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Oliver Offord

@oliver.offord

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Artist, also @the.umlauts @f.ig42

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𝘠𝘰𝘶 𝘤𝘢𝘯 𝘱𝘪𝘤𝘬 𝘶𝘱 𝘢 𝘸𝘰𝘳𝘥 𝘢𝘯𝘥 𝘩𝘰𝘭𝘥 𝘪𝘵 press release from our most recent group exhibition at Tramhouse 11 in Amsterdam.

The space was originally built at the end of a tramline to provide tram workers with a place to hold meetings, eat lunch, and use the toilet. Many thanks to @11tram for allowing us to exhibit in this strange and special building.

Euan Gubbins
@alicekasahara_
@verity.monroe
@oliver.offord
@freddiefreddiewise

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More works on display from our most recent show, 𝘠𝘰𝘶 𝘤𝘢𝘯 𝘱𝘪𝘤𝘬 𝘶𝘱 𝘢 𝘸𝘰𝘳𝘥 𝘢𝘯𝘥 𝘩𝘰𝘭𝘥 𝘪𝘵, at Tramhouse 11 earlier this month.

𝘛𝘪𝘨𝘩𝘵 𝘧𝘪𝘵𝘵𝘪𝘯𝘨
Ceramic and glaze
Alice Kasahara

𝘍𝘢𝘬𝘦 𝘚𝘵𝘢𝘵𝘶𝘦 (𝘛𝘩𝘦 𝘋𝘳𝘦𝘢𝘮 𝘰𝘧 𝘵𝘩𝘦 𝘙𝘰𝘰𝘥)
Pigment, coloured pencil, pencil, copper staples and wire, paper, acrylic frame
Oliver Offord

Photos by @matija.stoja

@11tram
@alicekasahara_
@oliver.offord

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Details from our most recent group show, 𝘠𝘰𝘶 𝘤𝘢𝘯 𝘱𝘪𝘤𝘬 𝘶𝘱 𝘢 𝘸𝘰𝘳𝘥 𝘢𝘯𝘥 𝘩𝘰𝘭𝘥 𝘪𝘵.

𝘗𝘳𝘰𝘱𝘰𝘴𝘢𝘭 𝘧𝘰𝘳 𝘢 𝘗𝘩𝘢𝘳𝘮𝘢𝘤𝘺
Pigment, coloured pencil, pencil, copper staples and wire, paper, acrylic frame
Oliver Offord

𝘖𝘣𝘴𝘵𝘢𝘤𝘭𝘦𝘴
Oil and acrylic on canvas
Freddie Wise

𝘚𝘵𝘢𝘪𝘳𝘴 𝘐
Ceramic and glaze
Verity Monroe

@oliver.offord
@freddiefreddiewise
@verity.monroe

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LALAIL is coming to Amsterdam 🇳🇱

LALAIL presents𝘠𝘰𝘶 𝘤𝘢𝘯 𝘱𝘪𝘤𝘬 𝘶𝘱 𝘢 𝘸𝘰𝘳𝘥 𝘢𝘯𝘥 𝘩𝘰𝘭𝘥 𝘪𝘵 at Tramhouse 11 this September.

Presenting works by Euan Gubbins @alicekasahara_ @verity.monroe @oliver.offord @freddiefreddiewise

Opening Night & Performance 4 September 18:00-21:00

Opening hours 13:00-18:00 5 & 6 September

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Please join us for a discussion of Josh Kline's recent essay, "New York Real Estate and the Ruin of American Art," with artists Ed Compson, Oliver Offord, Anna Metzger, and Pol Wah Tse

This Sunday, May 31 at 2 pm, E3 5BZ, London. Doors open at 1.30

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Oliver Offord

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Please join us for the opening of Sketchbook 3, this Sunday from 1-4 PM

Oliver Offord
Swaling, 2025
Egg tempera, solvent print, and silverpoint on gessoed ply
25 x 19 x 1.2 cm

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Sketchbook 3 opens Sunday, May 17 with work by Ed Compson, Anna Metzger, Oliver Offord, and Pol Wah Tse. Appointments can be made via DM or email - hello@sketchbookldn.com

PV: Sunday, May 17, 1-4 PM

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937, non-stop Emalindas👌✌️🤝 👋

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Placed Two, 05 - 07/12/25

I loved this show so much !!!
Thank you everyone involved and to everyone who came by that weekend in December 🧡🧡🧡

Photography by @amo_falconer
Hosted by @rattleandbrash

featuring:
@milliganbeaumont
@willbrickel
@rhianharrismussi
@isobelajharper
Alastair Hodgen
@milo.kester
@dougalkirkland
@oliver.offord
@nicola0rg
@c.m.partridge
Nick Simonin
@thistlebynature
Elena Warby
@thedyeworks
@sophierosewright

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Oliver Offord, To fruit and vegetate like common things at last, 2025.
Solvent transfer print, egg tempera, silverpoint, and pencil on gesso’d board, wood, poly sheeting, various studio materials and equipment.
152.5x102x50cm

Currently on display all through the month until 24 January.

Egg tempera paintings are suspended and set into the plastic sheeting vitrine Oliver Offord constructed, containing carefully curated studio paraphernalia. What items do we surround ourselves with in the creative process? Superfluous objects to some, crucial and teeming with research or utility to others. The container is a device that reframes. It transforms and recontextualizes even as it serves as a mechanism for enclosure and display. The arrangement of Offord’s studio objects alongside the more finished paintings demonstrates the arc of his process. His sealing of the plastic display brings a forensic quality to the work, a self-interrogation.

Oliver Offord (b.1997, Gloucestershire, UK) completed his BA at Wimbledon College of Arts in 2019, before receiving his post-graduate diploma at The Royal Drawing School in 2021. His work visualises a network of intertwined narratives stemming from science, psychology, mythology and social history. He is particularly interested in the ways in which nature is able to adapt and transform in a rapidly changing world, and how threat, symbiogenesis, scarcity and desire can act as creative impulses. Recent exhibitions include: ‘Scaffolds’ at Set 91, London (2025); ‘Vitreous Body’ [Solo] at Bolding, London (2025); ‘The 12th House’ at The White Ermine, Düsseldorf (2025); ‘Farce’ at Farce Gallery, London (2025); ‘Illuminations’ at Set Lewisham, London (2024); and ‘Placed’ at Rattle and Brash, Stroud (2024). His work is held by the UAL and Royal Collection.

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Oliver Offord @oliver.offord

Each nimbling hare sturts quick as fear, seeks its hidden lair and happiness beyond the reach of books

Glass jelly mould, wax, matches, sparklers, pages from ‘The Wonderful World of Archeology’, cardboard, paper, surgical blades, light bulb, rags and wood shavings in acrylic box.

20.5x20.5x20.5cm

SOLD

#illuminations #londonartexhibition #lightdesign #palestinesolidarity

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