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Anon Chaisansook

@uuunbbb

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art Practitioner;
From Bangkok
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Meet the final wave of DIAGE Festival 2026! ✨ An exciting mix of artists from Thailand and around the world, bringing even more diverse sounds and styles to this year’s festival. Get ready to immerse yourself in a multisensory experience of visuals, sound, and light in Bangkok. / เผยโฉมระลอกสุดท้ายของศิลปิน DIAGE Festival 2026 เติมเต็มประสบการณ์เทศกาลปีนี้ให้หลากหลายยิ่งขึ้น กับศิลปินจากไทยและทั่วทุกมุมโลก เตรียมสัมผัสประสบการณ์สุด immersive ที่ผสานภาพ เสียง และแสงเข้าไว้ด้วยกันที่กรุงเทพฯ Secure your tickets via the link in bio. 🎫 REGULAR PHASE (30 Sep – 30 Oct) • 1-Day Full Pass — 1,990 THB • 2-Day Full Pass — 2,990 THB • [Bundle] 4 x Regular Tickets (2-Day Full Pass)* — 9,990 THB *Only 30 Sep – 15 Oct 🎫 AT DOOR TICKET (31 Oct – 1 Nov) • 2-Day Full Pass — 3,890 THB See you at DIAGE Festival 2026. 31 OCTOBER — 1 NOVEMBER CLOUD 11, BANGKOK #DIAGEFestival #DIAGE2026 #BangkokCalling NVST NVST is a Swiss DJ and producer pushing the boundaries of underground electronic music with a bold, experimental blend of techno, acid, breakbeats, and industrial sounds. Known for her powerful sets at Dekmantel and Boiler Room, she continues to challenge conventions through music and sound experimentation. / ดีเจและโปรดิวเซอร์ชาวสวิส ผู้ท้าทายขีดจำกัดของดนตรีอิเล็กทรอนิกส์สายอันเดอร์กราวด์ ด้วยซาวด์ทดลองที่ผสานเทคโน แอซิด เบรกบีต และอินดัสเทรียล โดดเด่นด้วยเซ็ตอันทรงพลังบนเวที Dekmantel และ Boiler Room พร้อมผลักดันขอบเขตของดนตรีอย่างต่อเนื่อง Secure your tickets via the link in bio. See you at DIAGE Festival 2026. 31 OCTOBER — 1 NOVEMBER CLOUD 11, BANGKOK #DIAGEFestival #DIAGE2026 #BangkokCalling JAMIRA ESTRADA Swiss-Mexican artist Jamira Estrada transforms organs, noise, and drones into immersive sonic worlds, blurring the lines between experimental composition and improvisation. Her raw, otherworldly soundscapes balance intensity and vulnerability, turning sound into an intimate, tactile experience. / ศิลปินชาวสวิส-เม็กซิกัน ผู้เปลี่ยนเสียงออร์แกน นอยส์ และโดรน ให้กลายเป็นโลกแห่งเสียงอันเหนือจินตนาการที่หลอมรวมดนตรีทดลองเข้ากับการด้นสด เธอสร้างทัศนียภาพของเสียงที่ทั้งดิบ ลึกลับ และเปราะบาง เปลี่ยนเสียงดนตรีให้กลายเป็นประสบการณ์ที่สัมผัสได้อย่างลึกซึ้ง S
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STACK SPATIAL INTERFERENCE Spatial Interference is a live performance programme exploring the relationships between sound, moving image, signal, and space. Interference becomes a point of departure: as different signals and media meet, overlap, and interfere, new forms and experiences emerge. Through projection, sound, technology, and live performance, the works extend across and engage with the surrounding space. Performances by Riar Rizaldi @riarrr . nona x Kanyanut Inkamchuer . @uuunbbb @phuckingidiot_ . Pathompon Tesprateep x Teerapat Parnmongkol x Nawitnan Poolkeao @mont____ @griotnous . Sahapon Chootinan @poc9.s . poorlabour @nanut.t . 📍 @shadowplay.bkk 643 Si Phraya Rd, Si Phraya, Bang Rak, Bangkok 10500 🗓 Sunday 20 September 2026 🕖 7:00 PM onwards 🎟 Ticket: 200 THB
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Warm thanks for spending time and listening together at Experimental Library Music ELM Live, the closing event of MUSIC PROJECT 2026 at BANGKOK CITYCITY GALLERY on Saturday 22 August 2026. With live music showcases by Papanin K., BAAD (Between Ambient and Distoriton), stupidshit, Tinnawat Chankloi, Thankzie, Siwakorn, Rasita, harry jes, LEENA, AGENTJAMES, pympit, Anon Chaisansook, Chanida Voraphitak. 🌏🌍🌎🌏🌍 #ExperimentalLibraryMusic #ELMLive #MusicProject #BangkokCityCityGallery
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Music Project Closing Party @bangkokcitycity For this event, I performed under the theme ‘Isanistic: Imagining Isan Music of the Southwesterner’, to express my inner thoughts about my music journey as a chaotic Bangkokian. Special thanks to Bangkok CityCity Gallery and everyone who come here to support, listen and have a warm conversation. 🥰 photo by @junewatsamon #papanink #bangkokcitycitygallery #bangkokcitycity
