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Sofiia Sytnyk

@st.soofiia

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ceramist | berlin
on view 23–25 Oct @utopia__dystopia

POSTS STORIES REELS TAGGED

THORNED VESSELS by
@st.soofiia

Vessel 01
“Moonstone”
Stoneware, lavender-blue glaze.
29x24x17 cm

Vessel 02
“Obsidian”
Stoneware, smoky-grey glaze.
27x24x16 cm

On view at @utopia__dystopia
23.-25. October, Linienstraße 111.

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Sofiia Sytnyk (@st.soofiia)
is a Ukrainian artist based in Berlin, working with sculptural ceramics.
Through an intuitive hand-building process, she combines familiar vessel forms, thorn-like structures and petal-like elements. Her practice explores the relationship between softness and tension, vulnerability and protection, creating expressive objects that exist between function and sculpture.

On view at @utopia__dystopia
23.-25. October, Linienstraße 111.

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Still processing last weeks exhibition at @monopolberlin with @deoron during @currents.berlin

The displayed R/O-001 is the first object of a series of collectible design objects that will follow with my newly launched studio @ra.dial666

Thanks everyone for joining this moment and special thanks to the team at @deoron for making this so special.

Feeling blessed.

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DINNER FOR THREE: ON THE REHEARSAL OF PERFECTION INSIDE

A photographic and video meditation by Fee (@feetasticcc), turning the dinner party into the ultimate image of staged togetherness, a table set for three that exists only to be looked at, and never used.

Working across photography and film, Fee reconstructs a mid-century domestic fantasy inside Konrad Tönz Bar in Berlin, treating beauty less as an image than as choreography, the gap between how a moment is lived and how it's arranged to be seen. Doll-like styling and SFX makeup recast the cast as exaggerated heirs to the flawless 1960s housewife; an almost imperceptible stiffness in their posture gives away the labour underneath. For this feature, we look inside: the styling rail, the makeup chair, the hand-thrown ceramics, everything the finished image leaves out.

A meditation on femininity, performance, and the discipline of appearing effortless.

Read the full feature at obtusearchive.com

#obtusearchive

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A room like this rewards patience, the pieces that stand out on the second visit weren’t always the ones you noticed first. More from inside DEORON BERLIN at @monopolberlin.

Set inside Monopol for five days at the heart of @currents.berlin design festival. @0800naturescalling will be pouring their own wines all day, made right there in the Berlin winery, so there’s always a reason to stay a little longer.

Official media partner @wallpapermag

Set up material provided by @modulorberlin

Space fragrance by @aoiro.air

Spatial Intervention & Programme Strategy by @twin.spatial

Pictures by @marionacalathea

9-13 September
Open daily 12:00 - 21:00
Monopol, Provinzstraße 40-44, Berlin

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Some rooms reveal themselves slowly, on purpose. A fourth set of designers and brands joins DEORON BERLIN at @monopolberlin, each one finding its place among the pieces already there.

Five days, right at the heart of @currents.berlin design festival.

Throughout, @0800naturescalling pours their own wines, made right there in the Berlin winery, always a good reason to stay a little longer.

9-13 September
Monopol, Provinzstraße 40-44, Berlin

RSVP link in bio

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Dinner for Three: A GATA Editorial

Dinner for Three is a photographic and video art project that explores the pursuit of perfection in contemporary life through a surreal reimagining of mid-century domesticity. Combining photography and moving image, the project examines how everyday moments are increasingly staged and curated through beauty rituals, carefully constructed appearances and the performative nature of today’s image-driven culture.

The series centres on the idea of “the perfect dinner”, an occasion pushed to the point of absurdity. Through meticulously controlled makeup and styling beauty becomes a performative act, carefully sculpted to a doll-like precision. Like exaggerated contemporary versions of the flawless 1960s housewife, the series blends a retro lust for nostalgia with a surreal and hyper-stylised aesthetic.

While the photos capture these constructed moments in uncanny stillness, the video art brings the discomfort screaming through in motion, gesture and repetition. An immersive visual world that reflects the emotional and psychological cost of constantly striving for perfection.

VIDEO & PHOTO CREDITS

Director: Fee-Marie Löbel [@feetasticcc]
DOP: Yaroslav Ilyin [@iliynf]
Photo Editor: Donnya Torkaman [@don.nya]
Styling: Marusja Gerassimoff [@marusjamvp]
Makeup: Karla Romero [@karlaromeromakeup]
SFX Makeup: Juliette Ruetz [@julietteruetz]
Hair: Julian Hutcheson [@julianhutcheson]
Set Design & Ceramics: Sofiia Sytnyk [@st.soofiia]
Editing: Agrippina Meshcherykova [@agrippina_m]
Sound Design: Aaron Holzenleiter [@sc__________a]
VFX: Planemo Film [@planemo_film]
Talents: @lisabldwn @sharmeenanjum @nmnrden

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So happy to finally share what we’ve all been working on.

Read more about this photography and video art project on @gata_magazine . 🧚

Director — Me
DOP — @iliynf
Styling — @marusjamvp @annonce.shop
Makeup — @karlaromeromakeup
SFX Makeup — @julietteruetz
Hair — @julianhutcheson
Set Design & Ceramics — @st.soofiia
Photo Editing — @don.nya
Video Editing — @agrippina_m
Sound Design — @sc__________a
VFX — @planemo_film

Talent — @lisabldwn @sharmeenanjum @nmnrden

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Dinner for Three: A GATA Editorial

Dinner for Three is a photographic and video art project that explores the pursuit of perfection in contemporary life through a surreal reimagining of mid-century domesticity. Combining photography and moving image, the project examines how everyday moments are increasingly staged and curated through beauty rituals, carefully constructed appearances and the performative nature of today’s image-driven culture.

The series centres on the idea of “the perfect dinner”, an occasion pushed to the point of absurdity. Through meticulously controlled makeup and styling beauty becomes a performative act, carefully sculpted to a doll-like precision. Like exaggerated contemporary versions of the flawless 1960s housewife, the series blends a retro lust for nostalgia with a surreal and hyper-stylised aesthetic.

While the photos capture these constructed moments in uncanny stillness, the video art brings the discomfort screaming through in motion, gesture and repetition. An immersive visual world that reflects the emotional and psychological cost of constantly striving for perfection.

VIDEO & PHOTO CREDITS

Director: Fee-Marie Löbel [@feetasticcc]
DOP: Yaroslav Ilyin [@iliynf]
Photo Editor: Donnya Torkaman [@don.nya]
Styling: Marusja Gerassimoff [@marusjamvp]
Makeup: Karla Romero [@karlaromeromakeup]
SFX Makeup: Juliette Ruetz [@julietteruetz]
Hair: Julian Hutcheson [@julianhutcheson]
Set Design & Ceramics: Sofiia Sytnyk [@st.soofiia]
Editing: Agrippina Meshcherykova [@agrippina_m]
Sound Design: Aaron Holzenleiter [@sc__________a]
VFX: Planemo Film [@planemo_film]
Talents: @lisabldwn @sharmeenanjum @nmnrden

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Thank you, Bassiani! That was an amazing second round! We love the Georgian community, such pure and honest energy. Huge thanks to everyone who shared this incredible night with us, and to all the artists.

@_marisakurai
@richardakingbehin
@hitam.ec live
@windfuhr.ec
@amoral___dj b2b @renewise

გმადლობთ!

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Fall drops

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@st.soofiia ceramic vase

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