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Manda

@voidcalling

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Dear friends and Atlanta community,

While I regret to announce that DOGEWALKER will not be appearing at Atlanta’s No Kings protest this year, I’m excited to announce that we’re taking DOGEWALKER to NEW YORK CITY! 🗽🔥

As many of you know, I wear several hats in my daily life—one of which is ABSOLUTELY NOT FUCKING RED. 😏 I am an educator, an artist, and an activist.

I am currently working on a project for my Working Artist Project (WAP) Fellowship with MOCA GA, traveling to interview individuals with disabilities, their families, friends, caregivers, and loved ones.

On October 12, my team and I will hit the road, making a quick stop in Washington, D.C., for a little tour of our nation’s capital. 👀 Stay tuned. There might just be a video! From there, we’re heading to NYC to continue my interviews.

As fate would have it, the No Kings protest is happening while I’m in New York. So naturally, DOGEWALKER WILL BE MAKING AN APPEARANCE!

If you’d like to support the incredible people stepping into these roles for the NYC performance, contributions would be deeply appreciated. There is absolutely NO expectation or obligation. This trip is happening regardless! However, I would love to compensate the performers for their time, energy, and willingness to participate. Unfortunately, that expense isn’t currently in my budget.

❤️ SUPPORT THE NYC DOGEWALKER PERFORMERS:

💚 Cash App: $DOGEWALKER540

💙 Venmo: Jessica-Blinkhorn

Every contribution will go toward compensating the performers!

Thank you all for your continued love, encouragement, and support of my work as an artist and activist. I couldn’t do what I do without this incredible community.

PLEASE, get out and VOTE EARLY! Make your voices heard in the midterms!

With love, gratitude, and a healthy dose of rebellion,

Jessica Elaine Blinkhorn ❤️

#DOGEWALKER #NoKings #NoKingsNYC #DisabilityActivism #PerformanceArt WorkingArtistProject MOCAGA ArtAsActivism VoteEarly

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So I’ve officially made it into the MAGAverse 😂

A fan from London sent me this—not their video, they found it on X—and apparently I’ve got people on the right pressed.

And look… I’ll say it—
this man is a damn comedian.
I have to give him his flowers.

I laughed SO hard. Like uncontrollably.

If you’re gonna drag me, at least make it funny.

10/10 delivery. No notes.

Y’all enjoy this one. I did.

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Just say a simple public service announcement.

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DOGEWALKER 2026: ICE OUT
March 28, 2026 — NO KINGS — Atlanta, Georgia

This is performance as protest.
This is art in action.

DOGEWALKER exists to remind this nation:
these are elected officials. They are meant to serve the people. And when they don’t do their fucking job—they get reined back in.

I place a body that has been labeled weak, worthless and burdensome, fat, disabled, queer— in direct confrontation with those who believe themselves untouchable.

Those who hoard power.
Those who serve money, not people.
Those who mistake privilege for authority.

Now let me introduce you to the players—
the co-conspirators, the performers, the bodies that make this work real:
Silver Tongue Injection Site KKK Caroline — played by T. Anderson
Epstein Socialite Siren / Dow Jones Diva Pam Bondi — played by @voidcalling
J.D. Vance, Couch & Corporate Loyalist — played by artist unknown
The wannabe king, the pedo pup—you have the nerve to call President Donald Trump — played by a secret artist
My six-foot-six, stiletto-heeled, burly, bearded soul sister—body that protects us under surveillance, Serj
And me—interdisciplinary artist, activist and educator Jessica Elaine Blinkhorn, the DOGEWALKER.

We are not spectators.
We are not subjects.
We are not disposable.
We are the people.
We are the power.
And we are taking our fucking country back.

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We the people are not your subjects. Time to remember: you serve us. Authority is borrowed; and we’re taking it back. No Kings ATL

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DOGEWALKER 2026: ICE OUT
March 28, 2026 — NO KINGS — Atlanta, Georgia

This is performance as protest.
This is art in action.

DOGEWALKER exists to remind this nation:
these are elected officials. They are meant to serve the people. And when they don’t do their fucking job—they get reined back in.

I place a body seen as weak, worthless, burdensome, fat, disabled, queer—
in direct confrontation with those who believe themselves untouchable.
Those who hoard power.
Those who serve money, not people.
Those who mistake privilege for authority.

