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Nahuel Gerth

@nahuel.gerth

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šŸ—Æļø Code is a universal language, allowing us to talk to machines.
šŸ– Designer, researcher, creative technologist, storyteller.
šŸ“±Open for commissions.
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Excited to be a part of POPtober 2026, an initiative by @ultra_r3ve - everyday a new operator of the POP'S family in @touchdesigner Day 01 - GRID POP. Exploring the stretched organic grids interacting with a mouse -the idea is inspired by the work of @nahuel.gerth Picture credit - @clabenedit ā¤ļø #touchdesigner #pops #poptober #grid #interactivemedia
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A flexible identity for a living archive. Earlier this year we were invited for a pitch to develop the new visual identity for ASAC (Archivo Storico Biennale Venezia). Our proposal wasnā€™t selected, but the process behind it was too good not to share. Rather than designing a fixed logo, we approached ASAC as what it actually is: an ecosystem holding art, architecture, music, cinema, theatre and dance ā€” constantly growing, never static. So we built a flexible visual language instead of a mark: a generative system that can produce infinite, always-recognisable outputs across every format the archive needs, from exhibition graphics to social media. The starting point was a workshop analysis of how ASAC is perceived ā€” its colours, textures, rhythms. One form kept resurfacing: the spiral. Non-linear time, sedimented memory, the pull between conservation and openness ā€” all in a single gesture. We traced that gesture across a century of references, from Duchampā€™s Rotoreliefs to Hilma af Klintā€™s snail studies, Saul Bassā€™s Vertigo, the Guggenheim, whirling dervishes ā€” a shape that belongs equally to art history and to archives. To make the system usable in practice, we designed a generative tool: an application that lets anyone control the spiralā€™s structure, density, scale and motion, and export the result ā€” static or animated ā€” ready for print, exhibition, campaigns or social. The typeface, Season Variable, does the same job in type: a single variable font sliding from serif to sans along one continuous axis, letting ā€žpastā€œ morph into ā€žfutureā€œ on the page. Proud of where this went, even unbuilt. ā˜ž ASAC ā€” the Historical Archive of the Venice Biennale @labiennale ā˜ž Art direction & visual identity: @_lcbgn_ ā€” Atelier Luca Bogoni ā˜ž Generative tool development: Nahuel Gerth @nahuel.gerth #ASAC #VeniceBiennale #VisualIdentity #GenerativeDesign #DesignProcess
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By @nahuel.gerth: šŸ«§ Look at this fun bubbly website header I made for @gradual.works šŸ«§ How does it work? ā˜ž one image layer per bubble .createGraphics() ā˜ž use bubbles to mask the layers .mask() ā˜ž bubbles bounce off of cursor shape Built on a softbody experiment by the ingenious @juhani.halkomaki. Play with it here: šŸ”— https://nahuelgerth.de/tools/gradual/multiple-masks/
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šŸ’„ A new constellation has been born! The truth is in the stars, there's only one week left to apply to the master's degree program in English at the Academy of Arts, Architecture and Design in Prague @umprum_praha ! The two-year master's degree program that combines practical studio-based meetings and workshops with theoretical lectures on the history and theory of visual culture allows study in every UMPRUM studio: āš”Graphics Animation and Film @animaceumprum // Design and Digital Technology @ddt_umprum // Graphic Design and Visual Communication @gdvk_umprum // Graphic Design and New Media @atelier_gdnm // Illustration and Graphics @ilustraceumprum // Photography II @f2umprum // Type Design and Typography @umprumtype āš” Fine Arts I, II, III, and IV @vu1_studioofsculpture @vu2_umprum @vu3_umprum @vu4umprum āš”Design Industrial Design @d1.prumysl // Furniture and Interior Design @d2_umprum // Product Design @d3_umprum āš” Applied Arts Ceramics and Porcelain @keramika_umprum // Concept ā€“ Object ā€“ Meaning (KOV) @k.o.v.umprum // Fashion and Footwear Design @fashion_and_footwear_umprum // Fashion Design @fashiondesignstudio_umprum // Glass @glass_umprum // Textile Design @textilestudio_umprum āš” Architecture (a three-year master's degree program) Architecture I, II, III, IV @a1__umprum @a2_umprum @a3studioprague @a4_umprum šŸ’„ We look forward to your applications till March 31st 2026! For more info, email to visualarts@umprum.cz or check out https://www.umprum.cz/en/web/applicant/ma-program-in-english Design by Nahuel Gerth @nahuel.gerth, a Germany-based graphic designer and a VA master's program graduate from the Graphic Design and Visual Communication studio, UMPRUM @gdvk_umprum
