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The calm before the storm... This is how you sneak into the enemy’s backyard 👀

The Terminal List is Prime Video’s action thriller built around James Reece, played by Chris Pratt, a former Navy SEAL turned one man army. The show is based on the bestselling novels by Jack Carr, and Season 1 became one of Prime Video’s biggest series when it dropped, which is saying something for a show that started as a book adaptation most people had never heard of. The franchise has only grown since, with the Dark Wolf prequel expanding the world around Reece’s old unit.

Season 2 premiered October 21, 2026 on Prime Video, and it picks up with Reece pulled back into the fray, this time working alongside the CIA on a mission that spans the globe. The new season leans hard into what made the first one work: tactical realism, tense standoffs, and Pratt playing Reece with the kind of quiet intensity that made the character stick. The show’s action sequences are staged with real military advisors in the mix, which is why the movement, the cover, and the patience in scenes like this one feel different from a standard action show.

This clip is a perfect example of that patience. Reece and a teammate move low along a stone wall on the edge of a town, rifles up, eyes scanning, no rush, no noise. It is the kind of scene that does not need an explosion to land, because the tension is already there in every step. The calm before the storm is not just a caption here, it is the whole language of the show.

The Terminal List Season 2 is now streaming on @PrimeVideo
@primevideo @terminallistpv
#TheTerminalList

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In the Prime Video action thriller The Terminal List Season 2, the clip opens at a dim, crowded party bathed in red light, music thumping and people dancing close. A woman in a light dress moves through the crowd, laughing, completely in her element, while a mustached man in a red striped shirt watches her from across the room with a grin that says he already knows how this night is going to go.

The camera keeps cutting between them as the energy builds, her dancing, him smiling, the crowd pressing in around them. Nothing is said, and nothing needs to be. It is the kind of scene that lands because of pure vibe, two people in a room full of strangers, and the whole internet already has a joke for it.

The Terminal List Season 2 is now streaming on @PrimeVideo
@primevideo @terminallistpv
#TheTerminalList

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In the Peacock series Twisted Metal, Sweet Tooth, the clown in the red haired mask and leather harness, corners a bald man in a tank top beside a car on a deserted country road. The man tries to talk his way out of trouble the only way he knows how, buttering up the clown by calling him the biggest killer this side of the Mississippi, and for a second it almost works. Sweet Tooth walks toward him slowly, mask grinning, listening.

Then it all goes wrong for the man, because he adds one more name to the conversation. Sweet Tooth stops dead. “Trash man?” he snaps, offended that anyone else would dare be known for killing. The clown’s whole identity is being the one killer everyone fears, and the idea of sharing that spotlight, even in a compliment, is the only thing that truly sets him off. The scene is peak Sweet Tooth: terrifying, unhinged, and somehow funny at the same time.

Twisted Metal is now streaming on Peacock.
#SonyPicsPartner

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In DC Studios’ 2026 body horror film Clayface, the tighter cut opens on Matt Hagen with his face wrapped in bandages, a mesh pressed over raw, torn skin. A futuristic injection device presses against his flesh as the trailer flashes a clinical scan of veins crawling with something unnatural. A photograph shows what he used to look like, a scarred but human face, before the cut drops him into an airplane seat, calm for exactly one second too long.

Then it starts. He presses his hands to his face, and when he pulls them away his skin is splitting open, green fluid seeping from the cracks. The camera holds on the breakdown as his face comes apart in the blue cabin light, and the cut slams straight into the date card: only in theaters October 23.

Get tickets now for Clayface. Only in theaters Friday!

#ClayfaceMovie
@clayfacemovie

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An iconic scene from DreamWorks’ Shrek (2001). Donkey is grinning ear to ear like he just won the lottery, and Shrek is standing there processing it in real time. “And in the morning, I’m making waffles!” That single line turned Donkey into the patron saint of moving back in with your parents.

The meme hits because the math is not mathing anymore. Rent wants your whole paycheck, a mortgage wants a down payment the size of a luxury car, and somehow your childhood bedroom is looking better every single day. Donkey isn’t even joking, he already made himself at home.

