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Riley Cerabona

@rileycerabona

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my left arm is paralyzed, but don't worry, I'm all right now

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Meet our stage manager, Riley Cerabona!

Riley joined us first during our workshop of La Sonnambula in the summer of this year, and they are joining is again for National Sawdust.

To purchase tickets, visit our website:

https://www.operapraktikos.org

Learn more about Riley’s work. Riley is wears glasses and a white short sleeve t-shirt; she has long hair.

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𓇼from one island to another 𓇼

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I <3 NY!!!

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These three are doing something really special down at 154 Christopher St. Only 6 more chances to feel it for yourself - checkout tohaveplay.com 💙🩵💛

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Mr. G and Sons: An exploration of my Grandfather’s Legacy
(Lengthy description ahead)

I’ve been thinking a lot about my Grandpa (Mr. G) recently, and the legacy he left behind. It continues to grow in my mind, especially as I get older and life starts to take root.

In that vein, I felt a desire to share about my senior thesis. Yes, it’s been almost 2 years now since my senior project (sproj), but life takes time. Grief takes time.

My sproj was a documentary theatre piece that I wrote, co-directed, co-choreographed, and performed. It was created through a collection of interviews from friends, family, and my grandfather himself. I used those interviews to form a script that explored the idea of legacy. The show plays between two realities: The heightened, overly fantastical, world of how I imagined my grandfather’s idealized legacy vs the reality of how his friends and family viewed his life.

This piece was never a goodbye, but rather a form of “see you later”. It was an ode to my grandfather and the legacy he has gifted my family. This piece was my way of showing him that no matter how significantly life will change after he passed away, his legacy and light will remain through the people whose lives he touched. Life has changed, but his light remained.

I will be forever grateful that my grandfather was able to attend, and will never forget the smile on his face when we took that final bow. That moment lives so close to my heart, and I owe so much gratitude to so many people who supported me through the process.

A huge thank you to my family for taking the time to participate in these interviews, and for always showing up to support. You’ll never know how much I love every one of you. To my cohort, my cast and friends … my chosen family. This process would never have happened without your joy, light, support, and genius. Thank you for your attentiveness and care toward my family, especially my grandfather. A massive thank you to my advisors Jonathan Rosenberg and Lindsey Liberatore. Your patience, confidence, and care will never be forgotten. None of this would have come to fruition without your guidance.

(This statement continues in the comments)

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The BroadGAYS visited @chashama Theater 154 for “To Have and To Hold” @tohaveplay

⭐️⭐️⭐️⭐️ “A sweet, funny, beautifully acted celebration of sisterhood.” - Stephen Kearley, The BroadGAYS

📸: Marcus Middleton marmiddletonphoto
📖: Laura Lapidus @zeetuslapidus
🎬: Zöe Adams @brings_the_magic
⭐️: Laura Lapidus
⭐️: Tedra Millan @teddi2damax
⭐️: Yuriy Sardarov @yursar

Produced by @joshdaltman for Lily Jack
Productions
Executive Produced by Adam Rodner
@adamrodner
Scenic Design: Se Oh @ssemyname
Costume Design: Mieka van der Ploeg @mieka.designs
Lighting Design: Yang Yu @yangyudesign
Sound Design: Liam Bellman-Sharpe @liambellmansharpe
Props Design: Kristen VanDerlyn and Allie Goldhammer @kristenvanderlyn @allisongoldhammer
Production Management: Sean McGrath
Production Stage Manager: Cello Blanks @celloblanks
Producing Associate: Corinne Brager
@corinneabrager
Assistant Director: Riley Cerabona @rileycerabona
Assistant Stage Managers: Sara Minisquero and Julia Freitas-Gordon
House Manager: Elijah Dor @elijmichedor
Marketing Direction: Ethan Fuirst @ethanfuirst
Publicity: Juliana Hannett @julianarose128
Influencer Marketing: Alec Sutherland @dilettantishly
Key Art Design: June Buck @junedotnet

#enjoytheshow #newyork #theatertok #theater #chicagofire

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TO HAVE AND TO HOLD opened last night at @chashama’s Theatre 154 in the West Village. 🍰💥

Written by Laura Lapidus @zeetuslapidus
Directed by Zoë Adams @brings_the_magic

Starring:
Laura Lapidus @zeetuslapidus
Tedra Millan @teddi2damax
Yuriy Sardarov @yursar

Produced by @joshdaltman for Lily Jack Productions
Executive Produced by Adam Rodner @adamrodner

Scenic Design: Se Oh @ssemyname
Costume Design: Mieka van der Ploeg @mieka.designs
Lighting Design: Yang Yu @yangyudesign
Sound Design: Liam Bellman-Sharpe @liambellmansharpe
Props Design: Kristen VanDerlyn and Allie Goldhammer @kristenvanderlyn @allisongoldhammer
Production Management: Sean McGrath
Production Stage Manager: Cello Blanks @celloblanks
Producing Associate: Corinne Brager @corinneabrager
Assistant Director: Riley Cerabona @rileycerabona
Assistant Stage Managers: Sara Minisquero and Julia Freitas-Gordon
House Manager: Elijah Dor @elijmichedor

Marketing Direction: Ethan Fuirst @ethanfuirst
Publicity: Juliana Hannett @julianarose128
Influencer Marketing: Alec Sutherland @dilettantishly
Key Art Design: June Buck @junedotnet

📸: Marcus Middleton

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To Have and To Hold

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Introducing the smashing creative team behind TO HAVE AND TO HOLD! 🍰💥

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Tedra Millan and the cast of ‘To Have And To Hold’ so far! Get your tickets now!!!

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lucky lucky ducky ducky 💙🩵🐥
tohaveplay.com
come!

📷 @marmiddletonphoto

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Rehearsals have begun for TO HAVE AND TO HOLD! 💥🍰 Performances begin August 21. Tickets starting at $29 + fees. Get yours today!

📸: Marcus Middleton

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