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Remtrex5

@remtrex5

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Conspiracy The Mixtape Out Now “Link Underneath”
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@rmsaynarda Headline Show In Birmingham❕ You can tell from this clip he had everyone Jumping for sure. 🔥 Superstar Energy ‼️ @the_vipexperience_ A Big shout out every single time. Edited by Minaa
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first of all #remtrex #grime #prodbynj
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Nothing but bars.
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M.U.S.A - Music Unites Separate Agendas 03/07/2026 👑 My first ever mixtape 👑🔥
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These Mellow Grime flips are at the top of our playlist right now 🗣️ Born in the early 2000s on East London estates, grime came up fast. 140 BPM, pirate radio sets, DIY culture and MCs going bar for bar over cold, minimal beats. It was raw, direct, and built for energy. Now, there’s a new wave reworking that foundation. Producers are taking those same iconic instrumentals and flows, then slowing things down, flipping melodies into jazz chords, adding lo-fi textures, softer drums, and a more laid-back feel. It still carries that DNA of grime, just reimagined for a different headspace. From the likes of Bex Blu to Frank Medley, check out some of our favourite mellow grime edits (for the second time) above.
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Pull It: Grime’s Greatest Reloads The reload, the wheel-up, the forward. It is one of the cornerstones of sound system and electronic music culture. Its roots are firmly planted in Jamaica’s sound system scene, where the selector would pull a tune back to the start. Sometimes it was because the track had completely mashed up the dance, other times a single lyric sparked such a huge reaction it demanded to be heard again. In clashes, a well placed dubplate could earn a forward that shifted the entire momentum. These moments turned listening into participation, with the crowd actively shaping the energy and outcome of the clash. Individuals would sometimes lick shots into the air as a sign of respect. When the Windrush generation arrived in the UK, they brought sound system culture with them. The forward quickly became embedded in British dancehall and reggae clashes, carrying over that same call and response energy. As new generations began to forge their own sounds, drawing deeply from their roots, genres like Jungle, Drum and Bass and UK Garage emerged. Within these sounds, the wheel-up remained vital, becoming especially central to the identity and energy of Garage. As Garge evolved into Grime, the reload became even more prominent, on pirate radio, in clashes and at live events. While instrumentals could earn a wheel, it was often the MC’s bars that truly demanded it. MCs would call for the reload, urging the crowd to respond, because a wheel-up wasn’t given lightly. It was a mark of respect. In a culture built on competition and clashing, reloads became a way to judge these clashes. The MCs would get a wheel from crowds or when clashing on radio from their peers responses. As the scene has evolved MCs have become so prominent they are able to earn a wheel from just an ad-lib, instrumentals from his an intro or DJs from their technical ability. Love it or hate it the wheel up remains an important part of the scene, so to highlight that here are our 20 favourites. Which ones did we miss? IDs in comments.
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Nike Air Max: The Uniform It is undeniable that Air Max and Nike tracksuits have long been the uniform of the Grime scene, even before the genre had fully took shape. Nike was more than just footwear in the estates. It was a status symbol. As Deecee put it, “you have to look shower walking through the hood”. Before Grime reached the mainstream, Nike was already embedded in its foundations. Air Max and full tracksuits were everywhere from music videos, Channel U rotations, DVDs and pirate radio studios. Air Max 90s, 110s, LTDs, TNs, often donned with matching caps and tracksuits, dominated the visual identity of the scene, all brandished with the iconic swoosh. Grime’s most influential album, Boy in Da Corner, captured this perfectly. Dizzee sat in the corner of a plain yellow room, silhouetted in a full Nike tracksuit, Nike gloves and a pair of black and white BW’s. That connection never faded. Across his first five album covers, Dizzee consistently wore Air Max or Nike Air sneakers. This love was returned by Nike, collaborating with him on two Air Max 180 colourways with his label Dirtee Stank, and later releasing a special Air Max 90 designed with Ben Drury for Tongue N’ Cheek. These are not the only pair of Air Max inspired by the Grime scene. Ben Drury also paid tribute to London’s pirate radio culture with the “Hold Tight” Air Max 1s. Skepta followed with his SK Air series, reworking multiple Air Max silhouettes. Nike themselves even released two “Pirate Radio” Air Max 90s, cementing the connection between the brand and the culture. Given their cultural weight, it’s no surprise Air Max has been immortalised in countless bars and even entire tracks. You can’t engage with Grime without encountering them. They’re part of the DNA. Years later, that respect hasn’t faded. It’s a UK thing. From London to Merseyside, the Air Max still carries the same weight. The Uniform. IDs in comments.
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Grime and the Soul Remix. Producers like Okaland, Frank Medley and Bex Blu are flipping Channel U-era freestyles into soulful reworks, giving classic and some lost grime vocals a second life.
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I'm considered dangerous; so I can't get pulled by a normal cop... What you know about helicopters and armed response...just for a normal stop... #Birmingham #Highgate #Remtrex #Rap
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@remtrex5 #140 #producer #grime #dubstep #uk
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Couple slaps Produced by me go check them out 🎹🎵
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October 31st 🎃
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