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@tuhhny_vee

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SHOUTOUT to the thirteenth wave of donors who believed in @theweightofairshort !

We are so humbled by your generosity.

Thank you for being a part of this journey in helping us kick off the campaign!
•••
Donate at:
www.theweightofair.org/donate
•••
Link in Bio

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Interviewed @tuhhny_vee about his incredible career in stunts, everything from motion capturing space marines in secret level to tackling Batman Beyond

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Throwback to some bar action with the squad!
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#spidernoir #bts #tbt

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Stunt Coordination is the art of partnership.

It’s collaborating with showrunners, writers, directors, DPs, storyboard artists, and the entire creative team to design action that serves story, character, and tone, all while navigating the real world limits of budget, schedule, and safety.

Today’s stunt teams aren’t just “the people who take the hits.” They operate as creative partners who interpret the page, protect the production, and deliver sequences that feel owned by the whole show.

Because the work spans so many disciplines…fights, vehicles, wires, fire, water, falls, ranking “best stunt” is inherently subjective.

The real conversation is about process:
How do you bring what’s written to life under pressure?
How do you foster chemistry and ownership so the team moves with efficiency and excellence?
How do you lead a department that feels invested in every sequence?

That’s the “BTS” reality of modern stunt coordination. Here a small look into our world of “Spider Noir”

Let me know your thoughts below.

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#spidernoir #emmynominated #fyc #bts #televisionacademy

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El Paso circa 2024. Got the privilege of being a part of One Battle After Another. Got to do a lot of ND work and a night of doubling on this sick wire rig. *didn’t double @pkjeffie loool just have this photo because this wig was hilarious 😂
Anyways… it was truly an honor to work alongside side an amazing cast and crew for part of that summer. Huge thanks to Brian Machleit for taking care of us and leading the charge.

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Precision of the Edit!! Spider Noir Bar fight stunt viz mashup!
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#spidernoir #bts #foryourconsideration #stuntcoordination #emmys
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Featuring
@solomonbrende
@alexthekingi
@thisiscodydavis
@dennis.keiffer
@craighenningsen
@jonbraver
@_yeyo27
@tigersheu
@efka_stunts1
@tuhhny_vee
@wachudoin

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The data’s always better when you smack em a bit!

From our latest short film, Toy Story: Reimagined. A side-by-side of our motion capture day using @xsensent Mocap suits at the amazing rigging facility @afstunts . @micahkarns and @tuhhny_vee brought Woody and Buzz to life with their performance and creativity in the fight choreography.

#sandboxactiondesign #toystory:reimagined

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Toy Story: Reimagined is a fun “what if?” short film that asks one simple question: what would the iconic “Woody meets Buzz” scene look like if Buzz could actually fly… and shoot lasers?

This project was made with a lot of love for the original film and the characters we all grew up with. We had a blast reimagining this moment in a new way, while still trying to capture the humor and charm that made the original scene so memorable.

I hope you enjoy watching it as much as we enjoyed making it. Thanks for checking it out, and keep an eye out for our next project!

Credits:

Directed by: Christopher Clements

Woody: @micahkarns
Buzz: @tuhhny_vee

Action Design: Sandbox Action Design - https://www.instagram.com/sandboxactiondesign/

Fight Choreographer: @micahkarns

Mocap & Rigging facility: Action Factory - @afstunts

Stunts:
Aidan Kennedy - @aidankennedy001
Zar Succarotte - @zarstagram_
Melanie Phan - @melphan

Mocap Tech & Animation: Justin Cole Bul-Lalayao - @jbullalayao

Unreal Engine Supervisor: @stoltz_fx

Animator: @aadith_i26

Compositors:

@sergaken
@hryhorjuk
@dustinhud

Sound Design:

@chris.lawruk

@1amsiny0

Music:

@roxascaptain

Models:
@thegloriouspictures
Agora community
@roly.h.l

Motion Capture suits: @xsensent

Rendered on Puget Systems: @pugetsystems

Special thanks to @waynedalglish & @philipsilvera

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Stunt Coordinators: @waynedalglish @heidimoneymaker
Fight Choreographer: @micahkarns
Previs Supervisor: @fxitinpost
A look behind the process of developing the Adam Warlock vs. Drax sequence for Guardians of the Galaxy Vol. 3.
Every sequence begins with action design and fight choreography, laying the foundation for the story beats, character dynamics, and flow of the action. From there, motion capture and stunt animatics help bring those ideas into a visual format before moving into previsualization and ultimately the final film.
This compilation includes moments from rehearsals and mocap sessions used throughout the development process.

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Our stunt animatic for the Adam Warlock vs. Drax sequence in Guardians of the Galaxy Vol. 3.

Warlock Mocap Performer: @micahkarns
Drax Mocap Performer: @tuhhny_vee

An early step in developing the timing, staging, and flow of the action before previsualization and production.

We used the @xsensent suits to capture the performance and place them in the environment that was created in Unreal Engine.

Animatic by Sandbox Action Design

#marvel #gotgvol3

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some alpha play. s/o @tuhhny_vee for the direction🥋

(footage sped up 1/4)

#alpha #rugby #venom #creature #zombie

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BTS from motion capture for #mortalkombat 1 🐉🔥⁣
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Fun fact: I had just one month to learn the three-sectional staff for Tanya’s fight style. Easily one of the toughest weapons I’ve ever picked up, but I loved every second of the challenge. 🫶🏻 Special thanks to @lijing_wushu for showing me the ropes (literally) 🙇🏻‍♀️

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