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Sonyvenice

@sonyvenice

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Dedicated fan account of the new #sonyvenicecamera
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ECHOS ABOVE Happily Never After | EP 02 | Déjà Wreck CREDITS Brand @echosabove Director: @_sidharth._ Cinematographer (DOP): @unni.krish Color @figureout.post Colorist: @coloristnav Creative Producer: @fabin.prakash Executive Producer: @arunkumar.m__ Story: @_sidharth._ Dialogue: @fabin.prakash Editor: @arun_uniq VFX: @mangopost.production Generative VFX: @dheer.03_ Art Director: @_prince_leo_alex Costume Designer: @srufiles Operations: @adityarajendran 1st Assistant Director (1st AD): @lohitxloki 2nd Assistant Director (2nd AD): @rahxart Gaffer / 1st Assistant Camera (1st AC): @balaji_s_vasan 2nd Assistant Camera (2nd AC): @naveenographer_18 Associate Editor: @mhd_manal Art Assistants: @ghugansaravanan, @aishwarya_doss_, @bala.murugan4895, @rudhraf ication, @choco_gopi_ SOUND DEPARTMENT Sound Design & Mix: @dilux5han Dubbing Engineer: @shriraman_chandrasekar Sound Design Studio: @noisenexus Supervising Sound Effects Editor: @dilux5han Foley Studio: @nivifoley CAST & TALENT Cast: @menon_venkatesh, @nidhipradeep_ Makeup Artist: @mild.tones Hairstylist: @serina_priscilla7 Manager: @v.sivaraman.393 #colorist #Colorgrading #directors #filmmaking #commericla
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We shot this piece in vertical anamorphic format, carrying out extensive camera and lens tests to find the ideal setup and achieve the desired format. With the support of EFD Madrid and Monse Motril, our incredible DIT throughout the project, we were able to solve the technical challenges this production presented. Under the creative vision of our great director, Jeremy Durand, and cinematographer David Wright, we achieved vertical anamorphic images that make this project truly special and one to remember. Thank you to the entire technical team involved for your dedication and professionalism. A special thanks to my camera crew and to House of Content for the trust and opportunity to be part of this project. 🎥 A project full of technical challenges, creativity, and passion for the image. There was some moments during the shoting I pulled focus on 2x cameras at the same time on my own ! It was hard but fun to be able to do it ! 🇪🇸 Filmamos esta pieza en formato vertical anamórfico, realizando diferentes pruebas de cámara y ópticas para encontrar la configuración ideal y conseguir el formato que el proyecto requería. Con el apoyo de EFD Madrid y Monse Motril, nuestra increíble DIT durante el proyecto, logramos resolver los desafíos técnicos que esta producción nos planteaba. Bajo la visión de nuestro gran director, Jeremy Durand, y el director de fotografía, David Wright, conseguimos imágenes en formato vertical anamórfico que hacen de este proyecto algo verdaderamente especial y digno de recordar. Gracias a todo el equipo técnico involucrado por su dedicación y profesionalismo. Un agradecimiento especial a mi crew de cámara y a la productora House of Content por la confianza y la oportunidad de formar parte de este proyecto
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#My New projecte bollywood movie📸 @sonyvenice
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Have you ever found an extreme wide more effective at revealing a character’s inner struggle than a close-up? Stills from “Day and Night 2” - sequel to a Netflix-acquired crime series. Directed by Yingjian Liu DP: Jack Lam More works at: www.Jack-Lam.com Sony Venice 2, ARRI Signature Primes @sonyvenicecinematographer @shotonvenice @sonyvenice @signatureprimes #cinematographer #lacinematographer #crimethriller #filmnoir #sonyvenice2
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What do you think she is doing? Captured on the blackmagic, in camera effects @sumolightgroup @ @vic.c.drums @blackmagicnewsofficial #drummer #blackandwhite #photography #cinematography #magic
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Nel 2022 esce “Idoli delle donne”, divertentissima commedia diretta da Eros Puglielli, Claudio Gregori e Pasquale Petrolo. In questo lavoro capita di cambiare spesso genere: drammatico, fantastico, poliziesco, horror, storico, commedia. La commedia italiana è stata apprezzata in tutto il mondo. I primi piani di questo dialogo al tavolo, partono con le lunghezze focali classiche. Con la tensione che aumenta si esegue lo stesso primo piano degli attori usando ottiche grandangolari, enfatizzando l’ambiente circostante e l’imbarazzo dei protagonisti.
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New work…. Shades from Sankalp on Amazon prime Directed by @prakashjproductions Shot by @chandan.kowli Graded @filmlight_ Studio @identicalbrains
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#instagood #bts #reels #instagram #like
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Not quite my usual vibe but the mosquitos were getting the better of me! Teasing this as I’m NDA’d and can’t tell you a thing about it….. Yet. @sonyvenice @hawklenses @sunbeltrentalsukifilmtv
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¡Ya tenemos el programa de charlas Miembros Protectores del VIERNES 12 de diciembre! Ya tenemos el cartel de las jornadas de #MicroSalónAEC2025 🎉 con el patrocinio de @madridfilmoffice , Oficina del Audiovisual del Ayuntamiento de Madrid y Cine ICAA. Os esperamos el viernes 12 y sábado 13 de diciembre a las 11:00h. Tendrá lugar 📍en @lanavemadrid con la asistencia de reconocidos Director@s de Fotografía, profesionales y empresas de la industria de cine 🎬 Consigue tu entrada gratuita en el link de nuestra BIO. ¡Os esperamos! #MicroSalónAEC #MicroSalónaec2024 #directorasdefotografía #directoresdefotografía #microsalonmadrid #cineaec #cinematographers #dp #aec #directors #directorofphotography #mujer #cine #cinema #camera #camara #luz #miembros #protectores #photo #photography #photooftheday #photographers
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