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MUSIC PROJECT CLOSING PARTY Anon Chaisansook — Decomposing dead digital audio mass (Live) For the final day of MUSIC PROJECT, Anon Chaisansook presents ‘Decomposing dead digital audio mass’, a 35-minute live set that considers what it might mean for sound to decay in the digital world. “This performance approaches sound as a form of matter that remains capable of transformation, even after it has passed beyond its original state. It may be a sample that has been used until its meaning is exhausted, a song that has become culturally dead, a file abandoned on a hard drive, the sound of a technology no longer in use, or sonic data detached from the context it once belonged to. These remains are compressed, stretched, and pushed through distortion, feedback, and randomisation, gradually losing the forms, meanings, and memories that once clung to them.” Anon Chaisansook is interested in political conditions and social structures. His practice often involves the transformation of objects, images, and sound. Working with methods including coding, sound production, 3D visualisation, and 3D printing, he distorts and dissolves existing narratives attached to these materials, countering mainstream discourses in the present day. Saturday 22 August 2026 MUSIC PROJECT Closing Party BANGKOK CITYCITY GALLERY FREE ENTRY #BangkokCityCityGallery #MusicProject #ExperimentalLibraryMusic #ELM #AnonChaisansook
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@ryuta_aoki_ will participate in the programme "Patch Notes That Refuse a Settled World," organized by the Thai artist collective STACK @stack_xyz in collaboration with Goethe-Institut Thailand @goetheinstitut.thailand. This is an international programme consisting of exhibitions, screenings, performances, and talks, where artists from all over the world, centering on Thailand and Southeast Asia, gather to explore moving images, media art, games, digital culture, ecology, and emerging technologies through local histories, cosmologies, myths, indigenous knowledge, and experiences. The title originates from "patch notes" in software and gaming culture. The world is not completed all at once, but continues to be updated through care, repair, coexistence, and incessant transformation—this gaze toward a "world open to being rewritten" deeply resonates with Ryuta’s own interest in trying to launch alternative futures from lost computational cultures. In this programme, Ryuta will take the stage as a main speaker and panelist, and a screening of Alternative Computations will also be conducted. As an extension of the exchange that has been built between Southeast Asia and Japan, we are looking forward to the birth of dialogue that transcends countries and genres. 🗓 July 11 – July 12, 2026 📍 TCDC Bangkok, Thailand 🔗 https://www.stackth.xyz/en Credit: Natthorn Tansurat @natthornt
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Introducing the performances of Wasawat, Anon Chaisansook × Sahapon Chootinan, and putpat130 . the first chapter of Patch Notes That Refuse a Settled World . Do The NPCs Hear The Simulated Wind, 2026 Wasawat Virtual Field Recording treats immersive game worlds as acoustic landscapes to be listened to rather than played, surfacing procedurally generated soundscapes to reveal the real-world field recordings embedded within them. . Tamagotchi 10.0, 2026 Anon Chaisansook × Sahapon Chootinan Tamagotchi 10.0 explores the farming of digital creatures that feed on the system’s data. They build their own nests and micro-ecosystems amidst a larger architecture, standing tall like a termite mound in the middle of a rice field. . Synchronise the Synth, 2025 putpat130 An integration of the noise-ambient sounds that traverse into the 3D world of the Tattoo Synthetic Machine within TouchDesigner and Unreal Engine . Graphic Design: @natthornt . Organised by Stack and Team Stimulant, in collaboration with Goethe-Institut Thailand, with support from Thai Film Archive, Office of the Prime Minister, Creative Economy Agency (CEA), Virtual Media Lab, immertech, and REAL Bangkok.
