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LONDON incoming  @tramp.s X @qrystal_se1 
The Man of the Crowd
Edward Burra
Deana Lawson
Peter Doig
Philip-Lorca diCorcia 
Richard Maxwell 
Satoshi Kojima
Talia Chetrit 
opens end of the month 
on view through end of the year 
pictured  Philip-Lorca diCorcia's Sergio and Toti, 1985 (detail) and Richard Maxwell, 43rd Street (detail)
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PARIS 

Peter Doig
Reflets du siècle

From October 17th, 2023 to January 21st, 2024 @museeorsay  @peterdoig 

For this exhibition, the Musée d’Orsay and Doig have brought together a special group of paintings that were made by the artist over the last two decades. In an adjacent space, he curates and comments on a selection of works from the collection of the Musée d’Orsay.
 
The distinct selection of Doig’s paintings, hung in one of the museum’s legendary domed rooms, weave traditions of painting into new, strange, and seemingly impossible composites. Presenting the viewer with a kind of mildly agitated, pensive, contemporary form of modernism. Where subjects exist in the mysteries that occur in the spaces between the past and the present, the private and the pastoral. 

In the two adjoining rooms that overlook the river Seine, Doig has chosen to bring together a group works from the collection that have not been shown together before. With this selection he not only probes his lifelong interest in painting but looks to dismantle the sense that objects and images are fixed or an unchangeable given. Here visitors encounter the tawny color and dream landscapes of a Gauguin; the naivety of a Rousseau; and portraits characterized by isolation (Félix Vallotton and Vuillard), separation (Mane), and even disappearance (Seurat), etc. Doig’s objective with this display has been to create something dialectical and to show the ways art can remain open to each moment they exist in.

Pictured here: Auguste Renoir, Jeune femme à la voilette, 1875 

@peterdoig  @peterdoigarchive  @museeorsay @christophe.leribault  @gausserandnicolas  @tramp.s @donn_y_ryan
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