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@stevecameron

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Making things look pretty, one ridiculously expensive light at a time. 🎬💡 #Gaffer #Spark #SetLife #BehindTheScenes #FilmProduction
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Director @benbullion delivers a brilliant scripted promo for @netflixuk , @therestisfootball making it feel completely natural and off the cuff. The man doesn’t even like football 😅💪 Agency/prod - @the_midnight_club Writer/creative - Tam Varcoe Director - @benbullion Producer - @mjjcaulfield HOD’s Dop - @arthur_loveday B-cam @marcusalbertsen 1st AD - @niomiemmacollins Production designer - @zoeklinck
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@raye ‘Click Clack. Ft. Hans Zimmer’ @stevecameron ‘s Take on the lighting process of this momentous video. “This was Produced by @maggiecurwin and we were approached, booked and recce’d by the middle of December with the shoot not till the first week of January (a rare occurrence!). With @davemeyers Directing and DOP @nikitakkkuz, the concept, beautifully classic with a twist, clean artistic beauty. Raye’s ‘Click, Clack Symphony’ was a three day shoot over multiple locations, day 1, Ealing in Pitzhanger Manor, day 2 in @Londonfilmstudios Stage A and finally the big exterior ending down in Devils Dyke. For day 1 and 2 we had the main exterior window’s or roof light work at Pitzhanger and a 6M wide by 7M tall blue screen wall at SHL, all being lit by either of the @nanlux.official Evoke 2400 or 1200 range, they are such a great range of lights and they pack such a great punch. Litemat 2’s and 4’s overhead on booms as our top light in confined area’s, @arri Skypanel S60’s as soft fills or toplight whenever needed, @Asteraofficial ’s as eye light and @nanlite_global Forza 60c, if you know, you know! Then on day 3 we had the Nanlux Evoke 5000 helping to add a little fill on a surprisingly bright but freezing cold day! Incredible artist and crew, everyone collectively pulling out all the stops to achieve a great end goal!”
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“In Plain Sight” for @thegr8khalid Gaffer @stevecameron ‘s thoughts on the process of lighting the video. So I was approached by @nathanmlegger on this one, all was a little last minute, we had initial talks on the Tuesday, Recce Wednesday pre-light Friday and shoot on Saturday! The shoot took place @londonfilmstudios Black Stage and the concept that the Director @91.Rules and DOP @GaulPorat had, was a large coloured background with falloff, being the main set piece. There was some high speed throughout, but nothing crazy. So we opted for a large uplit 40x20 ultra bounce and 40x20 half silk in front of this. As time was an issue, I had to go with using 2 x 20x20’s and try my hardest to hide the seam and let post-Production do a little cleaning up! I work with SHL a lot and they always provide a great service and didn’t fail on this project even with a crazy turnaround time….. The main background look was achieved with 10 x Sky panel S60’s evenly uplighting the U/B. Then 1 x Skypanel S360 overhead as our toplight and key light was provided by a Nanlux Evoke 2400. With rolling side lighting in the form of Evoke 900C’s and side and back light coming from Aputure 600C’s on drop arms from the motorised grid. We also needed a punch for the various strobe moments in the shoot and pulled out the old faithful atomic strobes, using 1 either side of camera. Shooting 3 different set looks through the day and with a cast of around 35 had its challenges but the end result looks great! I have to thank the wonderful team around me and as always the continued help from the guys @SHL.london #musicvideo #filmlighting #gaffer #lighting #sparks
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IN PLAIN SIGHT - Khalid. Thankyou very much to @stevecameron Director @91.rules EP: @hp_moore @objectandanimal Producer @ersanbeskardes PM @nathanmlegger PA mollyharrisprod Runner @jackeclipss Runner @7.amaani 1st AD @whynotpie 2nd AD Spencer Wilson Floor Runner @Jacquesrss Floor Runner @jacksavage13 Movement Director: @joegreyadams DOP @gaulporat 1st AC @bbleeac 2nd AC @Lara.s.diamond Key Grip @beretta_grip Grip @jaferacer DIT @ioanamd7 Gaffer @stevecameron Desk Op @afoylx Spark @lightwork_sparkz Spark @akeel.f Spark @Tim.may19 Spark Trainee @samc_videography Lighting EQ @shl.london Rigger George Berry Rigger liamdoran04 Rigger Terry Bear Production Designer @samuel.overs Art Assistant @hen.on.set Art Assistant @Catalogue_crepes Artist Glam/Grooming @jennartist Artist Barber @aclasssalon Artist Nail Techs @praewaps @bychangnam Cast HMU Artist @natashalawes Cast MUA Assistant @sophiegiamoore Cast MUA Assistant Lily Simmonds Artist Stylist @aaronchristmon Artist Stylist @marquisemiller Artist Stylist Assistant @deonnabolden Cast Stylist @pilimateoss Cast Styling Assistant @miaeyates
