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t_sessler

@t_sessler

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New BTS from @mercedesamg shoot. U-crane Dynamic. #cinematography #ucrane #behindthescenes #mercedesamg #filmotechnic
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That's a wrap! The brief: take the first (and only) production Mercedes-AMG GT and its 1000+hp, and push it to its limits... without putting a scratch on it (seriously, it was the first one).  Legend status to @flugmodus.tv @antoniberlin @t_sessler and the entire team and crew in Germany. 📸 by @sixnine Client: @mercedesamg Starring: @iamgabrielmacht @evankennethjones Project lead: @fabiolavivienne Director Marketing: @israngnicole Client producer: @sotrappi Vehicle dynamics & performance lead: @reneszczepek Precision driver: @maddimcawesome Agency: @antoniberlin @teamx_worldwide Creative Directors: @sisimonsieur @mwilke11 Agency creative producer: @anna.freer Agency Accountant: @maximilianhype Art Director Photo: @gabardaaa Copywriter: @martimbdabraz  Head of Creation: @ollinermerich Head of Digital: @_piatsch_ Writer: @ahh_reee  Director: @schrunk Executive Producer: @lasse.lenz  Executive Producer: @janniktondorf Production: @flugmodus.tv Line Producer: @toby_gruber @sandgrain.film Assistant producer: @allissa.beer 1st AD: @dominikadamnikel Set Manager: @markokaracic_ Researcher: @dancarrphoto DoP: @t_sessler 1st AC: @esther.tan.sonntag 2nd AC: @simontheac Steadycam Operator: @steadicamop_de Key Gaffer: @tmt_muc  Best Boy: @florian_goldberger Key Grip: @thomasroim Best Boy Grip: @frankschoberl DIT: @vincecz Set design & build: @studio_alibi_gmbh Art director: @juliahrtmyr Vehicle technician: @den_fux Drone: @benoitfinck Still photography: @sixnine Camera car driver: @doubleactionstunts Camera car arm Operator: Igor Teljukov Camera car: @filmotechnicworldwide Styling: @amandaecox HMU: @sleepingbowie HMU additional: @isabellaschneider.makeup Set audio: @robinharff_audio Set Runner: @sebi0426 Car Care: Isik Dagdeviren 2nd unit DoP: @moritzkluth Catering: @kuechenkutsche.de Post Production Post-producer: @janniktondorf Editor: @anselm.ko Sound: @hyve.audio Grading: @nadir_mansouri_seniorcolorist VFX: @most_magic Online Editor: @lvkas.spr Editor Explore AMG: @marvinvyhnal
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All smiles on the set of our Curated by Cadillac shoot. Shout out to the wonderful Detroit crew !!!
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Curated by Cadillac - ESCALADE IQ This piece is designed to capture the freedom of expression in Cadillac’s new customization program. Director: @loookahs DP: @t_sessler Production Designer: @stefanialucchesi Producer: @rissellaneous Produced by @porchhouse.co Wardrobe: @imaanok Edit: @nick.yumul Color: @paul_yacono VFX: @jamm.vfx @kvnjones1 Agency: @72andsunny_ 1st AD: Andrew Katz
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Chevy’s “Heartbeat of America” is back. Editor: Jim Helton @jimmyhelltone Senior Cutting Assistant: Chris Rizzo christopher_rizzo Assistant Editor: Kaylin Smida @kaylin1612 Senior Producer: Michael Dart Wadsworth @wadsworthmd MD / EP: Sarah Roebuck @sarahkroebuck Production Company: Partizan @wearepartizan Director: Floyd Russ @floyd_r & Henry Behel @henry.behel MD/EP: Lisa Tauscher @tauscherlisa EP: Kimi Porter Thomas @ep.kimi HoP: Ani Mikirdichian @__ani__m__ Producer: Andy Coverdale @andy_cov Line Producer: John Rains @john_rains & Jessica Perrin DP: Tim Sessler @t_sessler & Jacob Møller @jacobmller Client: General Motors Agency: Anomaly @anomaly Partner & Global CCO: Mike Byrne ECD: Mark Sarosi Managing Partner: Chris Hinkaty HoP: Erika Madison @erikamadison Group CD: Sam Isenstein @samisenstein Assoc CD: Lucy Downs @lucy_downs & Sean Pezzulo Creative Director: Julia Ball Senior Art Director: Adam Dubrueler @adamdubrueler AD: Rose D’Amato @pinballwizard____ CW: Alley Steele @realleycool Group EP: Jonny Weiss jonny.weiss Senior Producer: Andreina Byrne @andreeeinabyrne Producer: Carter Munson @carterrmunson Copywriter: Alley Steele @realleycool Sound Design/Mix: Machine Sound @machinesound.co Sound Design & Mix: Michalis Anthis @michalianthis Finishing/VFX: Parliament @prlmt Color: Royal Muster @royal.muster Colorist: Mikey Pehanich @mikeypackage
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Ford Had a lot of fun on this. Thank you Trevor, Tim and the W+K NY guys 🙏🏼. Dir @t_pap DP @t_sessler Agency @wknyc @danpeterspdx @freijaedlund @company_3
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New work for Ford featuring F1 driver Daniel Ricciardo and professional skier @madisonnnrose Shoutout to @wknyc and the squad for trusting us with this fun one. @danpeterspdx @thegrimreifer @matteocapaldi @norremark Produced by @fieldunit Directed by 🙋‍♂️ Executive Producers: @oscarblyons @alec__ernest Producer: Adam Wiesner Cinematographers:  @t_sessler @matthewpothier Camera Op and POV: @collinharrington 1st AC: @cote_cam Drone Op: @joeyfpvx Photographer @kyle__lieberman DC Editor: @j.p.editor Color: @josephbicknell
