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tania monics

@the.mon

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interior design //@monics.studio
object design //@monicsvieira

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ONDA Collection - Inspired by the movement of the wave, ONDA captures fluidity through sculptural form. Each piece translates the rise and fall of energy into marble, echoing the natural rhythm of water in motion.

With soft curves and organic lines, the collection reveals how stone can embody vitality, cadence, and flow.

Composed of four distinct modules, ONDA can be displayed individually or combined in multiple compositions. Each element stands as a sculptural object on its own, yet gains new meaning in dialogue with the others, evoking lightness, rhythm, and harmony.
 Stone in motion: where marble flows like water and form follows rhythm. Design by MONICS+VIEIRA for @grupogalrao

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ONDA Collection - Inspired by the movement of the wave, ONDA captures fluidity through sculptural form. Each piece translates the rise and fall of energy into marble, echoing the natural rhythm of water in motion.

With soft curves and organic lines, the collection reveals how stone can embody vitality, cadence, and flow.

Composed of four distinct modules, ONDA can be displayed individually or combined in multiple compositions. Each element stands as a sculptural object on its own, yet gains new meaning in dialogue with the others, evoking lightness, rhythm, and harmony.
 Stone in motion: where marble flows like water and form follows rhythm. Design by MONICS+VIEIRA for @grupogalrao

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ONDA Collection - Inspired by the movement of the wave, ONDA captures fluidity through sculptural form. Each piece translates the rise and fall of energy into marble, echoing the natural rhythm of water in motion.

With soft curves and organic lines, the collection reveals how stone can embody vitality, cadence, and flow.

Composed of four distinct modules, ONDA can be displayed individually or combined in multiple compositions. Each element stands as a sculptural object on its own, yet gains new meaning in dialogue with the others, evoking lightness, rhythm, and harmony.
 Stone in motion: where marble flows like water and form follows rhythm. Design by MONICS+VIEIRA for @grupogalrao

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Sunday rituals with ONDA as part of your morning routine 🤍 How do you make stone feel like it is moving? How do you carve a wave without making it literal? How do you keep the irregularity, softness and rhythm of water when every decision has to be made in a material that resists you?

The new shape of ONDA came from this same research. They are a new typology within the ONDA collection, but they carry the same language we started developing almost two years ago. Seeing the first pieces come out of the stone was one of those moments that makes the long process of designing a collection feel worth it.

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ONDA Collection - Inspired by the movement of the wave, ONDA captures fluidity through sculptural form. Each piece translates the rise and fall of energy into marble, echoing the natural rhythm of water in motion.

With soft curves and organic lines, the collection reveals how stone can embody vitality, cadence, and flow.

Composed of four distinct modules, ONDA can be displayed individually or combined in multiple compositions. Each element stands as a sculptural object on its own, yet gains new meaning in dialogue with the others, evoking lightness, rhythm, and harmony.
 Stone in motion: where marble flows like water and form follows rhythm. Design by MONICS+VIEIRA for @grupogalrao

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ONDA Collection - Inspired by the movement of the wave, ONDA captures fluidity through sculptural form. Each piece translates the rise and fall of energy into marble, echoing the natural rhythm of water in motion.

With soft curves and organic lines, the collection reveals how stone can embody vitality, cadence, and flow.

Composed of four distinct modules, ONDA can be displayed individually or combined in multiple compositions. Each element stands as a sculptural object on its own, yet gains new meaning in dialogue with the others, evoking lightness, rhythm, and harmony.
 Stone in motion: where marble flows like water and form follows rhythm. Design by MONICS+VIEIRA for @grupogalrao

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ONDA, a new chapter:

One of the hardest things about designing ONDA,
our modular organic vases, designed for @grupogalrao and launched last year, was trying to translate something as soft, fluid and constantly moving as water into one of the hardest materials there is: marble.

How do you make stone feel like it is moving? How do you carve a wave without making it literal? How do you keep the irregularity, softness and rhythm of water when every decision has to be made in a material that resists you?

The new shape of ONDA recently launched at @marmo_mac came from this same research. They are a new typology within the ONDA collection, but they carry the same language we started developing almost two years ago.

Seeing the first pieces come out of the stone was one of those moments that makes the long process of designing a collection feels inevitable.

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ONDA Collection - Inspired by the movement of the wave, ONDA captures fluidity through sculptural form. Each piece translates the rise and fall of energy into marble, echoing the natural rhythm of water in motion.

With soft curves and organic lines, the collection reveals how stone can embody vitality, cadence, and flow.

Composed of four distinct modules, ONDA can be displayed individually or combined in multiple compositions. Each element stands as a sculptural object on its own, yet gains new meaning in dialogue with the others, evoking lightness, rhythm, and harmony.
 Stone in motion: where marble flows like water and form follows rhythm. Design by MONICS+VIEIRA for @grupogalrao

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ONDA, a new chapter:

One of the hardest things about designing ONDA,
our modular organic vases, designed for @grupogalrao and launched last year, was trying to translate something as soft, fluid and constantly moving as water into one of the hardest materials there is: marble.

How do you make stone feel like it is moving? How do you carve a wave without making it literal? How do you keep the irregularity, softness and rhythm of water when every decision has to be made in a material that resists you?

The new shape of ONDA recently launched at @marmo_mac came from this same research. They are a new typology within the ONDA collection, but they carry the same language we started developing almost two years ago.

Seeing the first pieces come out of the stone was one of those moments that makes the long process of designing a collection feels inevitable.

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ONDA chapter 2: One of the hardest things about designing waves was trying to translate something as soft, fluid and constantly moving as water into one of the hardest materials there is: marble. The new design came from this same research. They are a new typology within the ONDA collection, but they carry the same language we started developing almost two years ago. Seeing the first pieces come out of the stone was one of those moments that makes the long process of designing a collection feel worth it.

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Sunday rituals with ONDA as part of your morning routine 🤍 How do you make stone feel like it is moving? How do you carve a wave without making it literal? How do you keep the irregularity, softness and rhythm of water when every decision has to be made in a material that resists you?

The new shape of ONDA came from this same research. They are a new typology within the ONDA collection, but they carry the same language we started developing almost two years ago. Seeing the first pieces come out of the stone was one of those moments that makes the long process of designing a collection feel worth it.

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ONDA Collection, a new shape.
The videos in this post are from May, when we visited the factory in Sintra, Portugal, to see the first plates taking shape. But the idea behind them started almost two years ago.

One of the hardest things about designing ONDA was trying to translate something as soft, fluid and constantly moving as water into one of the hardest materials there is: marble.

How do you make stone feel like it is moving? How do you carve a wave without making it literal? How do you keep the irregularity, softness and rhythm of water when every decision has to be made in a material that resists you?

The new plates came from this same research. They are a new typology within the ONDA collection, but they carry the same language we started developing almost two years ago.
Seeing the first pieces come out of the stone was one of those moments that makes the long process of designing a collection feel worth it.

Designed by @monicsvieira for @grupogalrao
ONDA LAST DAY TO VISIT @marmo_mac  22–25 September · Verona Hall 6 · Stand

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