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Peli Grietzer

@peligrietzer

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In July The Pit celebrated its first birthday with the 'Electra Metropolis' party.

Art direction by @zoe_pcwilliams

Readings & performances by
@aisha_isnt
@peligrietzer & Sarah
@gabriellesicam
@hannahregel
@ocrreader
@ed__luker
@williamjoys
@jimmy__mcintosh

With enormous help from Phil & Freya
Thanks to Kevin & Cooper

The Pit is a semi-clandestine reading series organised by Alexandra Symons-Sutcliffe & Caitlin Hall

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Between two ferns

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Girl Chewing Gum on Tottenham Court Rd,

LIVE screening this Friday at @freewillprison

Shout out to @gm.say.it.back our DOP

Shout out to @nathanielcoe_ our twitch live stream expert

4 Flitcroft Street, WC2H8DJ

Flyer says from 7 but come from 8 🤣🤣😭😭😆😆😇

Come as you are, pay what you can, some free drinks, also BYOB, will be fun

Love,

Rosie and Effie (slackers, but still relevant)

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@bassnotesonhope x dark tiki x dressing friends and foes alike 4 tania

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In summary!

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New play at Lifeworld April 3rd & 4th.

A sequence from my adaptation of Peter Weiss' tragedy Hölderlin :) Tickets up on my bio & online, @come.to.life.world
See description below...

In order of appearance, performers include Tenaya Nasser-Frederick, Madeline Friedman, Isa Spector, Candice Saint Williams, Anya Bernstein, Aaron Carico, Bob Murphy, Blake Robbins, Rosa Martinez, Clara Kim, Angelina Hoffman, Chloe Claudel, Alina Jacobs, and Guillermo Resto (Didi). Musicians include Mallory Baker, Donna Allen, and Frances Chang.

Written and directed by Sebas Alarcon, adapted from the original play by Peter Weiss
Stage Managed and co-produced by Noa Ryan
Associate production by Astro Rys
Set Design and Flyer by Lucia Zezza
Costume Design by Willa Schwabsky and Ines Sawiris
Lighting Design by Matthias Neckermann
Dramaturgy by Peli Grietzer

The play stages an ensemble performance about the early life of Friedrich Hölderlin, a 19c German poet who wrote his best work in a thirty year period of wholly isolated madness. The play doesn’t take that madness as romantic, rather as a result of political, sexual, and creative defeats that made him worse: political, because Hölderlin was a would-be revolutionary in a time of reaction; and sexual, because he suffers from our contemporary maladaptive sexualities, featuring porn-bred kids, moral panics, imperial cucks, and love most sweet when impossible to realize. We take Hölderlin’s madness as an experiment in making political -- didactic theater, even -- that is fun & rigorous.
The show runs about 52 minutes long.

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NM 92 | Scholar Peli Grietzer updates his 2017 “Theory of a Vibe” (2026)

We speak often in the New Model sphere about scanning and sensing rather than reading—communication through vibes. @peligrietzer is a comparative literature PhD (Harvard) who has spent over a decade developing a rigorous theory of what a “vibe” actually is, how we increasingly follow ineffable cues to navigate our world and these, taken together, in fact exist as empirical objects in mathematical space. On this episode, Peli joins NM to talk about his work for a more general audience.

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Media we’ve consumed lately, way better than scrolling!

#krudomagazine #digitalmedia #mediarecommendations #articles

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OUT NOW: ‘The Pastoral’ Issue. Available at the entrance to Frieze London (@frieze.london), the Dover Street Market Café (@doverstreetmarketlondon) and Minor Attractions (@minor.attractions) until Sunday 19th October. Also at our launch party at the ICA (@icalondon) (7-11pm, RSVP: hello@thetoerag.com) on Friday 17th. The issue will be delivered to our usual stockists soon.

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Pw behind glass
Shard 7 - make/believe

Behind glass is a documentary following a group of artists and thinkers attempting to adapt a mathematical treatise into a play.

Special guest appeance by writer and theorist @peligrietzer

Music by @brilliantdrink

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Register now for the Duquesne Graduate Students in Philosophy conference! Link in bio.

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Christmas party pt.2 🎈
(Psst! Tag yourselves in the comments)

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