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@o_o.m__m

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📅 Freitag, 13. November | 19 Uhr
📍 Polnisches Institut, Citadellstr. 7, Düsseldorf

Eintritt frei.
Anmeldung: duesseldorf@instytutpolski.pl |
Stichwort: Vernissage

Die Ausstellung verbindet traditionelles Handwerk, zeitgenössische Kunst und interdisziplinäre Forschung zu einer sinnlichen Auseinandersetzung mit unserer Umwelt. Objekte, Installationen, experimentelle Filme und Zeichnungen zeugen vom Sammeln, Glätten, Weben und Verbinden. Als Antwort auf ökologische Herausforderungen eröffnet das Projekt neue Perspektiven auf unsere Beziehung zur Natur und lädt dazu ein, Wahrnehmung und Handlungsspielräume neu zu entdecken.

Künstlerinnen und Künstler:
P55 Mirrors (Beata Ludwin, Łukasz Wołek), Iza Tarasewicz, Anna Bera, Huba (Jakub Ciemachowski, Piotr Kołakowski), Marek Wodzisławski, Agata Marchlewicz, Olga Micińska, Zinaida Tchelidze, Rest Studio (Dominika Gacka, Julia Piekarska), Olga Milczyńska / Wiesław Bartkowski, Jakub Święcicki,
Anna Pohl / Barbara Kubska, Paweł Szeibel

Kuratorin: @martalisok

Mitveranstalter: @now.nowerzemioslo

Ausstellungsdauer: 14.11.2026 – 26.02.2027
Im Rahmen des Festivals bleibt die Galerie des Polnischen Instituts am 14. und 15. November für Sie geöffnet.

Das Festival Polish Freedom Weekend steht unter der Schirmherrschaft von Marta Cienkowska, Ministerin für Kultur und Nationales Erbe der Republik Polen, Ina Brandes MdL, Kulturministerin des Landes Nordrhein-Westfalen, und Dr. Stephan Keller, Oberbürgermeister der Landeshauptstadt Düsseldorf.

Medienpartner: @polskaagencjaprasowa

@kultura_gov_pl @mkw.nrw @duesseldorf

@poland.pl @polandmfa

Fot. Alicja Kielan, studio REST.

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Almos t Open studios @Rijksakademie - 19-22 Nov 🌝 during @amsterdam.art week 🗓️ join us and come see what this brilliant bunch has been working on xx

Residents: Kenneth Aidoo, Waèl el Allouche, Mario Sergio Alvarez Gonzalez, Clara Amaral, AYO, Hamza Badran, Sharan Bala, Zuzanna Bartoszek, Antón Ceballos, Avril Corroon @av_corroon , Aishwarya Das @aishwaryaadas, Mîrkan Deniz @mirkandenizz , Goulven Derrien, Krystel Geerts @krystelgeerts , Dan Guthrie @danglefree, S*an D. Henry-Smith, Choi Heong-uk, Helena Hoogenraad @helenahoogenraad, Hu Liwei, Joanne Igbuwe, Astrit Ismaili, Lotte Louise de Jong @lola_laiser, Li Yi-Fan, Farren Linhares, Nazif Lopulissa @nasbami , Lucas Lugarinho @lugarinhol , Eugene Macki @eugenemacki_ , Olga Micińska, Priss Niinikoski @prissui , Chathuri Nissansala @chathurinissansala , Bahar Noorizadeh, Bodil Ouédraogo, Ashis Kumar Palei, Debashish Paul, amy pickles, Sandra Poulson @sandrapoulson, Ashfika Rahman, Smári Róbertsson, Nestor Siré, Dicky Takndare, Hasan Özgür Top, Chin Tsao, Mavi Veloso @maviveloso , Pam Virada @_pamvirada , vo ezn, Lotte Werkema, Baha Görkem Yalım @g.orkem, Abdo Zin Eldin @abdudo.

