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@thistingdances

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So Emotional Otherwise Dramatic X BARAZANI.Berlin HOTPOT DINNER TABLE on 25. October 2026 from 7pm at our space on Spreeufer 6, 10178 Berlin Please RSVP due to the limited capacity, by sending an email to press@barazani.berlin. 🌶️ We transform the dinner table into a relay of storytelling, for all of us eaters to express, share, listen, connect, and discuss around and with food. What’s your favorite dish? What’s the food culture you grew up with, and what do you live by today? What’s your story behind something you love or hate to eat? Any memorable moments from the first time you tasted or cooked something? Come as you are. Or want to bring something? Yes - an ingredient (for the hotpot), a dish, or any food-related object that holds a memory or story for. 🌶️ Date: Sunday 25.10.2026 Time: 7pm Location: BARAZANI.Berlin RSVP: press@barazani.berlin.. 🌶️ Hosted by jee chan @jeech_n Haesoo Jung @eshufrequency Lưu Bích Ngọc @ioechipchip Mon Sisu Satrawaha @sisumon TingAn Ying @thistingdances SO EMOTIONAL, OTHERWISE DRAMATIC brings together five Southeast/East Asian cultural workers and artists for a month of collective sharing at BARAZANI. Berlin. Bound by a radical decolonial positionality, we approach this residency project as a room, a bonfire, a kitchen, and an incubator where stories are held and simmered. Embracing fluidity over fixed ideology, we turn critical thought inward through intimacy, emotion, and imagination. 🌶️ HOTPOT is a culinary activity where a group of people gather around a shared pot of flavorful simmering broth, often seasoned with a wide variety of chili and herbal mixtures. Eaters cook their own preferred ingredients to taste. 🌶️ The end of summertime… Come hungry Come listening Come spicy Come sharing 🌶️
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Finally sharing some moments! limɪn[ə]l flesh — Hybrid Bodies in Becoming 12.-13. September 2026 In the solo exhibition limɪn[ə]l flesh, curated by @pixel_peggy, artist @yawen_fu_ explores the body between technology, self-determination, and external control. Three performative installations connect the body and movement with video, sound, mechanics, and AI. The exhibition presents The Body in Which I Feel at Home (2024), So Absurd! (2023), and The Unarrived Body (2026–2027). Followed by the book launch of SO ABSURD! The Unarrived Body (work in progress) Live performance with digitally controlled mechanical installation and sound work 2026-2027, 18 min In collaboration with: Choreography/Dance: Ting-An Ying Sound: Daniel Romero Calderón Technologist (Engineering /Mechanics ): Orlando Helfer Rabaça AI Engineer: Shu-Ling Chen Wearable Body Installation: Sarah Schimke Video by @nrup.de Organised by @tamtamart_taiwan in collaboration with @st.elisabeth.villaelisabeth Supported by the Taiwan National Culture and Arts Foundation (NCAF), @hongfoundation_art and Department of Cultural Affairs, Taipei City. With thanks to @peertospace #peggyschoenegge #berlinartweek #yawen_fu #berlin #tinganying
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Finally sharing some moments! limɪn[ə]l flesh — Hybrid Bodies in Becoming 12.-13. September 2026 In the solo exhibition limɪn[ə]l flesh, curated by @pixel_peggy, artist @yawen_fu_ explores the body between technology, self-determination, and external control. Three performative installations connect the body and movement with video, sound, mechanics, and AI. The exhibition presents The Body in Which I Feel at Home (2024), So Absurd! (2023), and The Unarrived Body (2026–2027). Followed by the book launch of SO ABSURD! The Unarrived Body (work in progress) Live performance with digitally controlled mechanical installation and sound work 2026-2027, 18 min In collaboration with: Choreography/Dance: Ting-An Ying Sound: Daniel Romero Calderón Technologist (Engineering /Mechanics ): Orlando Helfer Rabaça AI Engineer: Shu-Ling Chen Wearable Body Installation: Sarah Schimke Video by @nrup.de Organised by @tamtamart_taiwan in collaboration with @st.elisabeth.villaelisabeth Supported by the Taiwan National Culture and Arts Foundation (NCAF), @hongfoundation_art and Department of Cultural Affairs, Taipei City. With thanks to @peertospace #peggyschoenegge #berlinartweek #yawen_fu #berlin #tinganying
