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The figures in Julie Speed’s paintings are often entwined, teetering and contorting with grimaced faces as they wrestle in compositions tinged with threats of calamity.⁠
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In her 2019 painting, “The Rights of Sperm,” a woman’s skeleton, still in pink socks and what remains of a pink blouse and hair bow, is grabbed by three male hands, one of which breaks off her left arm.⁠
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Swirling about in a "Starry Night"-like constellation are thousands of spermatozoa that invade the skeletal remains amid the dry bones’ fierce resistance.⁠
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Writer Christopher Blay visited Julie Speed at her home and studio in Marfa, Texas, to learn about her life, her career, and how her work surveys humanity’s plight.⁠
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Check the 🔗 link in our bio to read the full profile.⁠
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🖼️: Julie Speed: The Rights of Sperm, 2019, oil on panel, 20 inches square.⁠
Credit: Courtesy the artist.⁠
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[ID: A skeleton with limbs akimbo fills the frame of painting with three arms in business suits grabbing its legs, which are wearing socks and sneakers, and a broken arm.]
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