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Nuclear Dudes

@nucleardudes

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We are The Nuclear Dudes

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💿 ZERO PARADES: For Dead Spies Original Game Soundtrack is out now 💿
Stream It now everywhere
Buy it on #steam

This one means everything to me. Nearly two hours of original music for one of the most ambitious and beautiful projects I've ever been part of — and it wouldn't exist without the extraordinary people who gave it life.

A massive, heartfelt thank you to @zaumstudio and @_rubrin9 for trusting me with this 🙏

CREDITS:
- Music by Fernando Cabrera
- Produced by @fg_sound & Fernando Cabrera
- Arranged by @arturopueyomusic & Fernando Cabrera
- Additional Arrengements by Frankie Cámara
- Mixed & Recordad by @fg_sound
- Performed by
@bobbymartinez4334 - Sax
@arturopueyomusic - Clarinet, Bass Clarinet
@javiermorenobass - Bass
@piersbruera - Drums
@_rubrin9 - Guitars, Mandola
@jonwygens - Cittern
@dvpalacios - Trumpet
- Recordad at @javier_monteverde_cezanne

TAPES:
"Cover the Moon when I'm Gone"
- Written by @patroklos_oriain @ellanorte @caye_gutierrez & Fernando Cabrera
- Performed by @ellanorte
- Additional Vocals by @caye_gutierrez @cristinazadia
- Recorded by @caye_gutierrez

"You but from a Dream"
- Written by @patroklos_oriain @ellanorte & Fernando Cabrera
- Performed by @ellanorte

"Superbloc, baby!"
- Written by @patroklos_oriain & Alex Louis Ryan
- Performed by @patroklos_oriain & Alex Louis Ryan

"Blood Golem"
- Courtesy of @nucleardudes
- Performed by @nucleardudes

Tapes mixed by @fg_sound

To every single one of you — THANK YOU! This soundtrack couldn't be possible without you 🧡

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We open with a spirited takedown of LinkedIn, that strange professional theater where everyone is “circling back” and nobody knows why. Our latest Snaggletoon launches into orbit with the classic question: what actually happens when astronauts sneak a corned beef sandwich into space? Science, crumbs, and congressional inquires.CD Lookback: V/A – 30 Seconds Over DC, Here Comes the New Wave (1978), a scrappy time capsule from punk’s more angular cousin.We sit down for a fun interview with Jon Weisnewski of Nuclear Dudes, talking drums, kids making album covers, and keeping cranial accessories.New music reviews bring the heavy: First Draft -An Instant Before The Promise Of Dawn• Desert Collider - Generation Ship: Endless Drift Through Infinity • Lesbian Bed Death - Satan’s Cellar Link in bio! #nucleardudes #firstdraftband #desertcollider #lesbianbeddeathband #linkedinhumor

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Daaaamn, this album is ferocious!! 🔥🔥 Well done, dudes! 🤘🏽🤘🏽@nucleardudes

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killer releases by @tgic_recs

#vinyl #tgicrecs #nucleardudes #tendinite

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Here is the full length ANTISAX video by @nucleardudes , presented in dual screen vertical mode, just to be weird. You can also watch it in single screen mode (as creator @whiteymcconnaughy intended) on @nucleardudes page and YouTube. A few words from Whitey on creating the unique visuals you see here:
“This was an extremely low budget video. We shot the entire video at Coady’s small, empty practice space with a crew of three people. We created a rear projection screen out of a plastic drop cloth, pulled taught between some PVC pipes. Before the shoot, I edited a video of colored backgrounds with varying light intensities to the beat of the track, which we later projected behind the band as they played.

I think the old, analog video—using a 1981 tube video camera—gives the images a surreal, painterly quality while tweaking the light sensitivity setting (which we did manually) gives moments a “Nuclear” look to them. We were constantly surprised by the images we were getting as we were shooting. Occasionally, we’d all stop and check out the video playback and laugh out loud at how crazy they looked. This video is a true example of, necessity being the mother of invention.”

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Images and clips from a new music video I made for the Nuclear Dudes track, "Antisax". All the color, lighting and glitch effects were done in-camera, NO video FX or plug-ins were used in the edit. The video was shot on my 1981, analog, vacuum tube video camera.

The look you see was created by quickly adjusting the camera tube’s color and light sensitivity settings to the rhythm of the track as the Nuclear Dudes performed the song. These in-camera FX were permanent when recorded to the Mini-DV deck. We also shot some performances with a small HD camera. I then shot the raw HD clips off a video monitor with the vintage tube camera, while manipulating the vacuum tube settings to the track, causing the same unique glitching, color shifts and ghosting effects. I also used this same technique on the opening titles. .
More info on the making of in the images.

