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@pgp_prod

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40 years of expert lighting & staging for all your live events!

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Three iconic acts. Three distinct looks. One cohesive show.
For the 2026 “It’s Iconic” tour, Lighting Designer and Programmer Rob Koenig used ADJ’s Jolt MFX 360 to help transform the stage between three legendary female vocal groups, giving each act its own visual identity.
Supplied by Premier Global Production (PGP), the rig featured 64 Jolt MFX 360 fixtures and 16 UBL12H fixtures.

Explore the story at the link in bio.

Lighting Design / Programming: Rob Koenig
Lighting Vendor: Premier Global Production Co. Inc., Nashville
Crew Chief: Sonny Hensley
Techs: Kurt Crosly, Dylan Sanford and Christian Hernandez
Photography: Jesse Roberson | brightnessdarkness.com

#adjlighting #joltmfx360 #lightingdesign #concertlighting #touringproduction

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Lawrence KS. Thank you. Seriously. Made this hometown kid proud to say he’s from this area. Y’all showed up and came to party with @turnstileluvconnection Seriously can’t thank you all enough for the energy y’all brought. Such a surreal experience to be able to share Turnstile with y’all and watch ya party your hearts out. Most importantly my wife got to join me and see what my road family is really like for an afternoon and to see the passion each of us has for what we do ❤️💙 #rcjh❤️💙

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#ACL #rüfüsdusol #KSP #Keelee #Austintx

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The VOLUX Phantom is out on the Double Trouble Double Vision Tour with Lynyrd Skynyrd and Foreigner.

Getting there meant more than simply putting 26 fixtures on their rig.

When the team needed something specific, we listened and adapted the Phantom around their needs, developing new software and functionality to deliver the creative effects they were looking for.

“Once I saw them up in the rig, I was very happy with what I saw.”

— @jonnytosarello
Lynyrd Skynyrd Lighting Designer

Read more: Link In Bio

#VOLUX #VOLUXPhantom #LynyrdSkynyrd #Foreigner #LightingDesign ConcertLighting TouringLighting LiveProduction

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Site on Film pt. 2

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Site on Film pt. 1

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Road Work... I like to term it as,
"Entertainment Construction!!!" Sounds Fun & Solid!!
#KB #RIGGING #Keelee #PGP #PremierGlobalProductions

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Lucky to have seen Rush a second time on the Fiftysomething Tour, and the time on the band’s home turf, Toronto. Anika is great, Geddy is singing and playing better than ever, and Alex proves once again that he is a most underrated guitarist. But as good as the show sounds, it might look even better because of the brilliance of Howard Ungerleider, Rush’s legendary lighting designer and lighting director. Howard and his team have crafted a rich and brilliant show worthy of his reputation. The colors are stunning. The effects are great but they never overpower the music. A show that looks this good is the culmination of 50 years of striving to be the best. Howard, as always, it was great to see you in old TO. And as always we at Premier Global Production are pleased to provide you with the lights you need, and as always, we are amazed by how effectively you use them!

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Throwback to last month’s load-in for the Limestone Stage at Railbird in Lexington, KY! 🐎

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Bringing the hunting lodge to amphitheaters all summer with @rileyduckman 🦌🥃

Riley Green's Cowboy As It Gets Tour is running this summer through the end of October, hitting key locations and amphitheaters across the United States, and we were grateful to play a part in building another custom stage design that brought a hunting lodge upgrade to the tour this go around.

The goal this time was to bring the same energy as the last run, with slightly more enhanced details that add a whole other layer to the performance. We provided a curved bar with LED enhancements, fascia scenically painted to match the wood grain on the decks, custom made antlers on display mounts, barstools, and an antler chandelier. Two identical sets kept the staging consistent through constant transitions and show dates. No small feat for a build with this much detail.

We were grateful to work with @pgp_prod on this one, their striking lighting rig gave the whole build an elevated ambiance and brought the custom antler chandelier and mounts to life. From the custom bar to the stools to pair with it, and the fantastic lighting to boot, every detail was built to hold up night after night, city after city, without losing an ounce of character along the way.

Already off to a standout set of shows, and we were grateful to play a part in bringing this world to life for fans across the country.

Production and Lighting Design-Trevor Ahlstrand @ahlstrandproductions
Production Manager-Timmy Abercrombie @timmyabercrombie
Lighting Programmer-Jason Giaffo @jasongiaffo
Media Programmer-Nate Alves @nate_alves
Lighting Director-Matt King @matt.c.king
Creative Producer-Isabella Lutes @isabellalutess

📸: @pgp_prod

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Just wrapping up a couple of days downtown doing a private-ish corporate gig with our friends at Music City Inc.! A huge thank you to the vendors and crew for their hard work on this one. We have spent so much time on Broadway here lately that the beer delivery truck guys know our names.

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I don’t even fully know how to put this into words, but from the bottom of my heart — thank you.

Time to Shine was not just an event to me. It was the result of countless hours, long nights, early mornings, stress, prayer, problem-solving, second-guessing, pushing through, and believing in a vision even when it felt bigger than me.

But the truth is, I could not have done this alone.

To every person who supported me — whether you showed up, helped build, encouraged me, gave advice, shared resources, believed in me, spoke life into me, or simply reminded me to keep going — thank you. Every bit of love and support mattered more than you know.

This moment was bigger than lighting, production, or design. It was a reminder of how many people have poured into me over the years and helped shape the person I am becoming. I’m grateful for the people who stood beside me, the people who challenged me, and the people who saw something in me before I fully saw it in myself.

Time to Shine was a milestone, but it was also a reflection of community. I’m proud, humbled, and deeply thankful.

To everyone who has supported me in life and helped me get to this moment — I love you, I appreciate you, and I truly could not have done it without you.

— Marsalis / Chromatic Stagecraft

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