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global south club futurism, bass music experimentalism & percussiv-ism from my latest radio show

i read an interview with abadir in first floor newsletter recently - he’s not a huge fan of futurism, but understands how it’s a valuable concept for people who feel disconnected from their cultural heritage (paraphrasing)

and maybe that says something about why im drawn to club futurism and innovative sounds and also the weird and unexpected multicultural crossovers in music

but yeah if japanese dembow isnt me all over then idk what is, absolutely fire esea x caribbean crossover episode

anyways here are some selected snippets from my latest reprezent show. no video i’m afraid but lots of excellent selections ngl <3

you’ll hear baile funk-footwork, a healthy amount of gqom, hard fusion and some pretty mad percz from artists representing communities across the globe, especially the global south

full thing is on my soundcloud

** been rediscovering music journalism thru substack after many of my fav publications have died over the last decade and it’s so nice to read ppl writing well about music :)))))
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Slightly late posting these but here’s a few clips from my show on @dramaradiobar back in May. Thanks so much to @rod_mxn for getting me on to represent Rodilla Records and everyone at Drama. Had the time of my life in CDMX and met some lovely people along the way. Hopefully I’ll be back again. Follow the link in my bio for the full video or listen on soundcloud
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