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@stove_works AIR 2026
Oct 8-10: Danspace with Anh Vo
November: GMTC, shared show with Wilmer Wilson IV
December: Brackish
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It was so special being able to share this work with a small audience during dress rehearsal yesterday at Danspace @danspaceproject . Thank you @rk_co_image for your beautiful photos, as always ✨

@reallygoodatmath @jjjessicapppavone @isilberis @flukemogul @toserbwithlove @salemlinh87 @hoangrua77
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Possessed by Capital (2025), a worship dance for the Apple Store in downtown Brooklyn, a contemporary temple of capitalism. Performed by @reallygoodatmath @justincabrillos @jjjessicapppavone @toserbwithlove and me.

It’s very weird to now develop a worship dance at an actual place of worship lol 

Videography by @iki_nakagawa and @durationality
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“The purpose of the Fascist formula, the ritual discipline, the uniform, and the whole apparatus, which is at first sight irrational, is to allow mimetic behavior. The carefully thought out symbols (which are proper to every counterrevolutionary movement), the skulls and disguises, the barbaric drum beats, the monotonous repetition of words and gestures, are simply the organized imitation of magic practices, the mimesis of mimesis” 

–Horkheimer & Adorno, Dialectic of Enlightenment 

If fascism, as “the mimesis of mimesis,” appropriates the apparatus of magic, this performance attempts at a mimesis of this mimesis of mimesis: stealing these ritualistic techniques back for magic again. a sign, a signal, a delivery, a deliverance revisits Anh Vo’s upbringing in Vietnam to channel the strange poetics of living under the spell of authoritarianism. There will be fabulous and sexy uniforms. There will be drum beats, though they might or might not sound barbaric. There will be words and gestures repeated monotonously, looping and looping at the edge of the voice’s breaking point. What happens when mechanisms designed to manufacture submission are pushed past their intended function and toward another kind of surrender: to the immanent unknowability of the body and the transcendent omnipotence of God? 

Supported by three improvisational exercises in channeling, each performance begins with an opening act by a different interdisciplinary artist: C. Spencer Yeh  @cspenceryeh (Oct. 8), yuchen chang @yuchenyuchen (Oct. 9), and Alex Tatarsky @tartar.biz (Oct. 10).

Performance by @reallygoodatmath and yours truly

Live music accompaniment by @jjjessicapppavone @isilberis @flukemogul @toserbwithlove and special guests from Vietnam

Lighting design by Kathy Kaufmann 

The work is made possible thanks to developmental residencies at @lmcc_nyc and @wescfa. Endless gratitude to @danspaceproject 💖

Photo by @rk_co_image
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