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Total 90 by @tom____schneider
📸 @t_space_studio

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“WINDOWS”, a series of live performances curated and produced by @oexp.works , presents:

Sunday, November 8th
Ana Roxanne @frincess
Camille Keller @camille__keller

Tuesday, December 15th
A Good Year @a_good___year
haloplus+ @hal0plus

Doors 21:00
Palestra Visconti, ARCI Bellezza, Milan

With the support of @carharttwip_it

Tickets on sale now on DICE
ARCI membership card required for entry

Poster by @br.nd0

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Last year project in the outskirts of Milan. A Funktion One circular sound system surrounding screen monoliths. Followed by a reenactment installation at @spaziomaiocchi

Creative direction @leonardvernhet With @slamjam @on @theodorguelat @oexp.works @slvnc @joegreyadams @tarfustudio @torvs @thomasabrowne @cacacis

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intentional cc @giorgiodisalvo

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What went down during our Slam Jam Salomon XT-EVO disclosure event. #slamjam #XTEVO

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some snapshots from the afterparty we hosted for Dolce xoxo. see you this Friday at @qclubmilano for the first sauna of the season with @umru and @procfiskal <3

pic @aria.ruffini

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A monument to movement.
EPOCH partnered with @On and @postarchivefaction to orchestrate the global creative for their final chapter. A full circle to complete a five-year cycle of creative partnership.

From a cocoon-like exhibition at @spaziomaiocchi in Milan with artist @dominic_kiessling , accompanied by live sets from @space_afrika and @__a__c__t__r__e__s__s__ , to a series of visual pieces by @zacharyhandley @leonardvernhet @theodorguelat @mattmoranphoto @laura.aglr to a permanent, monumental land art installation built by Strijdom van der Merwe.

This is an undertaking that last beyond the moment.
An echo of human fascination with the circle as a metaphor for psychological wholeness, cosmic balance and mathematic completion. Here the transitory converts into legacy. The physical gesture becomes a visual language. Technology is embedded with the organic qualities of nature.

Thanks to the amazing team @limdongjoon @davidkauder @gabrielstokes @mioberenguer @harmony.boda @poppfelix @shanbananana @davidbaumann.db @tanjarie_ @elsamaly @lb_rmb @tarfustudio @purple_martin_studio @oexp.works

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we’re back from summer with a little pre season appointment, this saturday we hosts the afterparty of Dolce XOXO, a 12-hour post-disciplinary marathon that explores a specific generational sensibility shaped by early-internet utopianism and online lurking. The exhibition looks at how our generation learned to experience and express feelings through the appropriation of images, texts, and fragments that inform today’s circulating aesthetics, to create a collective language built on novel forms of symbolism.

We curated the night on deconstructed club and remix culture, the sound of a generation raised on edits and bootlegs, where nothing was original, only reworked.

Lineup:

@europa
@rat_section
@renoiterrible
warming up the floor: residents @joaofarc @bptsm

September 12th, 2026

EXHIBITION 3 – 9PM
AFTERPARTY 11PM – 3AM
Via Sammartini 72, Milan

Register now on dolcexoxo-poweredbysnkrs.com

Dolce XOXO curated by @countersubject.biz
POWERED BY SNKRS

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In the work of Tudor Ciurescu and Brennan Wojtyla, images turn into “practical jokes” that exist in the real world. In dialogue at Dolce XOXO, their sculptures balloon into oversized vessels for new mythologies.

Dolce XOXO, Milan, 2026.
Powered by Nike SNKRS.

Photography: @t_space_studio

Comprised of a group exhibition and an after-party, Dolce XOXO investigates emerging and established practices—across art, sound, and performance—indebted to the early-2000s and the post-internet decade, that make work based on the appropriation of the online as a form of generational behavior.

Commissioned for Dolce XOXO, “Sweet Girl” (2026) is an edible sculpture by Italian duo Forniture Pallotta, playing off Henry Moore’s modernist silhouette in a bootlegging and appropriation play.

Tudor Ciurescu
“ICARUS Spectacles (Sunday Morning)”
2023

“Terms and Conditions” (2026), a newly commissioned large-scale painting by Emir Karyo draws a lysergic, whimsical parallel between the evolution of internet culture and that of life in the streets, highlighting the tension between a longing for freedom and indeterminacy and the need for safety and control.

Brennan Wojtyla
“The Long One”
2026

In the series “Charge Into the Future of Power” (2026) by Mika Ben Amar, the artist plays on the ironic gap between the physical device and its use. Both the stretched computer and the series of portraits rendered in USB-C connectors make expressive use of the medium’s very form, rather than its function.

In “The Other Queen of Memphis” (2025) by Luna Mahoux, Rapper La Chat guides the viewer in a city filled with ghosts and dreams, such as Memphis’s rapper community, the successes, blind spots, inspirations, disappearances, joys and violence.

For Dolce XOXO, Mahoux’s work is paired with “Xenon Palace Championship” (2023) by Sara Sadik creating a dialogue between two post-colonial, Afro- and Maghrebi-diasporic narratives, both closely attuned to the expressive grammar of digital content-making.

In this extensive archive of live performance images, interviews with celebrities, found-footage, and scenes in the lives of strangers, “Never Broken Again” (2023) by Luna Mahoux cuts, separates, recont

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In their performative work “Double Vision Vol. II,” the London-based duo Rat Section incorporates choreography, sonic dramaturgy, and site-specific thinking to stage a world that draws from the personal and the mundane.
 Production & Spatial Design: @oexp.works
Photography: @aria.ruffini

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jordan x slamjam showroom paris
oblique condition protityping

photographs @nereis.fr
lighting @rauric.co

agency @oexp.works
creative producer @giad700
client @slamjam

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@on @postarchivefaction @slamjam @oexp.works @spaziomaiocchi @limdongjoon @dominic_kiessling @__a__c__t__r__e__s__s__ @space_afrika

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