2026 tech fellows: Akash Kumar @akash_badal_, Ruth Legg @r_f_legg Elena Štrok, YP Yuanpu Wang @yp_yuanpu , Damianos Zisimou @damianos_zisimou

Design by: Julia Born @julia_born & Linda van Deursen

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Rijksakademie resident Olga Micińska @o_o.m__m presents ‘Routine Maintenance: A Tale’ together with Lower Levant Company (Emiddio Vasquez & Peter Eramian) at Thkio Ppalies in Nicosia, Cyprus.

The exhibition brings two existing works into conversation, tracing histories of military transmission and surveillance in Cyprus alongside the lives and movements of bats. Recordings range from frequencies captured near British RAF military antennae to bat calls recorded in Cyprus, Cuba and Texas. Through speakers, ceramics and sculptural forms inspired by artificial bat houses, the works explore how human and other-than-human life inhabits and crosses militarised landscapes.

‘Routine Maintenance: A Tale’ opens 16 October at 19:00 and runs through 6 November 2026.  Photos from Sonic Acts: Peter Eramian
Poster design: Olga Micińska
Photo on the poster: Haris Nicolaou

#Rijksakademie #OlgaMicinska #OlgaMicińska

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Routine Maintenance: A Tale
Lower Levant Company & Olga Micińska

Thkio Ppalies is pleased to present Routine Maintenance: A Tale, a sculptural sound environment by Lower Levant Company (Emiddio Vasquez & Peter Eramian) and Olga Micińska. At the core of the installation two existing works are brought into conversation: Crossover Frequency Spectrum (2024, LLC in collaboration with Gaetano di Gregorio) and Bad Luck to Every Magistrate, and Bad luck to Every Gamekeeper (2026, LLC & Olga Micińska), previously presented at the 60th Venice Biennale Cyprus Pavilion (@forever.informed) and the @sonicacts Biennial in Amsterdam, respectively.

The title of the exhibition cites the official statement by the Sovereign Base Areas (SBA) authorities regarding the ongoing developments at Akrotiri Salt Lake, where locals are protesting plans to erect as many as 68 new communications antennae, describing them as “antennae of death”. According to the statement, any work currently ongoing is “associated with routine maintenance” and not with plans to install new listening antennae. So the tale goes…

Opening: 16/10/2026, 7pm
Duration: 16/10 – 06/11/2026
Opening hours: Wednesday-Friday, 6-8pm (or by appointment)

Poster by Olga Micińska
Photo by Haris Nicolaou

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September in NL

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Join us for practicing collective economies at the 𝔹𝕎𝕠𝕠𝕜𝕤𝕙𝕠𝕡, 𝕎𝕙𝕖𝕣𝕖 𝕨𝕖 𝕤𝕖𝕝𝕝 𝕖𝕧𝕖𝕣𝕪𝕥𝕙𝕚𝕟𝕘 𝕖𝕩𝕔𝕖𝕡𝕥 𝕓𝕠𝕠𝕜𝕤, 𝕍𝕠𝕝. 𝕀𝕀

Thursday 9th July 2026
15.00-20.00
Hall West, Rijksakademie

For the second edition of the BWookshop, we’re setting a donation table for Venezuela earthquake relief. All proceeds will go to Impaktemos Asociación Civil @impaktemos , a group which goal is not only to deliver aid but to stay alongside people for the next 90 days, helping them recover minimum living conditions, stability, and hope through human accompaniment: trained volunteers who stay close to families, offer emotional support, organize activities for children, provide basic assistance, reinforce schooling, and offer a steady presence that helps rebuild everyday life, little by little. The strategy is designed in blocks of 100 people. Each block covers food, hydration, hygiene, basic health care, essential supplies, and comprehensive human support for three months. This includes 27,000 meals, hygiene kits, a first-aid kit, nursing care, mattresses, sheets, clothing, transportation, logistics, and weekly follow-up.

The BWookshop rethinks books as merchandise, publication as a form of exhibition, performance and the book-commodity as a sub-critical fetish. It is also an economic community experiment, through the cross-eyed gaze of baroque economies.

