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Owen McKenzie Forbes

@owen.m.f

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i was made for loving you baby
you were made for loving me… a dump.

lost my martini virginity. I do not like dirty martinis. they are gross. however a gin martini, dry, extra twisty, is manageable and dangerous. here’s photo evidence of my first.

gurl is shook. r u guys crazy.

my first night out. loco doing Duolingo on the loo at 11:59pm. I had to delete duo for this reason. It’s like having a needy boyfriend. No offence duo.

pop riding.

Happy Dylan night of release.

Loco and I have matching sunglasses. She is unhappy about that. I am thrilled. Shout out @rayban

Loco, Owen and I on a test shoot. ;)))

TONIGHT I will be on @bbcradio1 with my absolute favourite @jodierosebryant . Jodie gave me my first ever interview, it’s full circle moment baby.

love you all.

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Emlyn Mileaf-Patel is an artist and filmmaker based in Brooklyn, NY. He received a BA from Wesleyan University in 2024. His work centers on technologies of surveillance and computational vision, pursuing algorithmically based analog interventions across both lens-based and sculptural forms. Recent work includes infrared and multispectral photography, lidar-based datagrams, glass cast sculptural work, and experimental film.

Emlyn Mileaf-Patel, “Bed,” (2025). Digital infrared photograph, archival inkjet print. 15x12 inches.

The Relentless Image was in view from August 21-24, 2026 at KidSuper Gallery.

hello@biascutmagazine.com for sales and inquiries.

Jasmine Clarke (b. Brooklyn, NY) creates deceptively clear images to examine the mysteries and mythologies that underpin our notions of home and family.

Jasmine Clarke, “Zoraya,” (2025). Archival inkjet print, walnut frame. 20x16 inches.

The Relentless Image was in view from August 21-24, 2026 at KidSuper Gallery.

hello@biascutmagazine.com for sales and inquiries.

Jasmine Clarke, “Polkmarks,” (2025). Archival inkjet print, walnut frame. 20x16 inches.

The Relentless Image was in view from August 21-24, 2026 at KidSuper Gallery.

hello@biascutmagazine.com for sales and inquiries.

Owen Forbes (b. 2002, Brooklyn, NY) lives and works in Brooklyn, New York. His work centers on the interpersonal, treating the photograph as a dialogue for his relationships. He holds a B.A. from Wesleyan University.

Owen Forbes, “Admission, (light on door),” (2026). Archival inkjet print. 50x40 inches.

The Relentless Image was in view from August 21-24, 2026 at KidSuper Gallery.

hello@biascutmagazine.com for sales and inquiries.

Owen Forbes, “Trading Weights (Cicadas on boy),” (2026). Archival inkjet print. 14x11 inches.

The Relentless Image was in view from August 21-24, 2026 at KidSuper Gallery.

hello@biascutmagazine.com for sales and inquiries.

Emlyn Mileaf-Patel, “Papa,” (2025). Digital infrared photograph, archival inkjet print. 15x12 inches.

The Relentless Image was in view from August 21-24, 2026 at KidSuper Gallery.

hello@biascutmagazine.com for sales and inquiries.

Elliott Kreyenberg (b. 1999, Cologn

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Owen Forbes featured in “The Relentless Image,” a group exhibition organized by Bias Cut Magazine (@biascutmagazine), hosted at KidSuper Gallery (@kidsuper @kidsupergallery).

The exhibition features “Admission” (2026), which was featured in Forbes’s debut solo exhibition “You might be taller now” at Chorus earlier this year.

“The Relentless Image” was curated by Archie Caride (@arrrchiee), Maisy Lewis (@maisylewiss), and Olivia Wein (@ollygollly).

Documentation by: Maisy Lewis (@maisylewiss)

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Thank you to everyone who came to see Owen Forbes’s “You might be taller now”

An excerpt from the press release regarding the self-portrait shown here:

As you leave, Forbes turns the camera around, framing himself partially and awkwardly, reminiscent of the end
of a home video at a family gathering when the documenter flips the camera for just a moment to remind future viewers: “I was there too!” Now clearly a present and active participant, Forbes makes his proclamation: “I too.”

Announcement of the next exhibition coming sooner than soon!

Owen Forbes
“I too,” 2026
Archival pigment print
6 x 7 1/4 inches

Documentation by: Owen Forbes (@owen.m.f)

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Tomorrow is the final day to see Owen Forbes’s solo exhibition “You might be taller now”

Owen Forbes
“Impressions,” 2026
Archival pigment print
14 x 11 inches

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I love my brother Owen and I love this exhibition and tomorrow is the last day to see it ever! 12-5 PM at Chorus @chorusprojects

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I love Mem and Mem loves Den and Den loves Mem and I love Den and Mem and Den love me back ‼️

highlights of my perfect friend’s perfect wedding include but are not limited to stealing my parents’ car when the shuttle didn’t show (not telling the bride there was a lizard in the car because we didn’t have time for her to know that) and getting to revisit, for one night only, arguably the most culturally appropriative moment of our childhood, namely, Mem and Andisa’s (still-memorised!) modern dance to Jai Ho, performed at the Artscape once or twice around 2008 (euphoric content)

so happy to have Den in my fam! we’ve all come a long way since Club 135 (forever and ever amen) and that fateful two-day drive to Joburg, eating a Wimpy toasted cheese and tomato and feeling psychologically untethered but not at all knowing what was about to become of us! 💚🪻🐓

truly an honour to be a maid of honour 🫡

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This Sunday is the final day of Owen Forbes’s solo exhibition “You might be taller now”

Owen Forbes
“Telltale Signs,” 2026
Archival pigment print
24 x 18 inches

Documentation by: Owen Forbes (@owen.m.f)

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This Sunday is the final day of Owen Forbes’s solo exhibition “You might be taller now”

Owen Forbes
“Admission,” 2026
Archival pigment print
50 x 40 inches

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Open today until 5 PM
Owen Forbes: “You might be taller now”

On view through May 31

Documentation by: Owen Forbes (@owen.m.f)

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