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Robert Falco • Studio Visit • 09.17.2026

I was introduced to Robert’s work through my friend Sid a couple of years ago and immediately enthralled. An intricate blend of mediums, his work captures a sort of dream-like state weaving multiple narratives so seamlessly. After seeing his paintings in person at a gallery on Melrose in 2024, I hoped I’d be able to see more.

Recently, I was able to travel to New York for a day and paid a visit to his studio. We discussed at length his process and revisited some of his older work and studies. I loved hearing about his day to day life and what has inspired him as of late. His work is ever evolving, and it’s so sick to watch it unfold in real time. Glad to have this opportunity and thanks for the hospitality. @robertfalco @robertfalcostudio

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Gyaru Filter

Acrylic on canvas
12 x 9 inches
2026

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Sources of flow

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Studio, friends, skate, repeat 🔁

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@robertfalcostudio
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Takeover by @daddybearsxc

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𝙎𝙐𝘽𝙐𝙍𝘽𝘼𝙉 𝙎𝙋𝙀𝙀𝘿 @ Nails Salon, March

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Studio visit with Robert Falco ✝️ #35mm

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excited to host my book launch this Sunday afternoon with special guest performances. Come hang and grab a copy.

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Robert Falco
Tears In Radio City, 2024
Acrylic on Canvas
149.9 x 116.8 cm
59 x 46 in

Robert Falco’s paintings are poetic ensembles rendered from multiple layers of imagery, romantic in quality yet gritty in tone. They seem to define a generation ushered in by late - night L train platforms.

On view through March 22 as part of Goodbye Horses, curated by @lara.kamhi and @isaac_aden.

Ethan Cohen Gallery
225 West 17th Street
251 West 19th Street

#robertfalco @robertfalco @robertfalcostudio

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Some views of “Goodbye Horses”, at our 225 W 17th St location, open for visits 11 am - 6 pm Tuesday through Saturday.

More installation shots coming 👀

Goodbye Horses Featured Artists:
Joshua Abelow @joshuaabelow
Zoe Alameda @unradmotions
Halil Altindere @halilaltindere
Yuli Aloni Primor @yulialoniprimor
Emil Alzamora @emilalzamora
Stanley Casselman @stanleycasselman1
Thomas Deininger @tdeininger
Robert Falco @robertfalco
Nick Farhi @nfarhi_
Erik Foss @erikhfoss
Charlotte Fox @lottyfox
Baris Göktürk @baris_gokturk_00
Katinka Huang @katinkaworkplace
Sera llel @serailel
Bill Komoski @billkomoski
Lauren Luloff @laurenluloff
Fabian Marcaccio @fabianmarcaccio
Charlie Stein @charlie_stein_official
Nick van Woert @thesupermarket
Andrew Woolbright @andrewwoolbright

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Goodbye Horses continues in our second gallery space at 251 West 19th Street!

Visit us there to view works by:
@charlie_stein_official
@serailel
@billkomoski
@yulialoniprimor
@katinkaworkplace
@erikhfoss
@stanleycasselman1
@robertfalcostudio @robertfalco
@emilalzamora
@thesupermarket
@unradmotions
@andrewwoolbright
@laurenluloff

Goodbye Horses
February 6 - March 22
Curated by @isaac_aden and @lara.kamhi

Ethan Cohen Gallery
225 West 17th Street
251 West 19th Street

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Please join us Thursday, February 6 for the opening reception of 𝓖𝓸𝓸𝓭𝓫𝔂𝓮 𝓗𝓸𝓻𝓼𝓮𝓼 which will take place 6 - 8 pm.

“What’s the next big thing in painting?”

“I think painting is about to go back to drips. Think Pollock, but now as a post-internet Warholian figure. But also, now mysticism is on the table instead of the paint bucket you have totems and egregores deep cave synthesizers and chroma that has been reserved for modern warfare the colors along the infrared spectrum colors like radio waves and code signals, the colors only drones can see”

- Andrew Woolbright, in conversation with Picabia, as played by an anonymous art dealer, 2025

Ethan Cohen Gallery is pleased to present Goodbye Horses, a group exhibition exploring a version of what has been previously described as post-modernism as seen through the eyes of artists working in the post-internet era. Taking its cue from Q Lazzarus’ iconic song “Goodbye Horses,” the exhibition explores the idea of rising above earthly constraints and seeing beyond the material, into a realm of greater awareness. The song’s haunting refrain— “Goodbye, horses / I’m going to fly over you”—speaks to the desire to transcend the everyday experience and attain a higher state of being, free from the boundaries of the senses.

In organizing the exhibition, we determined to let the works lead the curatorial vision, beginning with the decision to include artists we don’t represent or have not yet worked with. A conversation began with the individual artist foremost, from there we began to look for similarities between the artists’ practices. What emerged was an observable tendency within many artists’ current practices. Some of these include a propensity towards saturated-all-over canvases with multiple figurative layers, which seemingly reflect the inherent and often jarring interaction with multiple currents of stimulation and interactivity–a condition that has become commonplace in the post-internet era even and specially in times of leisure. We also see a forlorn type of romanticism marked by an apathetic disembodiment this lifestyle provokes.

Read more online via link in bio.

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