This scene remains a fan favorite because the housing market said good luck and we said thanks mom and dad 😭🏠🧇

Credit: DreamWorks / Shrek

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Cody Rhodes really pulled up to UFC 332 looking like Guile from Street Fighter 😳🔥

WWE superstar Cody Rhodes steps into the role of Guile in the upcoming Street Fighter movie. Guile, the flat-top American hero known for his military precision and legendary Sonic Boom, has been a fan favorite since the arcade days, and Rhodes brings exactly the larger-than-life presence the role demands.

Street Fighter’ is in theaters October 16th
#StreetFighterPartner #GuileInTheWild

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🥺 मां बहुत प्यारी है 🥺
🙏कभी कोई दुख नहीं होने देती है 🙏
🥹अपने बच्चों पर कृपा बनाए रखती हैं 🥹

🙏🔱🪔🔱🙏🪔🔱🙏🌺🪔🪔🌺🙏

#explore #viralvideos #post #maalove♥️ #kaali

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A little piece of what’s coming tomorrow… 🖤🎶
This is only the beginning.
My new song drops TOMORROW. 🔥

Save this. Come back tomorrow. ❤️‍🔥

#NewMusic #HindiSong #MusicTeaser #UpcomingSong #IndianMusic

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🎬 The $4,500 Rent Paradox (2026)

The math genuinely does not make sense, and that’s the whole point of the meme. The bank looked at this person and decided a $2,500 mortgage was too risky, so instead they pay $4,500 in rent every month. That’s $2,000 more, going straight to a landlord who turns around and pays their own $2,500 mortgage with it. Read that again slowly.

This is the housing crisis in one screenshot. It’s not that people can’t afford housing costs, it’s that the system won’t let them afford the cheaper option. You’re considered responsible enough to hand a landlord $54,000 a year, but not responsible enough to pay a bank $30,000 a year for your own place. The barrier isn’t the money. It’s the approval.

The dump truck pouring dirt into a giant hole is doing a lot of heavy lifting as a visual metaphor. Because that’s exactly what rent feels like: shoveling money into a hole you’ll never get back. “Working just to afford the privilege of renting” might be the most honest sentence on the internet this week.

So I can afford $4,500 rent but not a $2,500 mortgage?? 😭

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Some jokes aren't supposed to come true.

There's a moment in Futurama where Fry is sitting in his car, staring straight ahead, and does the math nobody asked for: "Dang. That $100 could've bought me... one. Gallon. Of. Gas."

It was written as a throwaway. A quick laugh about a future so ridiculous it could never happen. The whole point of the joke was that $100 for gas was unthinkable. The audience laughed because the number was the punchline.

Fast forward to now. Someone fills up, watches the pump climb to $104, and the first thing they think of is a cartoon from decades ago. The tweet posted itself. The meme had been loaded for years, just waiting for the moment reality caught up.

And that's the wild part. Gas didn't creep up quietly. It went from an afterthought to the thing you budget around. $50 doesn't get you far anymore. A full tank costs more than dinner.

You find yourself checking the pump total before you check how far you can drive, because the number at the pump decides the week.

Fry's face in that clip is the whole story. No dialogue needed after the setup. Just that blank stare through the windshield, the look of a man watching his money evaporate one gallon at a time.

Futurama was meant to be comedy about the distant future. Turns out the writers were just filing field reports from 2026.

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🎬 Opus Red Carpet (2026)

The fork mic interview strikes again, and this time it’s her. She was chatting away on the red carpet like she’d done this a hundred times, and honestly she probably has.

You never know who’s showing up at the Opus red carpet. Dude Perfect, Michelle Khare, the Try Guys, Dhar Mann, Zach King, Jenny Hoyos, Jordan Matter, the lineup was unreal. @opusclip #Opus

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🎬 Opus Red Carpet (2026)

The interviewer went in for the question and she went straight for the dodge — laughing, covering her face, waving him off like the mic was lava. The whole thing lasted about ten seconds before she gave up pretending and pulled him in for a hug instead.

That’s the energy at the Opus red carpet — unscripted, chaotic, and way too fun. With Dude Perfect, Michelle Khare, the Try Guys, Dhar Mann, Zach King, Jenny Hoyos, and Jordan Matter all in the building, this was one for the books. @opusclip #Opus

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