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Ryan Ang 洪正恆

@ryanangzh

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🇸🇬 🎭Actor | Dancer | Singer
Bookings: [email protected]

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Go behind-the-scenes at our poster photo shoot for MONKEY GOES WEST! 🐵

It was the first time we got to see the cast in the hair, make-up and costumes designed by our amazing creatives, and it was so exciting to see the characters come to life! 📸

🎟️ Monkey Goes West runs from 12 Nov 2026 at The Ngee Ann Kongsi Theatre @ Wild Rice. Get your tickets now via the link in our bio!

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Good news: Monkey Goes West is now eligible for the SG Culture Pass! 🐒🎟️

Here’s everything you need to know about how to claim and use your $100 credits. See you at the theatre!! 👋

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Rehearsals have begun for MONKEY GOES WEST! 🐒

Here are some photos from our first table read, where the cast came together to start the journey West. Our award-winning holiday musical returns after 10 years, spectacularly reimagined by visionary director @ivanhengwild , with a cheeky, heartwarming script by @alfiansaat and a brilliant score by @elainechanmusic!

Starring @ryanangzh as Ah Tang, @sugiephua as Monkey King, @tiaguttensohn as Pigsy, @siti__k as Sandy, Chua Enlai as Princess Iron Fan, @ebishankara as King Bull and @jalcyon as Red Boy, joined by young performers from First Stage Kids and @martialhouse! 🤸

Catchy songs, hilarious gags, wushu and magic — this one is fabulous fun for the whole family! ✨

Monkey Goes West runs from 12 Nov 2026 at The Ngee Ann Kongsi Theatre @ Wild Rice. Tickets are on sale now via the link in our bio!

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[BEHIND-THE-SCENES] The Radicalization of Mrs Mary Lim-Rodrigues: that first day back after our workshops 🐦

[BEHIND-THE-SCENES] The Radicalization of Mrs Mary Lim-Rodrigues: building my little Shan book 🐦

[BEHIND-THE-SCENES] The Radicalization of Mrs Mary Lim-Rodrigues: we had a safeTALK workshop

[BEHIND-THE-SCENES] The Radicalization of Mrs Mary Lim-Rodrigues: these shoes are the cutest 🐦

[BEHIND-THE-SCENES] The Radicalization of Mrs Mary Lim-Rodrigues: watching the cast get fitted also can i just say i have called izzul my "little drop of water" since working with him at 'the clockwork orange'. i love izzul so much don't tell him i tell you 🥹

[BEHIND-THE-SCENES] The Radicalization of Mrs Mary Lim-Rodrigues: watching the crew set the stage (they work so damn hard thanks guys 🥹)

[BEHIND-THE-SCENES] The Radicalization of Mrs Mary Lim-Rodrigues: just three of the finest actors you have ever did see 🐦

[BEHIND-THE-SCENES] The Radicalization of Mrs Mary Lim-Rodrigues: our da jie with a much deserved mini respite 🐦

[BEHIND-THE-SCENES] The Radicalization of Mrs Mary Lim-Rodrigues: figuring out the technicalities of set 🐦

[BEHIND-THE-SCENES] The Radicalization of Mrs Mary Lim-Rodrigues: it's been only in recent years i've taken effort to make a comfy dressing room space for myself. should've taken one with ryan and izzul's space cos we were all maxxing on our favourite plushies 🥹🐦

[BEHIND-THE-SCENES] The Radicalization of Mrs Mary Lim-Rodrigues: twas COLD cold 🐦

[BEHIND-THE-SCENES] The Radicalization of Mrs Mary Lim-Rodrigues: Ryan giving us winter chic🐦

[BEHIND-THE-SCENES] The Radicalization of Mrs Mary Lim-Rodrigues: Mummy Michelle always made my hair look like Yuri's when she did that one hyorisoo episode and I appreciate that 🐦

[BEHIND-THE-SCENES] The Radicalization of Mrs Mary Lim-Rodrigues: watching the cast warm up is my favourite part of the day 🐦

[BEHIND-THE-SCENES] The Radicalization of Mrs Mary Lim-Rodrigues: wan ching may look like she can beat me up but i also know she is very cutieful 🐦

[BEHIND-THE-SCENES] The Radicalization of Mrs Mary Lim-Rodrigues: thank you past self for risking it all with these pigeons 🐦

[BEHIND-THE-S

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We closed The Radicalisation of Mrs. Mary Lim-Rodrigues last night, on World Mental Health Day.

Thank you to everyone who joined us at the show. So many of you shared how close to home this play felt, as educators, as former students, and as people trying to care for others while navigating the systems we live and work in. Thank you for sharing your experiences, staying for our post-show dialogues, and being willing to talk about things that can be difficult to put into words.

To playwright Michelle Tan @polishingfirewood, director Edith Podesta @edithpodesta, and our entire company, onstage and off: thank you for the care, courage and craft you brought to this production, and for bringing this new Singaporean play so vividly to life.