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After a brilliant chapter founding and building Spindle working alongside a bunch of incredibly talented and inspiring people, I made the decision to focus fully on directing and writing and to begin a new phase of my career. The call of leading a fully creative life was getting louder and louder and I needed to listen to my heart. I’m hugely grateful to everyone at Spindle for the support, collaboration, friendship and opportunities over the past years andI can’t stress what a formative time in my life this has been. The crews we’ve worked with, the companies we’ve collaborated with, the favours, the hustle, the hard work, the fact we followed our vision through to where it genuinely worked. I’ll always remember the three days we released Experiments in Speed, Have a Word, and Hey Jude - all three going viral, racking up hundreds of millions of views, and the latter two winning big at awards across the world. A Glass Lion in the bag… that was special. The biggest shouts go to Stitch and Tim, who have been on this wild ride with me since the start. Em, Adam, Mayling, Sophia, JB, Johnny, Marie and Jess the same. Thanks for everything! Ultimately when it came down to the next steps with Spindle, we closed Spindle because we chose to, not because we needed to. All of us were, and I guess always will be, driven by the creative work, and we realised that the best work still ahead of us was going to be in our own ways outside of Spindle. We’ve always made decisions based on our ambition, and I’m proud of the fact this was no different. This comes after the best start to a year we’d ever had. So it was about being true to ourselves and making the move at a moment when we could honour the staff, the directors and everything we’d built! Now I’m excited to be joining Park Pictures in the US and UK. I’ve loved their work for a long time and it’s a roster of directors I’m very proud to be among; some of their directors I idolised when I was coming up. I want to concentrate my time and focus on filmmaking, writing and ultimately creating and producing work that I feel invested in. Let’s GO! Greg 🫰
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I mean… if you like that sorta thing. Shoulda yelled to the stills guys to clear my frame. #armcar #ucrane #flighthead #glc63 #cameracar
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EROSION, behind the scenes. No budget. No permits. No big crew. 🤝 Just friends (Brandon Bloch, Tim Sessler, and Brandon Bray) 🎥 making something together. A personal project, a visual poem about the interplay between performance art and the evolving urban landscape. Shot around Brooklyn and NYC in 2015. Moments stolen on free weekends, with borrowed gear, crazy ideas, and a lot of innovating and improvising along the way. These moments stick with us. ✨ And we wanted to share them with you. 📸
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Today, EROSION hits differently. On International Dance Day, it reminds us that life needs movement. 💃🕺🎭 🎞️✨ A throwback project that still resonates today, a short film created by Hometeam Co-Founder Brandon Bloch @bloch_party alongside Tim Sessler @t_sessler and Brandon Bray @decade_is —starring Dayrome “Bad Day” Wright, Kester “Flexx” Estephane @flexx_wit2x , Anthony “Laiden” John, and Makaveli Qu. 🔈Music “Black Dress” by @insightful Within a constantly shifting urban landscape, it's the artist who stays resilient and their form of self expression that continues to adapt and stay relevant even within the constraints built around it. In EROSION, movement becomes language—adapting, resisting, evolving with the buildings around it and the streets beneath it. Shot in 2015, across Brooklyn and New York City— EROSION is a visual poem 🎥🖤 that serves as a time capsule from a moment of great urban transformation, artistic expression, and the early days of our filmmaking careers.
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Las Vegas Electric Drift🤤 SO fun to fly this little circuit from a sick @mercedesamg project. Re-watched The Hangover to prep Looking to hit 2026 hard. Inquiries: management@johnnyfpv.com Starring: Brad Pitt, @georgerussell63 & @davidlengel Client: @mercedesamg Agency: @osklive @teamx_worldwide Production Company: Schrunk Works, Inc Director: @schrunk Producer: @ivonnamaziuk Project Leads: _piatsch_ @kayenkn Head of creation: @ollinermerich @ricono_ Creative Director: @dominik_schneck Screenwriter: @cuffrd Agency Producers: @tommy_workx @vanecelli Art Direction: @the__wes Research & Writing: @dancarrphoto @hobolife Production Managers: Nicole Pylka @sheena_k_g  Production Coordinator: @rileyboronkay 1st AD: Chris Northrup @americannorthup 2nd AD: @dwilliams8866 Stunt Coordinator and Precision Driver: @samuel_hubinette  Precision Driver: @reneszczepek DoP: @t_sessler DIT: @colinericw Gaffer: @ramin_shakibaei Key Grip: @rudykey Production Designer: @marcmanabat FPV Pilot: @johnny_fpv FPV Assist: @randumbmax Picture Finishing: @sdmfx  Colorist: Sam Gilling  @sgllng Sound post by @Torq_sound, a division of @source_sound_inc Sound Supervision/mix; charles_deenen_official Sound design; @james.evans.portraits Sound recordists; John fasal, @pratersound, bryan Watkins, @soundofericpotter Sound Producers; @lepervanche, kelly Baffoni  Storyboards: @storyboardbrad @keith_morange Camera: @reddigitalcinema Komodo
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