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PATCH NOTES THAT REFUSE A SETTLED WORLD begins . begins The first chapter of Patch Notes That Refuse a Settled World unfolds on 4 July 2026 with Stack V_Circuits#2: Siamese Futurism - Films and Conversation with Montika Kham-on. . Bringing together three films and an online artist conversation live from Berlin, the programme introduces Montika Kham-on's artistic practice alongside her ongoing research into post-tropical futures, exploring speculative futures through geopolitics, local histories, cosmologies, myths, and collective memory. . The evening continues with live performances by Anon Chaisansook × Sahapon Chootinan, Wasawat, and Putpat130, expanding on speculative worldbuilding through audiovisual practices. . 📍 Virtual Media Lab, 4th Floor TCDC Bangkok (The Grand Postal Building) . Saturday, 4 July 2026 . 16:30–18:00 Stack V_Circuits#2 Siamese Futurism: Films and Conversation with Montika Kham-on (Live online from Berlin) Films Siamese Futurism (2021, 8 min) to you, in 2000 years (2022, 21 min) Afterlives (2025, 21 min) . 19:00–21:30 Live Performances Anon Chaisansook × Sahapon Chootinan Wasawat putpat130 . Free admission . Graphic Design: @natthornt . Organised by Stack and Team Stimulant, in collaboration with Goethe-Institut Thailand, with support from Thai Film Archive, Office of the Prime Minister, Creative Economy Agency (CEA), Virtual Media Lab, immertech, and REAL Bangkok.
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PATCH NOTES THAT REFUSE A SETTLED WORLD begins elsewhere . Worlds do not arrive all at once. . They are assembled through stories, migrations, rituals, technologies, repair, and unexpected encounters. They overlap, diverge, and coexist. . Borrowing its title from software and gaming culture, Patch Notes That Refuse a Settled World approaches patch notes not simply as records of fixes, but as traces of worlds that remain open to revision. . A settled world leaves little room for other stories. Its meanings appear fixed, its future already decided. This programme turns instead toward worlds sustained through care, repair, coexistence, and continual transformation. . Bringing together artists from Thailand, Southeast Asia, and beyond, the programme explores moving image, media art, games, digital culture, ecology, and emerging technologies through local histories, cosmologies, myths, vernacular knowledge, and lived experiences. . 📍 04 July 2026 — TCDC Bangkok 📍 11–12 July 2026 — Goethe-Institut Thailand . Exhibition • Screenings • Performances • Talks . Featuring Anon Chaisansook (@uuunbbb ), Anurak Tanyapalit (@anurak.tanyapalit ), Bee Waritsara (@beebeelittlebee ), Brandon Tay (@brozm ),Chanida Voraphitak (@cuscus_thecuckoos ), Foreseen Agency (@foreseen_agency ), Montika Kham-on (@montikakhamon ), Long Tran (@longtrancreates ), Nattawin Musigul (@_krn.nrk_ ), putpat130 (@putpat13o ),Ryuta Aoki (@ryuta_aoki_ ), Sahapon Chootinan (@poc9.s ), Wasawat Somno (@giang_ws ), and more to be announced. . Organised by Stack in collaboration with Goethe-Institut Thailand, with support from Thai Film Archive and Virtual Media Lab, TCDC Bangkok. . Graphic Design: @natthornt . Full programme coming soon. . #mediaart #digitalart #criticalmedia #speculativefutures #southeastasiamedia
