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Tim Correira Photography

@timcorreiraphotography

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Husband, father, ski bum, island kid, beard enthusiast, and award-winning photojournalist specializing in weddings, available throughout New England.

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Mr. & Mrs. Moruzzi ♡ 9.18.26

@timcorreiraphotography

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Some sharpshooters

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“Don’t cry because it’s over; laugh because it happened.”
⬆️ adapted from project manager extraordinaire @kat_bossi’s wise words, to mitigate our intellectual mourning during the de-installation meeting for this really cherished exhibition.
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Alllllllll the flowers to Xandra Ibarra @lachicaboom whose performance “Nude Laughing” kicked off a spirited season of “Subvert, Repair, Reclaim: Contemporary Artists Take Back the Nude” in the galleries @mfaboston. The last day is THIS SUNDAY! 😭 catch me in the galleries Sunday a couple hours before 5pm, probably crying (and laughing) 🥲
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Still, when I walk through the old-school galleries, I hear Xandra’s ringing laughter. I remember the gentle crush of people following her path, out from our show into the museum writ large in all its largess. Xandra’s work inspired seismic waves of social media buzz, graced the front page of the Boston Globe, was named “Best Performance Art” by Boston Magazine in a category they created just for her!!— and I’m sure the legend will only grow! But those of us who were there know it’s more than the escándalo: the sonic texture of giggles and shrieks and creaking floorboards, the slow rush of Xandra circling Degas’s “Little Fourteen-Year-Old Dancer,” her lively body and yellow heels in languorous motion past rigid gold frames, and the quietly explosive climax of refusal in front of the the MFA’s big Gauguin. Here are some images that weren’t published at first, some of Xandra’s and my faves, kinda in the order it all went down— for the archive.
📸: Kannetha Brown (1, 3, 6, 7, 9, 10, 12); Tim Correira (4, 5, 8, 13); Ellie Choi (2); Yutong Shi (11).
💐 As serious as the subject can be, @starrysyt and I had a blast curating this dreamy show. Thank you to the artists, always, and to all our co-conspirators at the MFA, especially the Public Programs, Public Safety, and Conservation collab on this performance!

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My parents got married!! 🤍⛪️

They forgot to bring me to the reception and play this song for me, but I got to be in the ceremony and photoshoots and they visited me during the after party so I’ve half forgiven them. My birthday is next week so depending on the presents situation I may fully forgive them.

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island pride 🏳️‍🌈

the Martha’s Vineyard Pride Parade on 🎞️

part one

06.13.2026

📸 Pentax K1000
🎞️ @kodak Gold
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#film #35mm #marthasvineyard #pride🌈

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pride on island
💜💙💚🧡❤️

part one

all my friends are vampires
turns out i’m a vampire myself

06.13.26

📸 Fuji x100v
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#marthasvineyard #pride🌈 #fuji #photography

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a bubbly bootsy birthday bash

happy birthday Matt 🫶

📸 Fuji x100v

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There are a whole lot of big hearts thumping around this island.

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What a wild day it was yesterday, photographing Boston College’s Commencement for the first time as Director, with an incredible team (@matthealeyphoto @timcorreiraphotography and @sehophoto), and graduating with my Masters smack in the middle of my editing session. A lot of people supported every minute that got me to this point; if you see this, you’re probably included in that. A big thanks to Matt for getting roped into this family portrait session.

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play or practice?

night walks and light talks

📸 Fuji x100vi
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#fujifilm #fujix100vi #photography #fujifilmshooters #marthasvineyard

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As we head into the final weekend of TUAG’s Spring 2026 exhibitions, we’re closing out our series of spotlights on the work and practices of the six artists featured in “Magical Thinking, of Systems and Beliefs” at TUAG / Boston with Portland-based artist, designer, and writer Sidony O’Neal (@sidony_oneal).

O’Neal’s work poses questions to mathematical concepts and histories of knowledge through research, intuition, and interface. In their kinetic sculpture “Colonel Lágrimas,” featured in “Magical Thinking, of Systems and Beliefs” at TUAG / Boston, O’Neal questions the limits of mathematical systems, specifically how they influence behavior, gesture, and social and economic structures. “Colonel Lágrimas” traces the origins of the Pankha fan, a cooling device from South Asia from the sixth century, denoting the caste system by those who enact cooling and for whom, eventually becoming embedded within British colonialism. Reemerging as a German patented technology in the late 2010s, O’Neal hacks the stolen cooling system through the integration of hand-etched ceremonial blades, nodding to Central African gift knives, that vibrate in the air—for both warning and forging relation. By coopting the German patent, O’Neal hacks the hacker, complicating the unbalanced mechanizations of colonialism.

“Magical Thinking, of Systems and Beliefs” at TUAG / Boston and “Michelle Lopez: Shadow of a Doubt” at TUAG / Medford run through this Sunday, April 19—both galleries are open 11am-5pm all weekend. Learn more and plan your visit at the link in our bio 🔗

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