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šŸ”œ tickets available: šŸ”— fleuron.tf @nahuel.gerth impressed us a helluva lot during his 2024 @inscript.tf presentation, using the body as an interface toward typographic ends. Now, weā€™ve invited him back to make a cameo (or more!) at our upcoming @fleuron.tf, and delve into the ways he thinks about nature through the lens of code The 2026 #fleuronā€”taking place live, online, April 22-24ā€”will showcase work from @colorsandthekids, @aiste_ambrazeviciute, @mrkdrf, @_marcdavid_, @bonnie2.0.0, @hypereikon, @perspek.steven, @annaluciacodes, @jinyoungkim.official, @celinehurka, @launorma, @petreske, @yudho.xyz, @alexvxvxvxvx. šŸ¤ Meant to be a broad catalyst for learning and tech, the presentations at #fleuron span creative code, illustration, typography, installation art, interactivity, gadgetry, dimensional design, and new tools, with a focus on whatā€™s captivating creative minds today, presented both as theory and practice. tickets available: šŸ”— fleuron.tf šŸ¤ šŸŒ± šŸŒ 36ā‚¬, 15+ presentations, 6 months of access
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La typographie ne sert pas quā€™aĢ€ eĢcrire vos textes. Elle devient le moteur creĢatif de votre systeĢ€me visuel : icoĢ‚nes, illustrations, visuels 3D, motifsā€¦ Tout en garantissant : - Une coheĢrence et consistance parfaite - Des deĢclinaisons infinies - Une creĢation autonome Aujourdā€™hui, je vous partage trois exemples concrets qui montrent comment des designers/studios utilisent les typographies pour geĢneĢrer des systeĢ€mes visuels complets. Avec en bonus, un outil accessible gratuitement pour creĢer vos propres patterns. Cā€™est lequel votre projet preĢfeĢreĢ ? --- **Hello, moi cā€™est Denis, cĢ§a fait + de 3 ans que je creĢe des systeĢ€mes visuels pour transformer votre identiteĢ en systeĢ€me opeĢrationnel.** #branddesign #visualsystem #creativecoding
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By @nahuel.gerth: Time to wrap up this year with some ASCII explorations. 2025 has been good but Iā€™m glad itā€™s finally over. It felt increasingly sped up and stuffed which so much happening around the world (good and bad). Have some silent and happy days between the years šŸ’«šŸ’«šŸ’« Hereā€™s how the tool works: ā˜› draw a 3D model / image / video as input ā˜› analyze its gray values pixel by pixel ā˜› pick colors and letters for different gray values ā˜› done More on this tool next year :-) ā— get new fonts & submit works: ā— contemporarytype.com
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Textmode Portrait series 2025 ā€” #10. Nahuel, @nahuel.gerth Ā· Nahuel is a creative technologist and information designer from Germany. He is driven by curiosity and loves playful explorations. Ā· Ā· Ā· Ā· Ā· Ā· Ā· Ā· Ā· Ā· Ā· Ā· Ā· Ā· Ā· Ā· Ā· Ā· Ā· Ā· Resolution= 1080x1440 [0] Grid size= 65x90 Char sets= !ā€œ#$%&ā€˜()*+,-/0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`.:ā•±/::__++**``==??!!ĀæĀæ\ā•²:.{|}~ Font= bescii.ttf Image= ig_00093.png Video= gen15.mov Background settings= RGB | 0,0,0 splitflapInterval= 0ms pixelSorting= true toggleAlphaBG= false backgroundAlpha= 255 toggleFlapDir= false imageSpeed / intervalStatic= 5
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More fun collabs to share from our design studio (@type01studio) ā  ā  "Snake" šŸā  ā  For this mini brief, we collaborated with Nahuel Gerth (@nahuel.gerth) to explore creative code ā€” looking at how it can add meaning, depth, and interactivity to brand storytelling and identity work.ā  ā  #type01 #kinetictype #kinetictypography #motionlovers #movingtype #creativecode
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Nahuel loves setting up room for exploration and play. He usually works in clearly defined explorative rounds in which ideas are bounced back and forth. After that he moves on to a phase of focus, clarifying and fine tuning. In the end itā€™s a co-creative effort in which all input is as important as his interpretation and output. @nahuel.gerth
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Nahuel Gerth shared that he feels like a designer lost in the world of code. Very much like a certain young boy when Hagrid blew his mind with: ā€œyouā€™re a wizard, Harryā€. @nahuel.gerth
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ā€œWhat fascinates me about code is that it represents the DNA of our modern worldā€ @nahuel.gerth
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