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Venice: Outta Love, until 25 October
Berlin: out-of-the-way things
Felice Bricks
@felifelicefrederickefelicita
until November

POSTS STORIES REELS TAGGED

Yesterday's quick stop at Outta Love Exhibition at Palazzo Vendramin ai Carmini 🪡

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Berlin Art Week !!!

@coevalmagazine
@berlinartweek
@kulturprojekteberlin

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It was such an honor to welcome a living legend of architecture, along with such prestigious international institutions !

On June 18th in Venice, Jean-Michel Wilmotte, Fabriano, the Grand Palais Rmn, Rupture Venezia, and the Wilmotte Foundation presented 1.618, the architect’s new stationery collection inspired by the golden ratio.

An internationally renowned architect, urban planner, and designer, and a member of the Academy of Fine Arts, Jean-Michel Wilmotte is known for his creative vision imbued with geometry, precision, and light. His passion for drawing and his long-standing connection with Fabriano paper have given rise to a collection designed for lovers of art, architecture, design, and sketching.

The collection was unveiled at Libreria Rupture Venezia, a unique cultural space dedicated to art, architecture, and independent publishing—a true artistic and creative hub in the heart of Venice.

Fondation Wilmotte
Fabriano
Le Grand Palais
Librairie- Galerie Rupture Art & Books Marseille
ora_ito
Wilmotte & Associés Architectes

@libreriarupturevenezia @fondationwilmotte @le_grand_palais @fabriano1264 @librairierupturelecorbusier

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Hanging in Venice until 25 October next to Lawrence Weiner & Francesca Woodman 👀

and together with
Angela Brandys
@angela_brandys
Darren Bader
@moses_hosiery
Vivian Maier
Milko Pavlov
Jenny Saville
@jennysavilleofficial
Wolfgang Tillmans
@wolfgang_tillmans

OUTTA LOVE
7 May - 25 October 2026
@stallmann.galleries @cotilonga
Opening times: Tuesday - Sunday, 11 am - 7 pm
Palazzo Vendramin ai Carmini, Dorsoduro 3462, 30123 Venedig, Italy

Photos by Ugo Carmeni, 2026 @ugocarmeni_studio
-

Self-Portrait as St. George, 2025
Oil, spray on various materials
275 x 270 cm

Self Portrait as Theseus and the Minotaur, 2026
Oil, semen on various materials
270 x 250 cm

Lawrence Weiner, WHOLE CLOTH STRETCHED TO THE LIMIT, 2013.
Courtesy of a private art collection, Switzerland

Francesca Woodman
Untitled (Benjamin Moore, Francesca’s boyfriend), 1977-1978
vintage gelatin silver print
39.5 x 48.5 cm framed

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Pools, pools
Pools, so many
Pools and somehow
I’m not drowning in
Any of them, No, theirs
Is the tar I bathe in
Pits, where lovers
Deigned to stand, wholly
Affected, wrought,
Contorted, motioning
Along the vines, in serpentine
Embraces, bending
Sepulchral wrists, asynchronous
Touches, meeting
Their glances, as the
Hills weep
Bereft of
Auspice

Wash me,
Off

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SUMMER CINEMA CLUB
SUNDAY, 30 AUGUST

HOSTED BY @llinh_nh & ON FORGETTING
INTO THE VIOLET BELLY
THUY-HAN NGUYEN-CHI

Stallmann
SCHILLERSTRASSE 70, 10627 BERLIN

| 9PM screening
| 9:30PM discussion with @ioechipchip
| 10PM screening (2nd time)

˚✧₊・・゜・。FOLLOWING THE SCREENING, WE INVITE YOU TO STAY FOR A CONVERSATION TO DISCUSS ABOUT HOW VIETNAMESE CONTEMPORARY ARTISTS, WRITERS, JOURNALISTS, AND FILMMAKERS — A GENERATION THAT RETURNS TO THIS HISTORY AGAIN AND AGAIN, EACH IN THEIR OWN VOICE AND ON THEIR OWN TERMS. THE EVENING TAKES PLACE ALONGSIDE THE ONGOING PRODUCTION OF ON FORGETTING, A BILINGUAL VIETNAMESE / DIASPORIC LITERARY ANTHOLOGY CURRENTLY BEING BROUGHT INTO THE WORLD. THE BOOK IS INDEPENDENTLY FUNDED, AND OUR CAMPAIGN REMAINS OPEN TO ANYONE WHO WOULD LIKE TO BE PART OF ITS MAKING — HTTPS://KO-FI.COM/ ONFORGETTING