Our heartfelt thanks also go to our post-show speakers and mental-health support team, and to @majuritysg’s Musim Mas BlueStar* Fund for supporting the conversations and care that surrounded every performance.

This play asks us to reflect on the distance between our good intentions and the impact we have on others, and what it takes to practise radical empathy — especially towards those we do not fully understand. We hope Mary and Shan’s story helps us listen better and look closer, and that the conversation carries on in our classrooms, homes and communities.

We’ll leave you with these words from Michelle, who describes the play as a love letter:
“It is written for all the young people I’ve had the privilege to care for, past and present. It is written for the people we have lost, and those we are still afraid of losing. It is written for all the Marys we know, and all the Marys we also are. I hope this letter reaches you.” ❤️

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Ryan all the best for yr performan .加油.see u soon

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29 Sep 2026

The Radicalisation of Mrs Mary Lim-Rodrigues was… a lot.

And yes, it really did take me about a week to write this, because there was so much I needed to process.

My first reaction was that I didn't quite know how I felt about the show.

The message landed, that's for sure.

I left the theatre that night uncomfortable, feeling the weight of what I had just watched and sitting with the difficult questions the show had planted.

And it is an important conversation to have.

In our respective professional roles, amidst the SOPs, responsibilities and boundaries that tell us what we should and should not do, how do we continue being human?

But I also left wondering how I was responding to this form of storytelling.

The show relied heavily on narration, and I never really felt like it was building towards a climax. There was relatively little conversation between characters on stage, and in the moment, that distance affected how engaged I felt with the story.

Except I couldn't quite leave it there.

There was this nagging feeling that there was something else happening that I hadn't managed to put my finger on.

So I sat with it.

For a show whose script had gone through so many iterations, whose costumes seemed so intentional in placing everyone in shades of grey and white except one, and whose lighting design created some of the most striking images of the night, I couldn't shake the feeling that there were choices I hadn't quite reached yet.

A week later, here's where I am.

I still don't think the narration necessarily worked for me as a way of keeping me engaged in the moment.

But I'm beginning to wonder whether the distance it created was also part of what made it interesting.

Because thinking back, there was something almost sterile about the way the story was narrated.

Measured. Controlled. Procedural.

And increasingly, I find myself thinking about those narrators as almost representative of the system itself.

A system with clearly defined SOPs. Processes. Professional boundaries. Things that should be done. Things that should not be said.

And within this cold, clinical structure were a teacher and her student.

<continued in comments>

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What could discovering new ways to move bring to your creative practice? 💭

For Wild Moves alumni Izzul Irfan, Ryan Ang, and Manisha Joshi (MJ), the programme opened up possibilities for storytelling, offered fresh approaches to choreography and challenged assumptions about what their bodies could do.

Now starring in The Radicalisation of Mrs. Mary Lim-Rodrigues, all three are directed by Edith Podesta, who also helms Wild Moves as its Programme Director. Swipe to hear their reflections on our movement training programme! ➡️

Ready to explore your own movement potential? Join us for Wild Moves: Choreographic Lineages this term, no prior experience needed! 👋

📅 26 October to 14 December 2026
🕖 Mondays, 7pm to 10pm
✅ SkillsFuture Credit (SFC) eligible

Registration closes on Monday, 12 October. Find out more about the programme and sign up now via the link in our bio!

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I am officially a Mouth Model 🤣
I had the honour of working with one of Singapore’s most prolific directors, Royston Tan, on this cheeky new commercial for the Health Promotion Board, to encourage Singaporeans to choose less salt in their food. Yup, that’s my mouth on Ryan Ang’s face. Watch the full video at @hpbsg

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Tickets are completely SOLD OUT for The Radicalisation of Mrs. Mary Lim-Rodrigues! But we hear you — $43 standing tickets will be available for all remaining performances from 6 to 10 October 2026. 🥳

🎟️ $43 per ticket
📆 Applicable for all performances from 6 to 10 October 2026
📍 Standing spots will be by the left & right sides of the theatre in the stalls
💳 Payment methods: Credit/debit cards, PayNow
🕒 Show duration: 1 hour 30 minutes, with no intermission.

✅ Limited to 20 standing tickets per show
✅ Available for purchase 1 hour before showtime at the Wild Rice box office
✅ Maximum of 1 ticket per person
✅ First come, first served — we are unable to do any holds or reservations in advance for standing tickets.

❌ No reserving of spots in the queue, please! You must be physically present to purchase your ticket.
❌ Please do not bring your own chairs into the theatre.
❌ The standing area is not wheelchair-accessible.

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@ryanangzh nice to see u today..hope u like the pokemon bottle.all the best for yr performan.

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“It will compel us to listen, truly, with the heart and not with the mind” ❤️

Hear from our audiences on what stayed with them after The Radicalisation Of Mrs. Mary Lim-Rodrigues. 🏫

We are currently sold out but Standing tickets will be available from next Tuesday’s performances onwards. Details to be announced soon!! 🎟️

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