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@nikitaneitzke

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📡 @duo_ufo 📡
@abk_weissenhof.programm

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„Greater Sandhill Crane“ Concept Exhibition -
including two site specific interventions and a scale modell.

The exhibition reveals the planned sculpture for the first time - an artwork we have been working on for two years. It is meant to be installed in 2027 at Pariser Platz in Stuttgarts Europe-District.

The sculpture “Greater Sandhill Crane” reveals the animalistic nature of the machine: like a giant bird, it leans toward people and engages with them.
Two new curved jib elements are added to the existing modular crane system.

In the urban landscape, the crane no longer locates a construction site. Instead the sculpture marks a new space for culture, interaction and community.

Pictures by
@360rpm

Funded by
@bb_stiftung

Location
@infoturmstuttgart

Thank you
@erikxsturm

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A collaboration by finster3000 + @duo_ufo 💛❤️🩷
Thank you for the inspiring collaboration on this Kunst am Bau project!

With “Ich mach’ mir die Welt”, we created a sculptural wayfinding system for Kreishandwerkerschaft Hellweg-Lippe — a spatial metaphor for guidance, support, and the strength of craft.

Conceived as a finalist competition entry, the project unfolds across five locations, where a curved structure and a vibrant multi-fiber strand respond to movement, space, and the diversity of the different guilds. Dynamic and adaptable, the installation leads apprentices, staff, and visitors from the roundabout to the forum — pointing toward a shared future. 🚀

#KunstAmBau #ArtInArchitecture #PublicArt #Architecture #Art #SpatialDesign #InstallationArt #Wayfinding #Sculpture #ArchitecturalInstallation #BuiltEnvironment #CreativeCollaboration #Craftsmanship #Handwerk #DigitalFabrication #Fabrication #ParametricDesign #ComputationalDesign #DesignBuild #MaterialPractice #FutureOfCraft #ExhibitionDesign #ContemporaryArt #SiteSpecific #SpatialIntervention #DesignProcess #Making #FormAndStructure #ArchitecturePhotography #ArtAndArchitecture

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,Frero‘

Olympus mju-1 | Fomapan 200

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Meisterschüler*innen Vorstellung
Jahrgang 2025/27

DUO UFO

Unter dem Namen DUO UFO arbeiten Nikita Neitzke und Jonathan Ohr seit 2021 gemeinsam an der Schnittstelle zwischen Kunst, Architektur und Design und gestalteten durch ihre Zusammenarbeit mit diversen Einrichtungen in den letzten Jahren den Kulturraum Stuttgart mit. Inhaltlich beschäftigt sich DUO UFO vorwiegend mit Wahrnehmung und Raum, insbesondere der gebauten Umwelt und aktuell mit Objekten und Systemen der technischen Infrastruktur.
Neben ihrem abgeschlossenen Diplomstudium im Industrial Design, sowie ihrem Meisterschülerstudium in der freien Kunst an der Staatlichen Akademie der Bildenden Künste Stuttgart studierten sie ebenfalls an der ECAL in Lausanne und der ENSCI les Ateliers in Paris.

Bild 1: @erikxsturm

Bild 2: @duo_ufo

Bild 3: @lester.kielstein

Bild 4: @panthonywahl

Bild 5: @lester.kielstein

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✍🏻HOMEWORKS LAUNCHING ✍🏻

HOMEWORKS: Our new limited edition brings bold, playful designs straight to your home. Created in collaboration with ECAL Bachelor Industrial Design Students.

➡️ Shop now! Exclusively at micasa!

💡 Students
François Ader ( @fader.design )
Abla Bolassi Owoussi ( @bolassidesign )
Aurélien Clerc ( @system__d )
Jean-Elie Matile ( @jean_elie.matile )
Nikita Neitzke ( @nikitaneitzke )
Lélie Guiochet ( @lelie.guiochet )
Alexandre Li ( @ll_i_al )
Jeremy Loup ( @jmy_project )
Titouan Longatte ( @titou.di )
Flavia Renaud ( @flaviarnd )
Eva Reymond ( @efa__design )
Maëlle Roten ( @maelle.roten )
Mael Sandoz ( @mael.sandoz )
Joab Scheiter ( @joab_schn )
Noah Stanley ( @noah___stanley )
Salla Vallotton ( @sallvikki )

🤝 Creative Directors
micasa @projetarpel
ECAL @davidglaettli

🎥 @giannicamporota
📸 @calypsomahieu

#micasa #ECAL #collaboration #HOMEWORKS #limitededition #swissdesign #designforeveryone

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„Future Fossil 1:1“

DUO UFO 2025
Steel
1,8m x 1,2m x 2,8m

From April to July 2027 a giant is about to appear in Stuttgart's city center:
A construction crane in a new form joins the familiar Stuttgart 21 skyline. Etymologically, the word (construction) crane is derived from the crane, which uses its long neck to pick up wood to build its nest. The artwork entitled “Greater Sandhill Crane” takes on the animalistic character of the giant construction machine and breathes life into it. The crane seems to lean down towards the people, to meet them at eye level after years of distance.
The first traces of the sculpture can already be seen this summer in the “Work in Progress” exhibition.

Pictures by the one and only @lester.kielstein
Supported by @lanthanbefeuerung @jo.47.b

#jib #jibtip #curve #underconstruction #duoufo

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During the most important art fair, when collectors from all over the world flood the city of Basel
and the heavyweights of the gallery scene achieve record sales in the exhibition halls, the
Broken Gallery, together with its friends from Basel, presents works created at the academies
– still far removed from the art market. These are shown at a mobile exhibition stand in the
open air, at various changing locations. The booth is an exact replica of a standard Art Basel
exhibition stand: a small white cube. It will host frequent presentations by various artists, fea-
turing painting, performance, sculpture, and video screenings. The concept of mediation is
centered on motivated sales talks.
„Attacke der Retroavantgarde“ is a statement, a pseudo-radical announcement, and a sales
slogan all at once. The exhibition booth is a sculptural setting that brings art into the open air
and exposes it to daylight. It can be read as a symbol of both demarcation and participation.
The booth represents a counter-model to the air-conditioned, controlled, and exclusive atmo-
sphere of the exhibition halls. This intervention is a gesture that explores the tension between
avant-garde and commerce. It subtly yet pointedly invites reflection on the art market and the
role artists play – and could play – within it.
#contemporaryart #abkstuttgart #artbasel #performance #klassejankowski

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Metamorphose

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,Komplentäre Reisen‘

Olympus mju-1 | Kodak 200

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manchmal fühlt sich schmirgelpapier wie streicheln an

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process of „Deckenschalung“ (2024)

part of our exhibition „UNDER CONSTRUCTION“, a series of three objects dealing with the aesthetics of construction site elements and their role in the city.

Formwork elements are the center of most modern construction sites and a symbol for big concrete buildings that shape our cityscapes.
The sturdy wooden beams bend and start to build an architecture themselves.

material by @doka_international

#formwork #constructionsite #process #building #production #steel #wood #bend #art #design #architecture #doka #woodworking

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