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NOW: GRAND GESTURES published by Vleeshal and Inventory Press, Untitled Second Floor (ONE BIG DARK ROOM) Mattress Factory, August 2026-October 2027

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Feeling blessed to attend the @trellisartfund Milestone Awardee retreat. 💐🙏🍁

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Details from GATHERING

Mildred Thompson @mildredthompsonart
Krista Clark @kristaaaaaclark
Julia Fish #juliafish
Michelle Grabner @michelleagrabner
Léonie Guyer @leonieguyer
Amanda Ross-Ho @ross_ho
Althea Murphy-Price @altheamurphyprice
LaKela Brown @lakelabrown

#GATHERING #thefuelandlumbercompany #mildredthompson

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GATHERING @mildredthompsonart @the_dita_artbnb

#GATHERING #mildredthompson #books #thefuelandlumbercompany

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GATHERING
On view through October 11th✨

Amanda Ross-Ho
RAG QUILT #2, 2015
Studio rags, acrylic and latex paint, thread. Sewn by Gina Ross
73 x 53 in

Michelle Grabner
Untitled, 2025
oil painted bronze
9 x 10.5 x .25 in.

Althea Murphy-Price
XYZ axis, 2024
dimensional screenprint and embossment powder
30 x 22 in

Mildred Thompson
Untitled (Konzendorf), 1967
watercolor on paper
5 x 3.5 in
Collection of the Mildred Thompson Estate

📷 @amandagreenephotographs

@ross_ho #amandarossho @michelleagrabner #michellegrabner @altheamurphyprice #altheamurphyprice @mildredthompsonart #mildredthompson @the_dita_artbnb

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A lovely and well-curated satellite pop-up exhibition to the Atlanta Art Fair …

The Fuel and Lumber Company Presents: GATHERING

GATHERING is a group exhibition placing Mildred Thompson’s 1970’s Wood Pictures in context with a group of contemporary artists from across the United States. The exhibition will be presented in the domestic setting of The Dita, in the Kirkwood neighborhood near the Pullman Yards where the Atlanta Art Fair will take place.

Participating Artists:
Althea Murphy-Price
Amanda Ross-Ho
Julia Fish
Krista Clark
LaKela Brown
Leonie Guyer
Michelle Grabner
Mildred Thompson

#fuelandlumber

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GATHERING
Opening October 2nd
The Dita, Atlanta, GA

@the_dita_artbnb @mildredthompsonart

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Amanda Ross-Ho ‘Untitled Second Floor (ONE BIG DARK ROOM)’ @mattressfactory

For Amanda Ross-Ho, memory, hyperbole, duration, and myth-making are tools we use to register both loss and comprehension. Untitled Second Floor (ONE BIG DARK ROOM) is a 75% scale model replicating the second floor of Ross-Ho’s Chicago childhood home. Scaled to fit the gallery, this installation forms the most recent in an ongoing body of work using archival research as experimental material and conceptual framework.

In the late ‘70s-early ‘80s the artist’s mother, Laurel M. Ross, an artist and photographer, produced a series of photographs looking inward at the densely adorned rooms of their home as subject. In the photographs, private spaces of the home, the parents’ bedroom, Ross-Ho’s bedroom, and the family darkroom, are remade into sites of artistic staging and aesthetic study. A set of negatives and prints from this domestic series suffered flood exposure in the house, sealing them together for nearly four decades. With the help of a conservator, the materials were separated but sustained significant damage.

Treating these images like continuity shots used for film production, Ross-Ho replicates the home as a set, aided by her own recollection and architectural details sourced from an online Zillow listing. The impossibility of stable translation between these three corrupted and incomplete sources turns the surrogate home into an apparatus for staging new gestures and images.

Untitled Second Floor (ONE BIG DARK ROOM) is a site for corporeal and emotional analysis. Specifics are forgotten, slights swell into catastrophes, effort extends until recognition, the everyday is remade as legendary—tuning the connective ties between the personal and the collective to an uncanny level. From within this home, Amanda Ross-Ho invites us to navigate the ongoing farce of developing a sense of continuity from sets of misremembered, reenacted, and excised fragments.

