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425 , 4:24 , 4:23 , SMOKE STATE 42222 , ECHOPLEX (LIVE 2021) , 4:22 , 4:20 ...
Mike Dean’s albums don’t sound like normal electronic music.
They feel like futuristic soundtracks floating between synthwave, ambient electronica, progressive electronic, and cinematic chaos.
His production isn’t focused on catchy drops — it’s focused on atmosphere, texture, distortion, and emotion.
Albums like 4:20 and 4:23 sound like driving through a neon city at 3AM while everything around you slowly glitches into another universe.
The synths feel massive, analog, and alive.
Mike Dean turned electronic production into something cinematic and hypnotic instead of just dance music.
His transitions, outros, layered synthesizers, and ambient structures influenced modern artists far beyond hip-hop.
That’s why people call him the “Synth God.”
Not because he makes mainstream EDM — but because he knows how to make synthesizers feel emotional, futuristic, and larger than reality.
@therealmikedean @louise_donegan @onlysageskolfield @tommyrush @theweeknd 

( ALL ORIGINAL ALBUM ARTWORK FROM @therealmikedean  AND HIS PRODUCTION)

EDIT ALBUM ARTWORK BY @xla.9editx

Which one album is your favourite album?
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070 that was real! 🖤
 @070shake 

Bringing BIG energy to our home.

#070shake #lithe #on3studio
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New M5 Max just landed in the studio.
Speed is crazy 🚀🚀
@apple @therealmikedean
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If I was on ‘Cocoon’ by 070 Shake 🎧🪽 @070 Shake HQ 

#novamay #remix #versechallege #remix #070shake
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