Thanks to Coady and Jon and Michael Svitak. @svitak .
Check out the full video at @decibelmagazine
#analogvideo #analogvideoart . THE BAND;
Nuclear Dudes is the project of multi-instrumentalist and underground mainstay Jon Weisnewski (Sandrider, Akimbo), and features drumming god; Coady Willis (Big Business, Melvins, Murder City Devils).
Skeletal Blasphemy will be released by The Ghost Is Clear Records. https://theghostisclearrecords.com/

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⚡ New Review ⚡
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Martin dives into Nuclear Dudes 'Skeletal Blasphemy' – Skeletal Blasphemy is a creative masterclass while also being a heavy, pummeling mindfuck. Read his words over at The Sleeping Shaman👇
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https://thesleepingshaman.com/reviews/nuclear-dudes-skeletal-blasphemy/
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@nucleardudes @tgic_recs @earsplitcompound @mroc71
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#Review #AlbumReview #MusicReview #NewMusic #NuclearDudes #SkeletalBlasphemy #Hardcore #Grindcore #DeathMetal #ProgressiveMetal #Synthwave #IndustrialMetal #TheGhostIsClearRecords #TheSleepingShaman #SleepingShaman #MartinWilliams

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@nucleardudes new video for the song ANTISAX from the album SKELETAL BLASPHEMY premieres this Wednesday at @decibelmagazine ! Video by @whiteymcconnaughy NUCLEAR DUDES is the inventive, anarchic yet sophisticated project of multi-instrumentalist and underground mainstay Jon Weisnewski (Sandrider, Akimbo). Originally conceived as a COVID-19 lockdown hyper hybrid, clever blend of Gary Numan meets Carcass, the project has since grown longer legs to include collaborations and a wider array of influences.

“NUCLEAR DUDES started as ‘something to do’ during the pandemic,” Weisnewski offers. “Turns out it’s real sticky. It’s become a consistent project that is exploring metal/grind, synth, and collaborating with musicians I love and admire.”

Skeletal Blasphemy is perhaps the most focused effort yet under the NUCLEAR DUDES moniker, a rollercoaster team-up with Coady Willis (High On Fire, Melvins, Murder City Devils), one of heavy rock’s most lauded percussionists.

“Coady and I started planning this release in 2023 and both worked on it on the side through 2024,” Weisnewski says. “Coady recorded all the drums at his own studio. I recorded all instruments and vocals at my house or practice space in Seattle, Washington.”

Despite the distance, the material has an incredible kinetic energy and wholeness to it. It “cooks,” as the kids say. Coming off as some futuristic hybrid that fans of rhythmic shifting pioneers like DFA 1979 and Lightning Bolt or more experimental Mastodon and new wave fans could all enjoy, Skeletal Blasphemy makes the impossible sound not only concise, but organic and logical. It extends the synth punky and multi-faceted earnestness of the group’s cartoony and disorienting yet potent attack into something even more formidable.

Weisnewski elaborates, “Some songs I wrote isolated and Coady played to them (‘Skeletal Blasphemy,’ ‘Fully Clothed,’ ‘Still Afraid’), and some songs were a drum part that Coady put together that I layered music on top of (‘Tastes Like Medicine,’ ‘The Octopus’). It was a pretty creatively unrestricted project in that sense.”

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@nucleardudes “ANTISAX” VIDEO PREMIERE THIS WEDNESDAY AT @decibelmagazine ! Video by @whiteymcconnaughy
NUCLEAR DUDES is the inventive, anarchic yet sophisticated project of multi-instrumentalist and underground mainstay Jon Weisnewski (Sandrider, Akimbo). Originally conceived as a COVID-19 lockdown hyper hybrid, clever blend of Gary Numan meets Carcass, the project has since grown longer legs to include collaborations and a wider array of influences.

“NUCLEAR DUDES started as ‘something to do’ during the pandemic,” Weisnewski offers. “Turns out it’s real sticky. It’s become a consistent project that is exploring metal/grind, synth, and collaborating with musicians I love and admire.”

Skeletal Blasphemy is perhaps the most focused effort yet under the NUCLEAR DUDES moniker, a rollercoaster team-up with Coady Willis (High On Fire, Melvins, Murder City Devils), one of heavy rock’s most lauded percussionists.

“Coady and I started planning this release in 2023 and both worked on it on the side through 2024,” Weisnewski says. “Coady recorded all the drums at his own studio. I recorded all instruments and vocals at my house or practice space in Seattle, Washington.”

Despite the distance, the material has an incredible kinetic energy and wholeness to it. It “cooks,” as the kids say. Coming off as some futuristic hybrid that fans of rhythmic shifting pioneers like DFA 1979 and Lightning Bolt or more experimental Mastodon and new wave fans could all enjoy, Skeletal Blasphemy makes the impossible sound not only concise, but organic and logical. It extends the synth punky and multi-faceted earnestness of the group’s cartoony and disorienting yet potent attack into something even more formidable.

Weisnewski elaborates, “Some songs I wrote isolated and Coady played to them (‘Skeletal Blasphemy,’ ‘Fully Clothed,’ ‘Still Afraid’), and some songs were a drum part that Coady put together that I layered music on top of (‘Tastes Like Medicine,’ ‘The Octopus’). It was a pretty creatively unrestricted project in that sense.”

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Read our review for synth-y metal/grind project Nuclear Dudes and their new album "Skeletal Blasphemy"!

The album was released on November 14 via The Ghost Is Clear Records!

"Two albums in one year is a lot for any project, especially for someone like me who really appreciates marinating with one for a while before wanting another helping, but the succinct nature makes them hit hard and not feel like wasted effort in a crowded space. Still, I hope Weisnewski lets this stuff breathe more than not – no matter how good the music is, oversaturation can kill a vibe or cannibalize itself and that’s not the right kind of death for a project like this."

#nucleardudes #everythingisnoise #theghostisclearrecords #industrialmetal #synthpunk #grindcore

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