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Roger White

@roger_white_

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Interview @roger_white_ Born in Salem, Oregon, in 1976, White received his BA from Yale University in 1997 and his MFA from Columbia University in 2000. He lives and works in Vermont. Alongside his painting practice, writing has occupied an important place in his career: he is a co-founder of the contemporary art journal and publishing project Paper Monument and the author of The Contemporaries: Travels in the 21st-Century Art World (Bloomsbury, 2015). This double position — painter and writer — seems particularly significant in a practice that continually moves between the material specificity of painting and broader questions about the history, institutions, and present condition of art. Time has become increasingly important within this vocabulary. His calendar paintings project the familiar structure of days and months into imagined futures, introducing questions of anticipation, anxiety, climate change, and habitability. The calendar is both banal and strangely speculative: an administrative object that assumes the future will arrive. Painting itself, White suggests, contains a similar wager. As he puts it in our conversation, “Paintings presuppose a future in which they are still being looked at.“ 📌 Find our interview: https://imeettheartists.com/ 📌More information about the artist : https://www.rogerwhite.net/ #imeettheartists #contemporarypainting #contemporaryart #rogerwhite
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Interview with @roger_white_ "I do wonder how different the situations really are in Europe and the United States. Perhaps the same processes of rediscovery, forgiveness, and renewed embrace are taking place, but at different speeds. Here, painting seems undying, in much the same way that other once-hegemonic cultural forms, such as rock music or the novel, seem undying. And yet there is always this lingering anxiety, despite how thoroughly normalized painting has become at the institutional level — and, naturally, within the market. There does not seem to be much skepticism toward painting in American institutions anymore, outside of a few particularly scrupulous circles. The question of whether painting can remain contemporary is certainly a valid one, but I do not think it can be answered beyond a certain level of generality. Perhaps it is the long shadow of Clement Greenberg that makes us want to worry about painting as a medium as a whole, and about what it is or is not doing in relation to its historical context. I mean, there are operas that feel extremely relevant to contemporary life, while sophisticated, AI-driven installations can seem hopelessly anachronistic when examined closely " Photo credits : Parakeet, watercolor and colored pencil on paper, 11 x 7 inches, 2018. The Sorcerer, oil on linen, 14 x 14 inches, 2021. Chicken Breasts, oil on canvas, 12 x 16 inches, 2012. The Compost, oil on linen, 14 x 16 inches, 2017. August 18, 2021, oil on linen, 22 x 14 inches, 2021. Container III, oil on linen, 18 x 24 inches, 2020. Brita II, oil on linen, 15 x 12 inches, 2015. Parakeet, watercolor and colored pencil on paper, 11 x 7 inches, 2018. Find our interview: imeettheartists.com More information about the artist : https://www.rogerwhite.net/ #imeettheartists #rogerwhite #contemporaryart #contemporarypainting
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#MarkGonzales Art Show tee ERA: 1992 SIZE: X-Large (24” x 29”) This tee released at Mark Gonzales’ first art show in 1992 at X-Large Los Angeles. Third slide features a Mark Gonzales hand painted board that was featured in Mark Gonzales 1992 Art Show at X-Large. The board was previously owned by X-Large founder Eli Bonerz. Fourth slide features a 1992 Mark Gonzales board with the graphic from the tee. Owned by @destroyedwood 🛹 Last slide features Mark Gonzales wearing an X-Large tee in France shot by @jbgillet in the 90s. SOLD ‼️
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¡Labor se va de vacaciones! La galería permanecerá cerrada hasta septiembre. Muy pronto compartiremos más información sobre nuestra próxima exposición. ¡Les deseamos un feliz verano y nos vemos pronto! ☀️🕶️🗺️ Labor is taking a summer break! The gallery will be closed until September. We’ll be sharing more information about our next exhibition very soon. Wishing you a wonderful summer and we look forward to seeing you again soon! Image: Roger White | The Counterfeiter (detail), 2023 | Óleo sobre tela - Oil on canvas
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Philly keep showing up. @elsewhere.fair is open through tomorrow, Saturday, June 6 at the beautiful @helloyowie in beautiful Queen Village. Thank you organizer @blahblahgallery, my roomie @trotterandsholer, and all the participating artists, art spaces, workers, and supporters. @uffnerliu Uffner & Liu’s presentation follows Made in Philly, the gallery’s exhibition on view from November through January, which highlighted twelve Philadelphia-based artists and estates, including David Aipperspach, Mark Thomas Gibson, Leroy Johnson, Aubrey Levinthal, Gilbert Lewis, Roberto Lugo, Sarah McEneaney, Bethann Parker, Leigh Werrell, Didier William, Nasir Young, and Allen Yu. At Elsewhere, the gallery brings together artists with strong Philadelphia connections alongside several artists from its roster. Highlights of the presentation include Nasir Young’s paintings of Philadelphia street scenes and Anne Buckwalter’s works, which draw upon the Pennsylvania Dutch environment in which she was raised while incorporating erotic imagery often relegated to private spaces. Also on view will be Pam Lins’ ongoing Crying Eyes series, begun in 2017 during the first Trump administration and continuing through the second. Presented on the eve of the United States’ 250th anniversary, in Philadelphia—the birthplace of the nation—the works are symbolic of the grief shared by so many of its people, marking this period in American life. The presentation will also feature a new work by Iranian artist Arghavan Khosravi, whose work has previously been exhibited at Philadelphia’s National Liberty Museum in the show In Pursuit: Artists’ Perspectives on a Nation, and whose work is included in the collection of the Pennsylvania Academy of the Fine Arts. Additional highlights include Roger White’s domestic cut-paper still life, an assemblage work by Sheree Hovsepian —whose work is currently on view at MoMA —Anna Jung Seo’s characteristically small-scale and contemplative painting Young Artist in Melancholy Garden, and Brazilian-American artist Sacha Ingber’s Amazonas which will greet visitors from the bed.
