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Step-by-step guide to shooting a fairy tale in Mirage LED Volume. To get this cinematic feel, mix amazing cinematography, great production design and 2.5D technology in Mirage Volume 

Spot Title: Conveniently Far, Far Away
Client: @mandysalads in collaboration with @ubereats

Writer & Director: @mariadesanctis
Executive Producer: Dana Klyszejko at @offscreenromance
Producers: Vanessa Gloux & Piper Ainsworth @twogoodproducers

Casting Director: @jessegriffithscasting
Prince Charming: @kevnpowl, Aspiring Artists Management
Princess: @annmakosinski, Play Management
Delivery Courier: @ben_the_skipper, Talent House

1st AD: @sarahkravetz
Script Supervisor: Gretchen Somerfield

Virtual Production: @2dhouse
James Hughes @jhuze1988,
Conor McNeilly @r0n0c,
Fraser McKenzie @fraser.alive 

DP: @vborrisondp with @seslercompany
1st AC: Joseph Chan
2nd AC: Raghav Khanna
Gaffer: Mick Reynolds
Best Electric: Steve Brockerville
Electrics: Brett Townly, Chuck Warren
Key Grip: Derek Teakle
Best Boy Grip: Ailistair Dempsey
Grip: Jesse Bertrand, Paul Riikonen
VTR/DMT: Peter Hatch

Production Design: Kate Ferry @katejoy202
Props Buyer: Emmelia Gordon
Lead Dresser: Kristina Masterson
Prop Master: Pascal Bennett
Set Dressers: Taylor Gilbert, Kelly Heeley, Maiya Parker
Props Assistant: Jordan Brown
Set Construction: Crux

Wardrobe Stylist: @heidifrontel
Wardrobe Assistant: Lisa Kovacs

HMUA: @steph___george
HMU Assistant: Lacey Day

Sound Mixer: @bloorstreetsound & @lazajam
Boom Op: Marco Furgiuele

BTS DP: @dannypatterson

PA: Jodianne Beckford
PA: Aiden White
PA: Lucy Pelletier

Editor: @mr_rankovic
Assistant Editor: @bakhromaa
Colour: @roslyndisisto at @royal.muster
Graphic Design: Caroline Sierra Bornais
VFX & Online: @lukebellissimo
Audio: Dave Henriques East Line Audio
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