Dedicated to Laurel M. Ross and Ruyell Ho

Exhibition continues until 31 October 2027. Follow link in bio for more info 📲

Images courtesy of Mattress Factory, Pittsburgh
Photo: Tom Little

@ross_ho #amandarossho

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Last day to see the show!! Open today 2-5.

Dawn Cerny, Steve Kado, Amanda Ross-Ho
July 11 – August 29, 2026

@cerny_studio
@our_yaris
@ross_ho

Photo: @everythingtimestudio

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Last week to see the show!

@cerny_studio
@our_yaris
@ross_ho

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Circuitous studies, with doubles.

1. Jennifer Bartlett per John Ashbery: “Her habit then—& now—is to begin with a basic concept and work it out ad absurdum, ultimately sabotaging its ‘purity’ with freewheeling improvisation.”
2. Detail from “Sea Wall” above, where she gives those box boys that old “what-for” as grandma used to say
3. An April evening of reading & listening with a little speaking between the private & public of publishing offered by Will Holder. Wish you were there; wish I was still there.
4. An early 90s exhibition of this “Diab DS-101 Computer” & related works by Richard Hamilton in London broke this little art brain in ways I’m still putting together. But what the hell it was doing in that boiled-vegetables-left-for-too-too-many-days-in-a-buffet-steamer shitshow of an “exhibition” at New Museum is anyone’s guess. Looked good against that trashed pink carpet though.
5. Cutting through & nook ‘n’ crannying 80s Edgewater with Bossy Ross-Ho.
6. Pope.L, speaking of absence.
7. & endless sets.
8. Jonathan González’s “The Strikebreakers,” nearly impossible to capture, as it really cross-faded & contradicted; charged attentions, molasses pulse, cantilevered moods, frequencies...
9. ...& “The Strikebreakers” afters. Thank you for the entanglements to performers Anya Clarke-Verdery, Anya Susan Collins, Cory Seals, Donovan Reed, & Jasmine Hearn. (Still sitting on this title though—there’s some knotty to it.)
10. Atypical moment from sabrina soyer & Lisa Robertson’s faceted “I of Song.” What’s to say except to say I wonder what Lyn Hejinian would have said.
11. A bolt of Sarah Gamble.
12. Inexplicably spiraling through a rabbit hole that is Motörhead’s “bomber” lighting rig from the late 70s. Do not bring it up, you’ll regret it.
13. If you know you’ll know.
14. Cally Spooner in restlessly notational refusal from “A Hypothesis of Resistance.” (& do I note the typographic & annotation work of Will Holder on this publication to tie another bow??)
15. You said it, Warhol.
16. Partial inventory of recent mail call. Thank yous all for the gifts.
17. No if to a good Harryette Mullen, yeah.

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Dawn Cerny, Steve Kado, Amanda Ross-Ho at Veronica, Seattle
July 11 – August 29, 2026
Photos: ©Jueqian Fang, courtesy of the artists and Veronica, Seattle
@superbestveronicafriends @cerny_studio @ross_ho @our_yaris

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Gestern Abend haben wir die achte Ausgabe von „Made in Düsseldorf“ eröffnet! 🫶🏻

Ab sofort könnt ihr unter dem Motto „In Szene gesetzt“ bei uns im 2. OG kostenlos Werke der Kunstsammlung der Stadtsparkasse Düsseldorf bestaunen.

Die Schau vereint Werke, die das Spannungsfeld zwischen Wirklichkeit und menschlicher Wahrnehmung anhand von Fotografie, Film, Ton oder Skulptur, untersuchen. 🔍

Gezeigt werden Werke von Jan Dibbets, Simon Dybbroe Møller, Andreas Gefeller, Gudrun Kemsa, Sophie Meuresch, Steven Pippin, Barbara Probst, Amanda Ross-Ho und Juergen Staack. Kuratiert wird die Ausstellung von Esther Breinig. 🙌

Made in Düsseldorf #8 läuft bis zum 27. September 2026.
@sparkasseduesseldorf @juergen.staack @barbaraprobst_studio @ross_ho @gudrunkemsa @andreas_gefeller @sophiemeuresch @rest_on_your_belly_in_the_mud @estherbreinig @katharina.wettwer @gloria_marla

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