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Punkdemic: eCommerce brand founded by @she_is_amazon & @mcjonnyt
Hosts the Punkdemic Podcast
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Back in 1989 when we were recording with #robinguthrie in London we used to go take our newly acquired money and go buy hip gear from #kesingtonmarket❤️ there was a plethora of musicians and artist with three floors of complete funkiness from top to bottom, where kids in bands would get their shoegaze gear and post punk attire either here or down in Camden town very inspirational time, for music and the vibe itself definitely a conversation piece… #shoegaze #dreampop #postpunk
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VELDT  from our perspective - photo @holddmayo Late 1986  19years old …at @falloutshelterraleigh  with @peele1  and recent ex bass player now magaman Joe Boyle Nc we played fallout shelter developing our sound  parts #gangiffour #cocteautwins  #bauhaus which would expand to the local college scene and eventually chapel hill, and surrounding areas of the local triangle  music scene which was rich with up and coming bands like @connells superchunk @polvo @whatpeggywants egg, @dexterwomwebber @corrosion_of_conformity . The fallout shelter was a place where  There could be preps, or people dressed in their best goth outfits. Punks, LGBTQIA+, old people and young. Everyone felt safe there,.
That, perhaps, is why even three decades later people hold such fondness for The Fallout Shelter.

“You could be a little bit of a misfit – because you’re surrounded by other people, who may not be the same kind of misfit you are, but they are a misfit in their own way, and most of our friends would go there for industrial music nights and especially goth nights so it was easy to discover new music and be inspired,it was a haven for all things alternative..#alternativemusic #gothnightindustrialmusic falloutshelerraleighnc
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VELDT Early 1986 Raleigh NC Godamn that hair! #Halifaxcourt abandoned foundry shot by @holddmayo We hadn’t established our sound quite yet and were coming into our own having at this time consuming anything and everything from @4ad and immersing ourselves in @thecure during their 'Lets go to Bed and "The Top" phases as you can Aesthetically see) I had just left high school and returned from Los Angeles from following @the3oclock chasing the Paisley Underground and meeting the like of @officialthebangles and partying with @Redkross. Slowly moving into more spacey sounds my brother acquired his first #fenderjazzmaster after seeing #juliancopeworldshutyourmouth and @cocteauofficial a number of kids turned us on to a plethora of alternative and independent music that was coming out at the time, hardcore punk matinees were a breeding ground for young kids starting bands and meeting new friends and hearing the koolest punk bands. This is the essence of @ihaveadreampop @telepathicwindows @eyelevelevents this the genesis and inspiration to our festival @ihaveadreampop STARTS FRI 10/16/SATURDAY 10/17/26 @neptunes.parlour @danielchavis @nmemagazine @thefacemagazine @dazed @creemmag @indyweek @raleighmagazine @carymagazinenc @artspace_nc
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The Veldt  音楽は未来の武器である。– Soul In A Jar Single Artwork 1994
With its metaphysical lyricism, Daniel wrote the “Soul in a Jar” after reading Dante’s Inferno on a Trailways bus coming from New Mexico after the Marigolds tour. Daniel says, “I asked myself a question: “’Why is having a soul so important to both God and the devil?’ It’s as though your soul is a commodity, simply a soul in a jar.” The #JesusandMaryChain remix opened with a jarring celebration of electronic noise, but it stayed true to the flavor of the Chavis bros while also making it off-the-Chain chaotic.
They did us a big favor remixing that song,” Daniel says. Diggin’ in the Crates producer #DiamondD also provided a remix of the “Soul in a Jar” that was also included on the album, but funny enough the Chain’s work sounded more hip-hop. “To me, was more creative and experimental.” Although videos were released for both the original and the Chains remix, neither twin was impressed with the final outcome of the former clip. “The label didn’t do what we wanted, which was to make it more gothic,” Daniel says. “We wanted it to be spooky, maybe shot in a church, not me dancing around.”
A second single and video was slanted for Black pride power pop track “Revolutionary Sister,” but never happened. “That was a ‘80s era type song written back when there were no bitches or hoes in songs, just good shit and cool women listening to a Tribe Called Quest,” Danny says. Despite the fact that “Revolutionary Sister” was a cool track, musically it didn’t show the Veldt’s strengths in same way splendid “Heather” and “Last Call,” my two favorite tracks on Afrodisic.
The whole album should’ve sounded like ‘Last Call,’” says Daniel of psychedelic tour de force. Indeed, his brother agrees. “We have a pop sensibility, but we also have a loud sensibility that can be heard on ‘Last Call and ‘Heather.’” Daniel wrote the lyrics to “Heather” while thinking of a childhood friend who was run over by a car and died when she was ten while Danny composed the music as a homage to A.R. Kane. “They always have these long drawn out soundscapes like that,” Danny says. “I also picked up a lot of guitar stuff from Robert Smith of the Cure.”
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