The second edition of the BWookshop hosts, converges, stages, and spatially engages with Hall West spaces at the Rijksakademie. Join us for performance, collective reading, print & sewing workshops, face painting, drawing happenings, immaterial and material merch…

El nuevo arte de vender libros! :D ¡The new art of selling books! :DD

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Spring Amsterdam people 🌸💕🌸💕🌸

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Bad luck to every magistrate, and bad luck to every gamekeeper (2026)

Lower Levant Company in collaboration with Olga Micińska (@o_o.m__m).

Wood, metal, insulation foam, transducer speakers, locking pins. Audio, Stereo, 10min loop with number intermissions.

Two wooden resonant structures – modelled on the interiors of bat houses and resembling ritual contraptions – transmit a soundscape composed of roosting bats, a fictional number station, and ELF radio recordings captured in Cyprus near the British RAF bases in Akrotiri, Limassol, and Troodos. RAF Akrotiri served as the transmission locus for a number station allegedly operated by the British Secret Intelligence Service (1960–2008) to send encoded messages across the region. Discovered by radio enthusiasts, the station opened each broadcast with a jingle from the English folk song The Lincolnshire Poacher. The project’s title reframes a couplet from this song as an omen aimed at the ‘magistrates’ and ‘gamekeepers’ active on the island and in the surrounding region, while fictionalising coded numbers through local land histories.

Bats bridge the non-human world with their environment through echolocation, embodying an ecological ‘call and response’, prompting a reconsideration of how we engage with transmission technologies and their ecological consequences. Their calls reinterpret Cyprus’s geopolitical radio history as an ‘antenna island’ shaped by surveillance and eavesdropping. These sonic abodes propose a symbolic reinhabitation of bat colonies near the bases, subverting RAF infrastructures and inviting listeners to imagine rebuilding after misfortune befalls the ‘magistrates’ and ‘gamekeepers’.

Presented at @sonicacts biennial 2026: Melted for Love, curated by Angeliki Tzortzakaki (@paradise_host).

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Only a few more days to visit 𝙏𝙝𝙚 𝘽𝙧𝙤𝙠𝙚𝙣 𝙋𝙞𝙩𝙘𝙝𝙚𝙧 at de Appel!

The collaborative project by Natascha Sadr Haghighian, Marina Christodoulidou and Peter Eramian looks at the banking system and the potentials for changing the script of interacting with it.

In the iteration at de Appel, 𝘛𝘩𝘦 𝘉𝘳𝘰𝘬𝘦𝘯 𝘗𝘪𝘵𝘤𝘩𝘦𝘳 foregrounds historical patterns of rupture through interlocutors who approach their practice both as a social score and as a means of infrastructural confrontation and critical intimacy. In parallel to the walk-in installation, research material, video interviews and film, these contributions expand on the intent of place-making, calling for the urgency to recontextualise and reclaim both space and narrative. Within this movement, the additional artistic contributions by Stelios Kallinikou, Olga Micińska and Maria Toumazou trace the dead ends of state bureaucracy and the collapse of banking as a social structure.

Visit the exhibition until Friday 20 March! For visitor's information and opening hours, please visit 𝗱𝗲𝗮𝗽𝗽𝗲𝗹.𝗻𝗹.

Image 1 & 2: Stelios Kallinikou, 𝘋𝘦𝘴𝘦𝘳𝘵, 2021–2025
Image 3: Olga Micińska, 𝘞𝘦 𝘧𝘭𝘦𝘸 𝘪𝘯 𝘮𝘶𝘥, 2025
Image 4: Olga Micińska, 𝘛𝘩𝘪𝘴 𝘵𝘰𝘰 𝘴𝘩𝘢𝘭𝘭 𝘱𝘢𝘴𝘴, 2025
Image 5 & 6: Maria Toumazou, 𝘚𝘤𝘳𝘪𝘱𝘵, 2016/2025