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Amazing shoot for @houseoferrors at @londonfilmstudios, thankyou very much to the gaffer @stevecameron for allowing me on the job. #spark #filmindustry🎬📽️📼 #commercial
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Working on the hills @stevecameron
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2025 - What an amazing year! Getting to reflect on all the memories that 2025 provided. Grateful for my ever loving wife, without her none of this possible. 💍 Grateful of having a family I love and keeping my life full. 🏡 Grateful that work gets to feel like play & grateful that I have the opportunity to improve and nail down this year. 💡 2026 I’m coming for ya! 💪🏼
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@travisscott x @cincoro 🥂! frames from a campaign doc shot across london, sao paulo and houston this year. directed by tj saw 🖐🏽. dop @thehenrygill 1st ac @cine.den loader @gordon.wsh_ gaffer @stevecameron spark @mary___kale spark @breandan.m brazil camera op @francoofelipe reading camera op @courtneybennettdp photographer @elliothensford lighting director @darrenkarlsmith prop handler @marssss_x creative producer @teeeezyc edit @vinniehobbs grade @roslyndisisto vfx @maxcoltt production company @noir.productions ep @javieralejandroxldn producer @peachyellz production manager @pdigioia_ post production @inkretouch + @nadiaselander cincoro marketing lead @justina_morales label @cactusjack cactus jack creative: corey black + paul savovici cactus jack mgmt: allie goodman + zoey fishman executive producer: kathleen heffernan executive producer: imran siddiq post producer: alex storm love to trav + the cactus jack team for the trust working on this over the past months 🤲🏽!
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The Big Mobile Clapback with @bignarstie & @grimegran - @lebara.mobile Commercial 💙👊🏽 This was suuuuch a fun project to work on, with the best team, crew and talent !! A huge thank you to @prettygreenthings and my gorgeous crew #LebaraGang🫶🏼 Director, Producer & Editor @kynzakj 👊🏽 Production Company @prettygreenthings Lead Producer @robbiemathieson Creative Director Jack Davy Producer Holly Elmes DOP @arrangreen 1st AD @_elsa.grace_ 1st AC @bradleystearn 2nd AC @ashton_adot Gaffer @stevecameron Spark Samuel Cameron Production Designer @jaderacheart Graphic Design @rosiexmasonn Stylist @aimeeblowers Stylist’s Assistant @amber_jaynem HMU @imagebyella Production Design & Styling Assistant @marleykiwinda Runner @collette_burke_ Grade @dani_simone_r @timebasedarts Colour Producer @dankreeger @thealapoubs Motion Graphics & VFX @laatelunch
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We made a film. But more than that — we made an experience. Fiddler’s Green is finally out. A film about isolation, memory, time and oxygen. Shot between the depths of the sea and the silence of space. This was not just a project — it was an adventure. One of those rare ones that challenge everything you know about yourself, your craft, your limits. To every single person who believed in this vision, who lent their hands, hearts, voices, and talent — this is yours. Watch it. Share it. Let it breathe. YouTube link: https://www.youtube.com/watch?v=8vhpRZm6cNs ⸻ With love & endless gratitude: @tao_delport @alexjamin @kevin_lafargue @nansinsue @kevin_howart @melle_leeza @_l.raph.l_ @leafontn @jasmynmistry @arthurdilouya @max_beauquesne_dop @matthieu.toullet @company_3 @ulrichforman @vincecosson @ekosound_studio @stevecameron @thehogeyemen @iankelseybehindthescenes @romain_bonneau @guillamebodin @cedricballaguier @fbcgbt @a_just_fred_production @nouvelledonne @freeagentuk ⸻ #shortfilm🎞📽⚡️ #scififilm #indiecinema #filmmaking #WatchNow #supportindiefilm #cinematography #cinematic
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