lang Lang ring with @killerwatts right footing the 488kW E-Ray like a boss…

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GMSV SILVERADO Live Big.
Make Australia V8 Again!

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This week, Australia introduced a social media restriction for young people under 16. It’s something I’ve thought about for hours…long enough that I felt compelled to make a short film in relation to the topic. ‘Screentime’ isn’t just about social media; it looks at the wider role screens play throughout childhood, but it’s built on the same concerns behind the ban. A collection of small moments that sit somewhere between concern, curiosity and hope.

Some key scenes in the film:

Slide 2: Inspired by the quiet inner world of teens making TikToks. The pressure, the performance, the need to be seen. I wanted to hint at that internal dialogue, gently and without judgement.

Slide 3: This is the opening scene of the film and it throws you straight in. A visual clash between real play and screens…familiar, absurd, and a little unconventional.

Slide 4: We’ve all seen this. What gets me is the missed chance for connection. Those small, throwaway conversations where kids quietly learn about the world. Screens can so easily steal that away.

Slide 5: One of my favourite scenes. Luke (DOP) and I set it up, then just let the camera roll. Eventually the kids forgot we were there. Everything you see from the posture, the reaction to their mum is completely real.

Slide 6: The turning point. When the screens die & boredom arrives and boredom is uncomfortable. But it’s in that quiet nothingness that imagination starts. It’s hard to articulate boredom, because nothing really happens, yet I think it’s one of the most important parts of childhood for creativity and problem-solving.

Slide 7: The final scene. I wanted to leave the ending open, a quiet space for the viewer to sit with their own thoughts about screens in childhood.

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Toyota Legendary Moments. Glenn McGrath.
A ripper I edited recently for Matt McCaughey through Poppet for Gemba and Toyota…

Director: Matt McCaughey. Production Company: Poppet.
Executive Producer: Natalie Taylor.
Producer: Darren McFarlane.
Agency: Gemba.
Creative Director: Boyd Hicklin.
Agency Producer: Isabella Antonacci.
Editor: Michael “Hooli” Houlahan.
Post House: Mr.Fox.
Audio: Bang Bang.

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I’m so incredibly excited to finally share that Screentime is now online and live to watch in full. Link’s in my bio. 👆(trailer shown in this reel)

Synopsis:
Screentime is a narrative short film and gentle social commentary exploring how children today experience childhood through screens. It draws a quiet, reflective comparison to a time before devices existed. It poses the question: is our relationship with screens harmless, or is it quietly stripping something essential away?

Through this film, I wanted to show how screen time can deprive children of those beautiful, intangible moments of emptiness. Boredom, stillness, imagination. All the things that are vital for growth.

What started as a passion project turned into something so much bigger than I ever imagined. I thought it was just going to be a portfolio piece, but it took me on a wild little adventure I didn’t see coming. I had no idea what I was doing half the time (hello imposter syndrome), but wowie, the personal growth was real!!

To every wonderful human who held my hand, gave advice, shared their time, skills and energy, thank you. 🙏 I’ve well and truly squeezed every last drop out of this project. And yes, I know you’re all probably sick of hearing me blab on about it.

If you’ve got 7 minutes to spare, grab a drink and sit with this little sentiment. It’s a quiet film. Not perfect, not fast or flashy. But I’m pretty bloody proud of it. #shortfilm #screentime

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Start spreading the news…we’re in Times Square!

We’ve been lucky to work with the amazing folks @moosetoys for over two years now and we’re thrilled to see our collabs hitting the VERY BIG screens in NYC.

Thank you @jesse_director who directed both of these darn delightful campaigns and to all of the crew and post teams who helped make them happen!

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In ad-land, few things are more satisfying than the careful mechanics of making very little people interact with regular people.

Here’s the wonderful 1:1 of @sienna_stass hanging out with the amazing 8.63rd of @khemadesilva , and of course, the best little crew in town. 🔥🔥🔥

Director: Carl J. Sorheim
Executive Producer: @nikround
Senior Producer: @bohogan._
Production Assistant: Tallulah Ruwhiu
1st AD: @khamalot
Cinematographer: @aaronfarrugia
1st AC: Lachlan Wright
Lighting/ Grip: @ryanfish_melbournelightrentals
Grip Assist: Adam Vitolins
Wardrobe/Art Department: @kristinakviva
Art Dept Assist: @giovanni_r_mauro
HMU: Sue Frey
Production Catering: Erin Hetrel
Production Runner: Sebastian Kelly
Post Supervisor: Felicity Stalph @mrfoxpost
QTake: Matthew Harding
Editor/VFX: Andrew Stalph
Colourist: Martin Greer
Senior Copywriter: Payal Nair
Senior Account Director: Brioni Pickhaver
Senior Account Manager: Olivia Martin
Agency: @strat_agency
Casting: @highwaycasting
Client: Oral-B

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So honored to announce that my debut short film ‘Screentime’ has officially been selected for the 2025 Oscar Qualifying St Kilda Film Festival. @stkildafilmfest

The film will screen on June 7th at 4:30pm at the Astor Theatre, St Kilda as part of the Brave New Worlds session. @astortheatremelb

Tickets available via the link in bio.

This means a lot to me, not just as a filmmaker, but as someone deeply passionate about telling stories that matter. Screentime is a personal project that explores the effect of digital devices on childhood, and being part of St Kilda Film Festival feels like a huge milestone.

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Great to see our new awareness and behaviour change campaign for Energy Safe Victoria out in the world.

Big love to the Energy Safe Victoria, the SickDog crew, Sibel Pictures and Thing FX for bringing it to life.

Production: Sibel Pictures
Director: Ben Saunders
Producer: Selin Yaman
DOP: Katie Milwright
Production Designer: Ben Bangay
Casting: Northside Casting
VFX: Thing FX
VFX Supervisor: Rob Ride
Compositor: Gene Hammond-Lewis
Matte Painting: Xavier Irvine
Post Production: Mr Fox Post
Editor: Andrew Stalph
Grade: Edel Rafferty
Online: Felicity Stalph
Sound: White Owl Sound
Sound Designer: Nick van Cuylenburg

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