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Come visit me in Philly at Elsewhere Art Fair, opening this Wednesday evening, June 3 and continuing through Saturday, June 6 @helloyowie It is free, you just need to sign up on the website. @elsewhere.fair @uffnerliu Fair hours: Wednesday, June 3: Press & VIP Preview, 6:30-9 PM Thursday, June 4: 12-7 PM Friday, June 5: 12-8 PM Saturday, June 6: 12-7 PM
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. 本日より3日間 Art OSAKAに出展いたします。 本展では、マシュー・モナハン、ロジャー・ホワイト、薄久保 香、齋木 克裕、二階堂 明弘、三浦光雅の作品を紹介します。 SOM GALLERY is pleased to present a group exhibition featuring Matthew Monahan, Roger White, Kaoru Usukubo, Katsuhiro Saiki, Akihiro Nikaido and Koga Miura in the Galleries Section of ART OSAKA 2026. 🗓️ 2026年5月29日(金) ‒ 5月31日(日) 📍会場: コングレスクエア グラングリーン大阪 大阪市北区大深町5-54 グラングリーン大阪 南館4階 Booth: G-19
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Roger White, “water bottle”, 2025 is included in White Columns’ annual benefit auction! White Columns’ 2026 Benefit Auction and cocktail party will take place tomorrow, Wednesday, May 27! The Benefit Auction is White Columns’ key annual fundraiser, and attendees can bid in-person on over 100 artworks throughout the evening. 2026 Benefit Auction: Wednesday, May 27th 6:00pm Cocktails and hors d’oeuvres 7:00pm Live Auction Proxy and remote bids can be placed via email or in person until 12pm EST on Wednesday, May 27th. To view artworks, place bids or purchase tickets, please see the link in bio. Roger White, “water bottle”, 2025, acrylic on cut paper, 13 1/2 x 11 in (34.3 x 27.9 cm) @roger_white_ @white_columns #rogerwhite #whitecolumns #uffnerliu
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. SOM GALLERYは、2026年5月29日から5月31日まで開催されるART OSAKA 2026に参加いたします。本展では、マシュー・モナハン、ロジャー・ホワイト、薄久保 香、齋木 克裕、二階堂 明弘、三浦光雅の作品を紹介します。 SOM GALLERY is pleased to present a group exhibition featuring Matthew Monahan, Roger White, Kaoru Usukubo, Katsuhiro Saiki, Akihiro Nikaido and Koga Miura in the Galleries Section of ART OSAKA 2026. 🗓️ 2026年5月29日(金) ‒ 5月31日(日) 📍会場: コングレスクエア グラングリーン大阪 大阪市北区大深町5-54 グラングリーン大阪 南館4階 Booth: G-19 ====.=== 1. Roger White, “Small fireworks,” 2025, courtesy SOM GALLERY 2. Kaoru Usukubo, “A Part and the Whole,” 2026, courtesy SOM GALLERY 3. Katsuhiro Saiki, “Reflection #3,” 2004, courtesy SOM GALLERY 4. Akihiro Nikaido, “花器 (玉殻),” 2026, courtesy SOM GALLERY 5. Matthew Monahan, “The New Girl,” 2025, courtesy SOM GALLERY 6. Koga Miura, “void,” 2026, courtesy SOM GALLERY
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It’s Friday, it’s a long weekend, and you need new comics! It’s your lucky day! Just added some awesome new @jukeboxcomix titles, plus a new @genderfail and restocks of books that flew out of here so fast the first time we stocked them it’s like they are new: @michael.deforge @juliajwertz @roger_white_ Plus tonight is our @bread_comix event featuring Bread in conversation with Frances Beaver, discussing the LAMBDA shortlisted Soften the Blow, published by @fieldmousepress So many reasons to spend your Friday with us!
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#rogerwhite #painting #cutpaper #contemporaryart #art @som___gallery
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In particular Ryota Watanabe (@wata_ryota_) · Roger White (@roger_white_) 📍 SOM Gallery (@som___gallery) 4–9, Nihonbashi Yokoyamacho, Chuo-ku Apr 17 – May 17, 2026 #somgallery #ryotawatanabe #rogerwhite
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