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A Japanese TV program "Conbiz! Content x Business Information Bureau" featured a dedicated segment on the activities of @ryuta_aoki_. The program captures the cutting edge of Japan's content culture and business landscape. This episode covered a wide range of creative-industry intersections — including an innovative collaboration between @anrealage_official and Chifure — with Ryuta's practice selected as the inaugural focus of the program's newly expanded coverage of media art, for which a long-term documentary has been in production since the summer of 2025. Highlighting his first solo exhibition "Alternative Computations," the broadcast presented the behind-the-scenes of his pursuit of "alternative computational cultures" alongside Professor Naoki Yamamoto of @keio_university, dancer @keika_misho, and tea master @ryotaro_souryou_matsumura. Additional scenes featured the cross-border program "STACK TOKYO" with Thai audiovisual collective @stack_xyz, discussions with @fujiwara_dai (General Director, Quantum Art Festival) at Expo 2025 Osaka, a dialogue with @masakoshiba at the international ALIFE research conference, and appearances by @alltbl among others — tracing a multifaceted practice envisioning "alternative worlds" from the intersection of art and science, both in Japan and abroad. 🗓 March 17, 2026 (Tue) 🔗 https://youtu.be/OE60myl1aqA *Full episode available on the program's official YouTube channel.
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3years @synap.home.lab day 1 ;) We can’t thank enough to our wonderful artists and friends that came and share their ideas and sound throughout the year. Thank you for being part of this journey with us. Again, many thanks to @goetheinstitut.thailand and lovely audiences that came to join us on 3years Synap event. ; hope to see you all soonnnnn much love 💕 🫶🏼
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STACK TOKYO The Bangkok- and Chiang Mai–based collective STACK @stack_xyz presented their first-ever live performance in Japan. Exploring how technology transforms human senses and perception, STACK has developed a diverse body of work spanning screenings, installations, performances, and publications. Rather than a fixed organization, it functions as an experimental platform that combines critical reflection with playfulness—positioning itself as a leading force in Thailand’s media art scene. Their first Japan performance took place on September 11, 2025 (Thu) at WPU HOTEL @wpushinjuku, Shinjuku, Tokyo. The experimental audiovisual session brought together artists from Bangkok and Tokyo, featuring STACK members alongside @kakiaraarai. Through a collision of sound, code, and motion, the performance unveiled new horizons of alternative culture. Prior to the show, @alcoholidaysss (Big)—co-founder and curator of STACK—and @ryuta_aoki_ hosted a talk session titled “The Current State of Media Art in Bangkok.” The conversation explored the evolution of media art across Southeast Asia and the emerging possibilities between art and technology within creative networks. Despite the record-breaking rainfall that day, nearly 100 people attended, filling the venue with an atmosphere of energy, dialogue, and creative exchange. Artists Lineup @giang_ws @noclipscripts x @ttthitipan_v @uuunbbb x @poc9.s @pasuthhh @kakiaraara Credit Curator: Pathompong Manakitsomboon (STACK), Ryuta Aoki (VOLOCITEE) Visual Design: JACKSON kaki ⁠Technical Director: JACKSON kaki ⁠Production & Management: Madoka Minamisawa (VOLOCITEE) ⁠⁠Organizer: VOLOCITEE x STACK ⁠Venue Support: WPÜ HOTEL Special Thanks: @_yukitamai (epigram)
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