Photos: Peter Eramian

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Olga Micińska
~ The Broken Pitcher ~
de Appel, Amsterdam, The Netherlands
17.01–20.03.2026, 14:00–20:00

A project by Natascha Sade Haghighian, Marina Christodoulidou, Peter Eramian

with

Raissa Angeli, Dimitris Chimonas, Stelios Kallinikou, Athina Kassiou, Orestis Lambrou, Orestis Lazouras, Olga Micińska, Panagiotis Mina (Pyrgatory Studios), Faysal Mroueh, Keti Papadema, Nayia Savva, Nikos Stephou, Maria Toumazou, Rumen Tropchev, Emiddio Vasquez

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The project traces the effects of financialisation and austerity attending to a concrete case: a crucial meeting at a bank, negotiating the foreclosure of a family home in Larnaca, Cyprus in 2019. “The Broken Pitcher” looks at the banking system and the potentials for changing the script of interacting with it.

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Olga Micińska contributed to the project two sculptures:

This Too Shall Pass, 2025, mud bricks, concrete sculpture, 60 x 42 x 24 cm

We Flew in Mud, 2025, wood, metal, clock mechanism, Ø 90 x 8 cm

📸 Peter Eramian, 2026

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@o_o.m__m @de_appel @petereramian #olgamicinska #deappel #thebrokenpitcher #groupshow #amsterdam

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Angels

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#ukryteparametry

Właśnie pożegnaliśmy wystawę „Ukryte parametry”, która przez ostatnie miesiące wypełniała przestrzenie OP ENHEIM. Był to niezwykły czas odkrywania potencjału i różnorodnych możliwości współczesnego polskiego rzemiosła artystycznego.

Dziękujemy @olga.milczynska, wiceprezesce @now.nowerzemioslo za zaproponowanie nam tej wyjątkowej współpracy i zaufanie, dzięki któremu mogliśmy wspólnie zrealizować ten projekt.

Wyrazy wdzięczności kierujemy także do kuratorki, @martalisok, za wrażliwość, konsekwencję i stworzenie spójnej, poruszającej opowieści o współczesnym rzemiośle.

Z całego serca dziękujemy wszystkim artystkom i artystom biorącym udział w wystawie: @annabera_, @huba.studio.ceramics, @polishcuttings, @o_o.m__m, @olga.milczynska, @p55mirrors, @rest_textilestudio, @_kuba_swiecicki, @izatarasewicz, @zinaidatchelidze, @marek_wodzislawski.

Ogromne podziękowania składamy @barbucz za produkcję, montaż i aranżację wystawy, a także @ola_nenko za wsparcie.

Szczególne podziękowania kierujemy do wszystkich osób prowadzących wydarzenia towarzyszące, które poszerzały kontekst wystawy i otwierały ją na nowe interpretacje – Marka Styczyńskiego, dr hab. Ewy Klekot, @muzonatchniuzo, dr Małgorzaty Jędrzejczyk oraz dr. Andrzeja Marca.

Wyrazy wdzięczności kierujemy do @fundacjaaph, Mecenasa Honorowego – WOMAK Holding S.A., a także partnerów: Heinle, Wischer und Partner Architekci, KEIM oraz OPEN Reklama Oksana Solnik-Krzyżanowska.

Projekt został sfinansowany przez Unię Europejską w ramach programu NextGenerationEU – dzięki temu wsparciu mogliśmy stworzyć przestrzeń dla refleksji nad współczesnym rzemiosłem i jego rolą w dzisiejszym świecie.

Dziękujemy wszystkim, którzy odwiedzili „Ukryte parametry” i brali udział w tej niezwykłej przygodzie!
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Zdjęcie: Wojtek Chrubasik

Wystawa „Ukryte parametry” została sfinansowana przez Unię Europejską NextGenerationEU

#KPOdlakultury #KPO #KorzyściDlaCiebie #NextGenerationEU #FunduszeUE

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