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Two weeks later — finally sharing some moments limɪn[ə]l flesh — Hybrid Bodies in Becoming In the solo exhibition limɪn[ə]l flesh, curated by @pixel_peggy, artist @yawen_fu_ explores the body between technology, self-determination, and external control. Three performative installations connect the body and movement with video, sound, mechanics, and AI. The exhibition presents The Body in Which I Feel at Home (2024), So Absurd! (2023), and The Unarrived Body (2026–2027). Followed by the book launch of SO ABSURD! The Body in Which I Feel at Home. Mixed media installation, video and performance 2024 version, 15 min In collaboration with the dancer Yin Ting-An and and the sound artist Daniel Romero Calderón Video by @nrup.de Organised by @tamtamart_taiwan in collaboration with @st.elisabeth.villaelisabeth Supported by the Taiwan National Culture and Arts Foundation (NCAF), @hongfoundation_art and Department of Cultural Affairs, Taipei City. #peggyschoenegge #berlinartweek #yawen_fu #berlin #tinganying
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limɪn[ə]l flesh — Hybrid Bodies in Becoming 12.-13. September 2026 In the solo exhibition limɪn[ə]l flesh, curated by Peggy Schoenegge, Taiwanese media artist Ya-Wen Fu explores the body between technology, self-determination, and external control. Three performative installations connect the body and movement with video, sound, mechanics, and AI. The exhibition presents The Body in Which I Feel at Home (2024), So Absurd! (2023), and The Unarrived Body (2026–2027). Followed by the book launch of SO ABSURD! The Unarrived Body (work in progress) Live performance with digitally controlled mechanical installation and sound work 2026-2027, 18 min In collaboration with: Choreography/Dance: Ting-An Ying Sound: Daniel Romero Calderón Technologist (Engineering /Mechanics ): Orlando Helfer Rabaça AI Engineer: Shu-Ling Chen Wearable Body Installation: Sarah Schimke Photo by @nrup.de Organised by @tamtamart_taiwan in collaboration with @st.elisabeth.villaelisabeth Supported by the Taiwan National Culture and Arts Foundation (NCAF), @hongfoundation_art and Department of Cultural Affairs, Taipei City. With thanks to DISTANZ und @peertospace #peggyschoenegge #berlinartweek #yawen_fu #berlin #tinganying
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limɪn[ə]l flesh — Hybrid Bodies in Becoming 12.-13. September 2026
 In the solo exhibition limɪn[ə]l flesh, curated by Peggy Schoenegge, Taiwanese media artist Ya-Wen Fu explores the body between technology, self-determination, and external control. Three performative installations connect the body and movement with video, sound, mechanics, and AI. The exhibition presents The Body in Which I Feel at Home (2024), So Absurd! (2023), and The Unarrived Body (2026–2027). Followed by the book launch of SO ABSURD! The Body in Which I Feel at Home. Mixed media installation, video and performance 2024 version, 15 min In collaboration with the dancer Yin Ting-An and and the sound artist Daniel Romero Calderón Photo by @nrup.de Organised by @tamtamart_taiwan in collaboration with @st.elisabeth.villaelisabeth Supported by the Taiwan National Culture and Arts Foundation (NCAF), @hongfoundation_art and Department of Cultural Affairs, Taipei City. With thanks to DISTANZ und @peertospace #peggyschoenegge #berlinartweek #yawen_fu #berlin #tinganying
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Tonight 🤟🏻 12.-13. September 2026 @st.elisabeth.villaelisabeth , Invalidenstraße 3, 10115 Berlin   Live Performances on 12 September 
From 19:40 to 21:20 The Body in Which I Feel at Home
So Absurd!
The Unarrived Body
Artist Talk und Book Launch SO ABSURD! limɪn[ə]l flesh — Hybrid Bodies in Becoming Artist @yawen_fu_ Curator @pixel_peggy
In collaboration with Daniel Romero Calderón, @orlando_helfer, @thistingdances, @gregorpfeffer , @jan.moellmer , @olim_piascardi, @annieslchen and @sara.o.cii Photographer @nrup.de Supported by the Taiwan National Culture and Arts Foundation (NCAF), @hongfoundation_art and Department of Cultural Affairs, Taipei City. 
With thanks to DISTANZ und peer to space #tinganying #yawen_fu #mediaart #performance #berlin
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limɪn[ə]l flesh — Hybrid Bodies in Becoming In the solo exhibition limɪn[ə]l flesh, curated by Peggy Schoenegge, media artist Ya-Wen Fu explores the body between technology, self-determination, and external control. Three performative installations connect the body and movement with video, sound, mechanics, and AI. The exhibition presents The Body in Which I Feel at Home (2024), So Absurd! (2023), and The Unarrived Body (2026–2027). Followed by the book launch of SO ABSURD!   12.-13. September 2026
St. Elisabeth Berlin @st.elisabeth.villaelisabeth Live Performances on 12 September 
19:40 · The Body in Which I Feel at Home
20:05 · So Absurd!