INTO THE VIOLET BELLY IS A FILM BY THUY-HAN NGUYEN-CHI, WINNER OF THE JURY GRAND PRIX (25FPS FESTIVAL) AND THE GOLDEN LOLA (GERMAN SHORT FILM AWARD). INTERWEAVING FAMILY LORE, MYTHOLOGY, SCIENCE FICTION, AND DIGITAL ABSTRACTION, THE FILM FOLLOWS THE COLLABORATION BETWEEN THE ARTIST AND HER MOTHER WHO FLED VIETNAM AFTER THE END OF THE AMERICAN WAR VIA A NEAR-CALAMITOUS SEA JOURNEY. OSCILLATING BETWEEN VOICES, VISUAL REGISTERS, AND TIMESCALES — WAS IT SEVEN MONTHS OR SEVEN THOUSAND YEARS? — THE FILM OFFERS UP AN IMAGE OF ITS OWN MULTIPLICITOUS STRUCTURE: A MASSIVE DIGITAL SWARM, TINY AVATARS OF MIGRATING BODIES, SWIMMING IN AN INFINITE BLUE.

˚✧₊⁎⁺˳✧༚

Thuy-Han Nguyen-Chi is a Milky Way-based artist whose practice mutates in and out of film, sculpture, installation, and performance. Interweaving real and fictional characters in search of consciousness, language, and freedom, she explores the epistemological, aesthetic, and political possibilities of image and sound. Her work has been presented in art and cinema contexts, including Carpenter Center at Harvard University, Cambridge; Hamburger Bahnhof, Berlin; Villa Medici, Rome; Whitechapel Gallery, London; Copenhagen International Documentary Festival; New York Film Festival; and Singapore International Film Festival. In 2023, she was awarded the Golden Lola for Into The Violet Belly.[1] She

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Beautiful memories from @alizeegazeau and @crimariejune book launch — a project I was happy to bring to life together with @stallmann.galleries.

Thank you @archivemaitu @magata.world and @marc.patisserie for being part of it!

Enjoyed every minute ❤️

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we 🖤 summer

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La Biennale : tout sauf la Biennale

La Biennale de Venise, ce n’est jamais ‘la Biennale’. C’est le nombre de pas et de marches d’escalier par jour pour des jambes plus ou moins valides, c’est la pieuvre Sérénissime et l’amour que l’on a pour elle, ce sont toutes nos attentes, nos passions et nos frustrations, c’est la somme de ressentis atmosphériques, de relents de la lagune, d’injonctions au FOMO, c’est une expérience de privilégié.e.s, aussi.

Une mini intro sur les traces de la Biennale 26, premier jet d’une tentative de mettre en mots ce que l’art fait de nous et nous fait en 4 jours intenses de visites, et ce qu’il en reste à distance de deux mois.

Texte sur Apreslart.com ; lien en story et bio 👀🐍

▫️Fondazione Dries Van Noten, Palazzo Pisani Moretta
▫️Palazzo Vendramin ai Carmini
▫️Biblioteca Nazionale Marciana
▫️Fondazione Dries Van Noten, Palazzo Pisani Moretta
Casa Goldoni
▫️P. Staff, Terminal Lucidity, Fondazione In Between Art Film
▫️Passion escalier
▫️Carsten Höller, Palazzo Diedo, Berggruen Arts & Culture
▫️Fondazione Dries Van Noten, Palazzo Pisani Moretta

▫️Darren Bader, Outta Love, by Stallman Galleries
▫️AMA Foundation, Ed Rusha

@labiennale #venicebiennale

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Jamais un journaliste n’avait aussi bien compris notre rêve méditerranéen.

https://venezianews.it/stories/pane-arte-e-fantasia-rupture-arts-books-a-venezia/

