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Works in music. I love a cape... or two...
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Record Store Day today, happy hunting!

AS part of RSD, Sugarhill have issued a 12” dub mix they commissioned from @che.wax and I of the seminal hip-hop classic, ‘The Message’, by Grandmaster Flash & The Furious Five.

Also, on the flip, there’s a further dub, this time of the Sugarhill Gang’s ‘Rappers Delight’, held back from our remix session last year.

It’s been a privilege to work on two such iconic tracks, and for a truly historic label. I remember both of these records from when they first came into the UK on import, ‘Rappers Delight’ in 1979 and ‘The Message’ in 1982 - landmark releases which would inspire a generation, elevating hip-hop from the New York streets to a global phenomenon.

#recordstoreday #grandmasterflash #grandmasterflashandthefuriousfive #sugarhillgang #chewax #gregwilson
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I’m excited to announce that the official remix @che.wax and I have done of the seminal Sugarhill Gang hit ‘Rappers Delight’, is released today on the Sugar Hill label – on 12” vinyl & digital.

A few months ago my agent got in touch to say he’d had an approach from BMG about me working on a hip-hop track by a US artist. I said to send it over, thinking it was something current, so it was quite a surprise when the stems arrived for ‘Rappers Delight’.

Working on such an historic track comes with a big responsibility, given its legacy. As with mixes for Gabriels, Confidence Man, Happy Mondays and others, I got Ché onboard. I wanted the remix to be true to the original, but with a contemporary feel in terms of sonics, with Ché building new layers into the track.

The remix basically comes in two halves, the second half arrangement true to the original, but the first half a totally new take on the track, with the rap cut up and re-shuffled. Along with the 12”, there are digital versions of both shorter halves.

I remember when ‘Rappers Delight’ first came in on import back in 1979, on a brand new label, Sugar Hill. It immediately blew up, with Morgan Khan at Pye/PRT hastily arranging its release here, having picked up the UK licensing. It became a top 5 hit, but, nevertheless, would be widely regarded as novelty, nobody imagining that rap would eventually become so huge. It wasn’t until 1982, and another Sugar Hill release, ‘The Message’ by Grandmaster Flash & The Furious Five, that rap was taken seriously as a stand-alone form.

Rap, as a term, went way back within US black communities, as slang for talk – for example, Isaac Hayes had recorded a spoken word track, ‘Ike’s Rap’, in 1970. But the rhythmic rhyming of ‘Rappers Delight’ was altogether different – its roots with black radio DJs who rhymed on the mic, as later would some in the clubs, like DJ Hollywood from Bronx venue, Disco Fever.

It’s been something of an honour to work up close with this defining track, and a joy to see the response when I’ve played it out during recent months. 

Copies are available from all main vinyl stockists and across digital platforms.

#sugarhillgang #chewax #gregwilson
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