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Please Join us for the opening reception of EXTRUSIONS, Tuesday, November 29, 4:30–6:30 pm
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November 7 – December 12, 2022
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Gallery Hours:
Monday–Friday, 10:00 am–6:00 pm
Saturday, 1:00-6:00 pm
Closed Sundays
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The Department of Fine Arts at Trinity College is pleased to present Extrusions at the Widener Gallery, featuring the work of Oscar Rene Cornejo, Res, Jessica Vaughn, and Anne Wu.
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Activating a boundary - in one sense - gives rise to form. Edges and limits work to define or identify, to name. The solidification of form can be empowering, unifying, and moving. It can be seen as the point of transformation, when one steps into their own and finds themselves. The boundary can be revelatory.
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Imposing a boundary, however, simultaneously creates an inside or an outside, a reflexive contradiction, an othering of space, form, or identities. This process can work to limit the potential of what is and what is not – what or who is valued and that which is not. A boundary can impress cultural definitions upon how we experience a thing, a person, or how personally we understand ourselves. A boundary can be a roadblock, an exploitation.
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The process of extrusion implies an exerted force upon a material or thing, pushing it through a shape, that in turn results in it taking form. In some sense as humans we are each pushed through a defined mold of some form and find ourselves somewhere on the other side, partially conforming to or finding strength within its shape, and partially resisting it, and redefining and rediscovering our edges.
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Amidst the current immigration crisis, the nationwide attacks on trans-rights and narrowing availability of gender-affirming procedures, and affirmative action on the cusp of being overturned in the United States, each of the four artists represented in Extrusions quietly and powerfully address how material, form, space and community take shape in this often inhospitable climate. By highlighting both what is and what is not there, giving weight to absence, each artist shines a light on our assumptions creating space for flexibility in what often feels like an inflexible world.
- Erica Wessmann, Curator

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Hello! Nice to meet you all here. My name is Res @restagram_studio! I am an artist, educator and curator living between Stockholm and New York. This week I will be sharing some of my work, starting off with a photograph titled, Self-Portrait (gaze). Each day I will show selections from individual projects, so please stay tuned! To learn more about me,and see more of my work, please visit my website:www.reslikeyes.com
Thank you for having me @motherlondon 💐

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Thrilled to discover “Undertow” curated by @pacifico_photo featuring some of my favorite photographers and this cover by @restagram — published by @silentfaceprojects, essay by @emilycolucci

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• P R A K A •

Performance celebrating #opensource #DIY #feminism in #fashion, inspired by the code of Miuccia Prada mixing art, culture and the unconventional •

#milandesignweek #fuorisalone •

Photo in collaboration with 🖤📸 @restagram •

Join us at @hacking.couture workshop part of #designcollisions curated by @lauratraldi •

We will be mapping the code and “PRADA-Fying” recycled clothes. Open to all, no fashion or design skill needed•

Saturday @cascinacuccagna at 3PM #fuorisalone •

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“I remember our dad showing us Spike Lee’s Mo’ Better Blues, when I was like nine. It’s talking about intimate relationships, there’s cursing, there’s sex scenes. I remember being taken by the music performances and the colors on screen. He’s casting people in purples and blues and reds. I didn’t have any language for all that, but I remember thinking these people look really good, this is the place I want to live.” — Ja’Tovia Gary on her early cinematic influences. The BlackStar alumna is currently working on her debut feature-length documentary, ‘The Evidence of Things Not Seen,’ for which she is interviewing family members, friends and former lovers. “It’s a self-portrait in many ways, but it’s a self-portrait via the people closest to me,” she explains. Gary began around 2013–14, but the project’s genesis was an undergrad film, ‘Deconstructing Your Mother,’ where Gary told her mother’s backstory.
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Head over to culturedmag.com to read the full article. .
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📷: @restagram_studio

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“A lot of my inspiration comes from music and instrument making." Marc Armitano Domingo translates his love for Renaissance-era craftsmanship and classical music into his one-year-old online shop @botticelliceramics. @vwchui checks in with @botticelliangels on Culturedmag.com. 📸: @restagram_studio

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Towers of Thanks is a finalist for the @luciefoundation photo book award. Winners are announced at the end of the month. 🤞🕯🙇‍♂️ 🔮🥇💸👋

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Pull Quotes from “Non-Conforming Narratives: Five Photographers Upending Notions of Queerness” 🌹🌹🌹
In @cultured_mag by @em_finbar ❤️
Featuring @elliottjeromebrownjr @naimagreen @liaclay @matthew_morrocco
(✂️The images are cropped ✂️)

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Tomorrow night from 7-9 is the closing reception of “Tempo,” a group exhibit curated by @fleshpiece and @sugalicker in the Centre Gallery. My “Awkward Handshake” flags are waving in the company of flags designed by Dana Hoey, Julie Weitz, and Res. Swipe to see more! 🏄🏾‍♂️🕺🏽

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Wow! So excited about “Undertow” a beautiful book curated by @pacifico_photo for @silentfaceprojects debuting this weekend @artbookps1. “Undertow”, explores queer melancholy through contemporary artists using photography. Cover my me from my series, “Pulse” and forward by @emilycolucci 🌹thank you to @pacifico_photo for curating me into such an incredible group! Please pick up a copy this weekend! ... featuring artists...
@chris.berntsen
@elliottjeromebrownjr
@gshockey
@jeneverettart
@leonardsuryajaya
@pacifico_photo
@restagram_studio
@samstoich
@troymichie ...
ps- so cute that 🔥🔥 @chris.berntsen share a spread.

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Pick up a copy of “Undertow” at the @artbookps1 this weekend! I’ll be there with @silentfaceprojects tonight. If you’re there stop by and say hi 👋🏼 thank you to all of the incredible artists for being a part of this project 💛 #nyabf

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Soooooo excited to be in “Undertow” curated by @pacifico_photo. The book explores these of queer melancholy through contemporary artists using photography. Being released at the New York Artbook Fair this thurs-Sunday. Literally these are some of my most favorite emerging artists and somehow I snuck into a book next to them. I got to see an advanced copy with a 🔥 forward by @emilycolucci. I have a spread where I’m next to @restagram_studio and I’m giddy af about it cause their work is 🔥🧠. Also cover of the book is by @restagram_studio from a moving project surrounding the Pulse shooting and local community responses.

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