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Theadora Walsh

@theadora.tm

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yeah, i'm definitely in MNYC.

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Please join us at 3 pm, this Sunday, August 16th for an afternoon of poetry readings and the closing party of exhibition Love and Friendship.

Readings by:

Zoe Brezsny
Tilghman Goldsborough
Theadora Walsh

Message us for address. We would love to see you.

Poster designed by @lu_wrld

#ZoeBrezsny
#TilghmanGoldsborough
#TheadoraWalsh
#afternoonprojects
@zbrezsny @human_goldberg @theadora.tm

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e-flux Education feature: Theadora Walsh on Radio GAMeC’s live broadcasts in Venice, working out meaning in real time, and using localism as a safeguard against the “deafening hegemony of like-mindedness”

@theadora.tm @gamec_bergamo

Read it at the link in bio.

Images: [1] Portraits of a selection of guests who appeared on episodes of Radio GAMeC’s new season “Pedagogy of Hope,” a Collateral Event of the 2026 Venice Biennale, recorded at Radio Vanessa, Venice, May 6–11, 2026. Top row, from left: Adelita Husni Bey, Ahmet Ogut, and Amar Kanwar. Middle row, from left: Cauleen Smith, Ei Arakawa-Nash, and Ibrahim Mahama. Bottom row, from left: Sammy Baloji, Senzeni Marasela, and Silvia Franceschini. Courtesy of GAMeC. [2] Saidiya Hartman recording a “Pedagogy of Hope” episode at Radio Vanessa, Venice, May 7, 2026. Courtesy of GAMeC.

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D. D. D. D. is pleased to share that 𝘙𝘢𝘳𝘢, our current group exhibition curated by Blake Oetting, has been reviewed in @friezeofficial by Theadora Walsh. The exhibition is on view until August 1st at D. D. D. D. Link to the full article in our bio!

Theadora Walsh is an art critic and poet living in New York. Her work has appeared in The Los Angeles Review of Books, ArtReview, BOMB Magazine, Artforum, The Brooklyn Rail, and elsewhere.

D. D. D. D. is open Tuesday through Saturday 11-6pm as part of our summer hours.

For questions or inquiries DM or email us at contact@dddd.pictures

Featured:

Slide 1
𝙍𝙖𝙛𝙛𝙖𝙚𝙡𝙖 𝙉𝙖𝙡𝙙𝙞 𝙍𝙤𝙨𝙨𝙖𝙣𝙤 | 𝘚𝘤𝘰𝘳𝘦 𝘧𝘰𝘳 𝘛𝘦𝘯𝘵𝘢𝘤𝘶𝘭𝘢𝘳 𝘉𝘦𝘥 "𝘙𝘦𝘴𝘵𝘢 𝘴𝘦 𝘪𝘰 𝘳𝘦𝘴𝘵𝘰 - 𝘗𝘢𝘳𝘵𝘰 𝘴𝘦 𝘵𝘶 𝘗𝘢𝘳𝘵𝘪" (detail), 2025
Ink on paper, sea water, sand, plastic sheets, and aluminum frame
29 x 25 cm

Slide 3
𝙑𝙞𝙟𝙖𝙮 𝙈𝙖𝙨𝙝𝙖𝙧𝙖𝙣𝙞 | 𝘋𝘦𝘭𝘪𝘳𝘪𝘶𝘮 𝘣𝘢𝘤𝘬𝘴𝘭𝘪𝘥𝘦, 2023
Graphite, colored pencil, and pen on paper
24.4 × 32.3 × 1.4 in

@theadora.tm @pat_mustang

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We had to do another post because we couldn’t fit all the hats…

In honor of our “funraiser,” Pat Oleszko made bespoke silver hats for the evening, surprising everyone with a chance to try on a piece of “PASA—Pat’s aeronautic sartorial art”. Pictured here, the SculptureCenter staff and our guests wearing the “chapeaux of and for the future.”

Thank you again to everyone who joined us!

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A survey of Leslie Bohnenkamp’s 1970s and ’80s work—including playful, imprecise conic paper sculptures he called “the herd”, their materials gathered from belt factory detritus—situates the New York artist as a lesser-known minimalist, writes Theadora Walsh.

Read at the link in bio.

#theadorawalsh #lesliebohnenkamp #donaldryangallery

@theadora.tm @donald_ryan_gallery

Images: [1] Leslie Bohnenkamp, Coiled Form, ca. 1977. [2] Leslie Bohnenkamp, Shell Herd Drawing, ca. 1979. [3] View of Leslie Bohnenkamp’s at “Works from the 1970s and 1980s” at Donald Ryan Gallery, New York, 2026. Courtesy of Donald Ryan Gallery.

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𝙇𝙚𝙨𝙡𝙞𝙚 𝘽𝙤𝙝𝙣𝙚𝙣𝙠𝙖𝙢𝙥 “Works from the 1970𝘴 & 1980𝘴” reviewed on e-flux Criticism (@e_flux )

Many thanks to @theadora.tm for her considered and generous reading of Les’ work.

Link in bio.

🙏 @francescawade

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Thursday 3/26 come celebrate & launch PORTUGAL SCENE by Kai Ihns. Books will be there. Poems will be there. Drinks will be there. You will be there. It all makes sense.

Come learn “that power of the sun called likeness.”

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Nightly:

An excerpt from “The Almond”—by @theadora.tm—& published by @1080press.

Read the full excerpt at the link in our bio—

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@efluxeducation feature: Theadora Walsh @theadora.tm visits “Last Art School” at the Hunter College Art Galleries @huntercollegeartgalleries and reflects on the long slow death of the San Francisco Art Institute.

Read it at the link in bio.

Images: [1] The opening reception for *Last Art School*, 205 Hudson Gallery, Hunter College Art, New York, August 27, 2025. Photo: Leo Sano. [2] View of “Last Art School,” 205 Hudson Gallery, Hunter College Art Galleries, New York, 2025. With work from the SFAI Legacy Foundation + Archive. Photo: Argenis Apolinario. [3] View of “Last Art School,” 205 Hudson Gallery, Hunter College Art Galleries, New York, 2025. Photo: Argenis Apolinario.

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Posting the CORRECT date for the final Disinherited reading, Friday 12/5 at @night_club_101 at 7pm. I’ll be reading with Mónica de la Torre, Tilghman Goldsborough, Aristilde Kirby, and Theadora Walsh, and there will be books for sale.

the images after the flyer are some of my inspirations for the visual interjections in the book. If you know me, you know I’m unhealthily obsessed with Michael Mann’s 2006 remake of Miami Vice. There’s something intoxicating about the grainy digital image in that film, specifically this nighttime raid scene right before the climax.

The other visual ear worm for me is the transmission from the future in John Carpenter’s Prince of Darkness, which periodically punctuates the narrative of the film. This particular camera movement sometimes feels like it’s invaded my dreams, the future just off camera right.

Anyway, see you at Nightclub 101, and drinks after at Funny Bar.

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