20:40  · The Unarrived Body
21:00  · Artist Talk und Book Launch SO ABSURD! Venue @st.elisabeth.villaelisabeth Artist @yawen_fu_ Curator @pixel_peggy
In collaboration with Daniel Romero Calderón, @orlando_helfer, @thistingdances, @gregorpfeffer , @jan.moellmer, @olim_piascardi, Shu-Ling Chen and @sara.o.cii Organised by tamtamART TAIWAN in collaboration with the Kultur Büro Elisabeth.
Supported by the Taiwan National Culture and Arts Foundation (NCAF), the @hongfoundation_art and Department of Cultural Affairs, Taipei City. 
With thanks to DISTANZ und peer to space Photographer and video @nrup.de #artist #mediaart #performance #yawen_fu
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limɪn[ə]l flesh — Hybrid Bodies in Becoming Solo exhibition by Ya-Wen Fu at @st.elisabeth.villaelisabeth , Berlin Curated by @pixel_peggy (peer to space) 
In the solo exhibition limɪn[ə]l flesh, curated by Peggy Schoenegge, Taiwanese media artist Ya-Wen Fu explores the body between technology, self-determination, and external control. Three performative installations connect the body and movement with video, sound, mechanics, and AI. The exhibition presents The Body in Which I Feel at Home (2024), So Absurd! (2023), and The Unarrived Body (2026–2027). Followed by the book launch of SO ABSURD! 
12.-13. September 2026
St. Elisabeth Berlin, Invalidenstraße 3, 10115 Berlin   Opening hours for the exhibition 12 September 15:00-22:00 13 September 12:00-18:00   Live Performances on 12 September 
19:40 · The Body in Which I Feel at Home
20:05 · So Absurd!
20:40  · The Unarrived Body
21:00  · Artist Talk und Book Launch SO ABSURD!   In collaboration with Daniel Romero Calderón, Orlando Helfer Rabaça, Ting-An Ying, Gregor Pfeffer, Jan Möllmer, Olimpia Scardi, Shu-Ling Chen and Sarah Schimke Organised by @tamtamart_taiwan in collaboration with @st.elisabeth.villaelisabeth .
Supported by the Taiwan National Culture and Arts Foundation (NCAF), the Hong Foundation and Department of Cultural Affairs, Taipei City. 
With thanks to DISTANZ und peer to space #peggyschoenegge #artist #yawen_fu #berlin #soabsurd
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AND HERE WE MEET Attending Attending has gradually become one of the most important words in my practice. Observation allows us to remain outside what we are looking at. Attending asks something different. It asks us to allow our whole selves to become part of the equation. Attending is not only a way of looking at another person. It is a way of being present with them. It asks us to hold space for self and other, to hold time for self and other. In my work, attending requires both openness and direction. It asks for overview without distance, alignment without control, surrender without losing orientation. Softness and strength, flow and boundary—not as opposites, but as qualities that can exist alongside one another. Attending is also a way of making decisions. We cannot attend to everything at once. To attend is to recognise what asks for our presence and to stay with it. It is saying yes to one thing rather than saying no to five others. For me, choreography begins there: not only in what we make visible, but in the quality of presence we bring to one another.
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AND HERE WE MEET Trust “It is the beauty of holding space for each other and building trust…” From And Here We Meet: Choreography at the edge of time (Theater der Zeit, 2025). Trust is often understood as confidence. Through choreography, I have come to know it differently. More and more, I experience trust as a quality of presence. It begins with the way we are with one another. How we observe. How we attend. How we stay. In the studio, I rarely speak very much. I offer something for investigation, then I wait. I give space and time before I intervene, perhaps adding another layer of information, another invitation to look. Gradually, a choreography begins to emerge, not because I have explained it, but because someone has had the opportunity to discover it for themselves. Over the years I have realised that this way of working asks something of me before it asks anything of the dancer. It asks for patience. I often have a clear sense of where we are going, but I don’t want to take away the dancer’s opportunity to discover the path. I want the work to become their experience as much as it is mine. Again and again, I am reminded that the deepest understanding is rarely the one that is given, it is the one that is discovered. This is what trust has come to mean for me, holding space for another person without stepping into it for them. Remaining present long enough for something unexpected to emerge. Trust is not the absence of uncertainty. It is the willingness to stay with it.
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🦎✨ 📸 @nadasori.berlin
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