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We’re delighted to share the news that internationally recognized architect, urbanist, and scholar Nicholas de Monchaux has been named the new William W. Wurster Dean of the College of Environmental Design. This is a return to UC Berkeley for de Monchaux (@de_monchaux) who was professor of architecture and urban design at CED from 2006 to 2019.

De Monchaux's creative and intellectual interests align with UC Berkeley’s (@ucberkeleyofficial) forward-looking ethos and its global leadership in innovation, technology, and entrepreneurship. Fascinated by the relationships between technology and urbanism, digital simulation and world-building, sci-fi and architecture, de Monchaux is renowned as a visionary thinker about design and its relationship to society.

De Monchaux is currently head of the Department of Architecture at MIT (@mitarchitecture), where he is Weber-Shaughness professor of architecture, professor of urban studies and planning, and affiliated faculty with the program in Science, Technology and Society.

“CED powerfully shaped every way in which I think about design and its responsibility in the world,” says de Monchaux. “I am thrilled to return to the college and support its mission at a time when it has never been more relevant.”

Please join us in welcoming Nicholas de Monchaux back to CED!

Read the full announcement on our website: https://ced.berkeley.edu/news/nicholas-de-monchaux-appointed-dean-uc-berkeley-ced

Images:
1 – Nicholas de Monchaux, courtesy MIT.
2 – modem (@modemgram) (Nicholas de Monchaux + Kathryn Moll), Space/Suit, installation at the 2021 Venice Architecture Biennale.
3 – Nicholas de Monchaux, Local Code: 3659 Proposals about Data, Design, and the Nature of Cities, Princeton Architectural Press, 2016.
4 – modem and Smout/Allen, Ascents, Events, Implements, installation at the 2025 Venice Architecture Biennale.
5 – Nicholas de Monchaux, Local Code San Francisco Case Study, 2010, installation in The Utopian Impulse: Buckminster Fuller and the Bay Area, San Francisco Museum of Modern Art, 2012. Photo: Matthew Millman.
6 – Nicholas de Monchaux, Modern Cartoonist: The Art of Daniel Clowes (exhibition design), MCA Chicago, 2013. Nicholas de Monchaux
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Announcing the CED 2026 Commencement student speakers! We look forward to hearing their inspiring words on May 19 at the Greek Theatre.

Amy Bella Gonzalez, BA Landscape Architecture
Amy is a first-generation Latina graduating with a degree in landscape architecture and business administration. Amy founded LBSA’s first consulting committee to help create more accessible opportunities for underrepresented minorities within the consulting industry. As financial director for Invention Corps, she helped raise over $15,000. Amy hopes to inspire others to pursue their passions fearlessly.

Zeyu Lin, Master of Urban Design
Zeyu's work examines how technological change reshapes cities, and how urban design can respond by centering social justice and human care. At UC Berkeley, he has worked across the Bay Area and beyond, engaging contexts from North Richmond’s community-based networks to Olympic legacy redevelopment in Los Angeles. With a background in landscape architecture, he approaches urban design as a way to reconnect systems, places, and people in everyday urban life.

Yutong Li, Master of City Planning
A lifelong student of cities, Yutong is interested in affordable housing development, transportation policy, and urban analytics. From Suzhou, China, she received a BS from New York University Shanghai in finance and urban studies. At CED, she deepened her understanding of how housing, mobility, finance, and community needs intersect. Post-MCP, she is committed to advancing sustainable and equitable community development.

Nathan Shui, PhD in Architecture
Nathan’s research explores the queer urban history of postsocialist China, focusing on how sexual minorities reappropriate state-led urban modernization to create spaces of their own. By tracing how queer Chinese identify and inhabit the loopholes, blind spots, and unintended counterproductivities within these state-led modernizing programs, he advances an alternative conception of queer spatial agency rooted in passivity, evasion, opacity, and impermanence illegible to Western liberal queer discourses.
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