« Il existe des termes, dont l’usage excessif et débridé les rend pratiquement inutiles. « Glocal » en est sans aucun doute un. Pourtant, je ne vois pas d’autre terme pour définir avec concision et clarté un projet aussi ouvert, libre et multiforme que la nouvelle librairie Rupture, qui a ouvert ses portes à San Stae, à deux pas de l’église du même nom, en plein cœur du quartier Santa Croce. Un lieu où livres, art, musique et magazines se côtoient et s’enrichissent mutuellement dans un espace d’expérimentation authentique, redéfinissant les frontières de ce que l’on pourrait appeler la lecture, mais plus largement, la culture contemporaine. Un lieu qui, dès le premier regard, révèle son identité urbaine incontestable dans son sens le plus large et le plus simple : une librairie qui ne se définit pas en rejetant un public stéréotypé, mais qui conçoit une vision et une manière de communiquer la culture qui transcendent toute forme de codification mécanique, définissant une orientation de travail qui ouvre intrinsèquement de nouveaux horizons et abolit les frontières de genre trop étroites. En bref, on a l’impression de pénétrer dans l’espace culturel d’une grande métropole internationale.
Ici, aucune trace des deux principaux segments sociaux qui caractérisent Venise, ville à la fois internationale et petite : le segment touristique, certes exigeant sur le plan culturel, et le segment résidentiel « résistant », entendu précisément comme une résistance à l’extinction, qui lutte pour préserver les rares espaces de culture vivante du centre historique, s’y accrochant parfois avec une jalousie excessive, voire un certain conservatisme. Non, ici, nous pénétrons dans un habitat culturel intrinsèquement connecté, un habitat qui se définit comme tel de manière tout à fait naturelle, sans proclamation ni déclaration programmatique.

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kindred beings
Screening tonight, 7 August
Doors open 8pm, screening 9:30pm

Hosted by @stallmann.galleries
w/ works by @hairygaze @huawang_wanghua @rcagnes @_tang_han
curated by @alexia_timmermans & @savciucaa

A tree tells its own story. A furnace remembers what it once burned. A body made of code refuses the binary it was built on. This screening brings together works in which landscapes, infrastructures, and intimacies slip away from what we usually call reality, through virtual renderings, invented biologies, and mythic timelines that open perspectives beyond the human.

The videos share a semi-documentary sensibility. They borrow the language of observation, archive, and field recording, with the steady voice of science and the supposed neutrality of the camera and the screen. That language bends toward fiction, myth, and speculation until the works become small laboratories for creating other ways of telling a world.
——

1. Tang Han, Ginkgo and Other Times, 2022-2023, Stil, courtesy of the artist.
2. Hua Wang, Through the Eyes of Trees, 2025, Stil, courtesy of the artist.
3. Su Yu Hsin, Blast Furnacev No. 2, 2022, Stil, courtesy of the artist.
4. Anan Fries, Artificial Sex (Ep. 1), 2025, Stil, courtesy of the artist.

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Plot twist: you’re about to discover your new favorite book 📖

This summer Rupture Venezia team members share 10 must-reads. First up: founder Alexandre Sap’s selection!

« I have written several essays, including one on beauty. I shamelessly borrowed the phrase "beauty is nothing but the promise of happiness" from Stendhal to use as the title of my book—an essay in which I attempt to demonstrate that we, as disseminators of cultural models, have a social responsibility to place beauty back at the heart of all our concerns. The word "Rupture" stems from my background in international advertising; my own "rupture" involved breaking away from the system to build a network of cultural venues around the Mediterranean. The Dries Van Noten Foundation’s book and my selection resonate deeply with the spirit of Van Noten’s inaugural presentation. I also highly recommend Vadim Grygorian’s remarkable work—my bible—as well as *Purple* (conceived 30 years ago by my friend Olivier Zahm) and the powerful essay « Lathe Biosas » by Francesca Sarah Toich. Perhaps the most beautiful book I have ever had the pleasure of presenting is Karl Kolbitz’s « Divine Presence », alongside the wonderful exhibition catalogue « Citizens, Bürger » by my friend Andrew Huston and the highly poetic catalogue for Julien Creuzet’s exhibition at the last art biennial. Finally, a personal favorite is *Venice between Kitchen and Atelier* by Zaira Zarotti, produced by Pamela Berry. »

@fondazionedriesvannoten @vadim_de_grainville @art_sandolo @ozpurple @purplefashionmagazine @julien.creuzet @thefreakytable @karlkolbitz @francescasarahtoich @studioko @thefreakytable @librairierupturelecorbusier @rupture_arts_and_books

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