Now let me introduce you to the players—
the co-conspirators, the performers, the bodies that make this work real:
Silver Tongue Injection Site KKKaroline — played by T. Anderson
Epstein Socialite Siren / Dow Jones Diva Pam Bondi — played by @voidcalling
J.D. Vance, Couch & Corporate Loyalist — played by artist unknown
The wannabe king, the pedo pup—you have the nerve to call President, Donald Trump — played by ...shhhh!
My six-foot-six, stiletto-heeled, burly, bearded soul sister—body that protects us under surveillance, Serj
And me— interdisciplinary artist, activist and educator Jessica Elaine Blinkhorn @wheelie_an_artist
the DOGEWALKER

We are not spectators.
We are not subjects.
We are not disposable.
We are the people.
We are the power.
And we are taking our fucking country back.

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The time has come.

We are premiering DOGEWALKER 2026: ICE OUT on March 28, 2026, at NO KINGS in Atlanta, GA.
This year, we’re coming back bigger and louder—with more political figures, new faces, stronger visuals, louder music.

And we need your support.
We are currently raising funds to help cover:
Paid actors
Food, water, and necessities on performance day
Costume materials
Emergency and accessibility supplies

Last year, the Atlanta community—and people across the country—showed up in ways that humbled us. You helped make this work visible.

You helped amplify the message:
DO YOUR FUCKING JOB!!!

And clearly, it wasn’t loud enough.
Because now, we don’t just need accountability.

We need ICE the fuck out of our cities.
These are our streets.
Our neighbors.
Our communities.
Whether you are Black, brown, white, or anything in between.
Whether you are gay, trans, bi, lesbian, straight.
Whether you are rich or poor—but choosing justice over comfort.
Whether you are disabled, able-bodied, a senior, a veteran—
Whether you choose to serve a Christian God or not—

You belong here.
We are America.
We are what makes this country great.

Not the people who profit off cruelty.
Not the people who get power from separating families. Not the people who hurt children and monetize suffering.

We are done with that.

We are putting them in their place—together.
💥 SUPPORT DOGEWALKER 2026: ICE OUT 💥
📌 GoFundMe:
👉 https://gofund.me/0e0ace3af
📌 CashApp (no fees):
👉 $DOGEWALKER504
📌 Venmo (no fees):
👉 @Jessica-Blinkhorn

Every dollar matters.
Every share matters.
Every voice matters.

Thank you for standing with us.
Thank you for believing in this work.
Thank you for fighting alongside us.
We are doing this for our neighbors.
For our communities.
For our cities and states.
For our fucking country.

Be blessed.
Be vigilant.
Love hard.
Roll hard.
Fight hard.

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The scary, creepy hand has spoken.

ICE, get the FUCK out of our cities.

You are not protecting us—you are hunting us.
You hide behind masks and militarized power because you know what you’re doing cannot survive daylight.

We are civilians.
We are citizens.
And we are not afraid of your intimidation.

Speaking up is not a crime.

Existing is not a crime.

We will not stop using our voices.

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Over the past year, I’ve been protesting actively.
Part of that protest is performance.

I started a performance series called DOGEWALKER — and it began before he was ever sworn into office.
December 2024.
Miami Beach Art Week.
Right in front of Art Basel—where I was almost arrested.

I saw how much attention it drew. How quickly it disrupted space and conversation. So when I brought DOGEWALKER to Atlanta as part of the Fight for 504 protests, I knew exactly what I was doing.

What I didn’t anticipate?
How fast it would spread.

Reddit threads.
Other people’s videos.
Multiple platforms.

Over 6 million views in the first 48 hours — not even on my own accounts.

DOGEWALKER is a reminder of individual power, the power of the collective, and the fact that these are hired officials—people who are supposed to be protecting our nation—yet are actively ripping it to shreds.

This work speaks up not only for the disabled, but for all marginalized people. Not just disabled queer bodies—all bodies pushed to the edges.

Throughout 2025, I’ve continued performing DOGEWALKER in multiple locations—each iteration louder, sharper, and more deliberate—using performance as protest in defense of bodily autonomy, visibility, and collective agency.

And now—
our first appearance of 2026 will be in his home territory.

So buckle up.
Because if you thought I was annoying before—
if a smattering of people already hated me—
you’re about to lose me entirely.

To everyone who stood beside me, to all the actors who fulfilled these roles, to Fight for 504 and 50501 of Georgia: thank you.
And to everyone watching—
Just wait.
This next one will be historic.

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New Iterations of the Physical Self is an ongoing body of work shaped by the changing limits of my disabled body. After years of working in large-scale, tightly controlled drawing, my practice has been forced to recalibrate—shrinking in scale, slowing in pace, and demanding a different relationship to control. What emerges is not a retreat, but a reconfiguration.

The work is created using small, transparent floater frames and enamel paint. Each frame becomes a site for mark making governed by three rules: no recognizable shapes, no refinement, and no erasure. I draw on both interior sides of the frame and close it while the paint is still wet, allowing the marks to press into one another and merge unpredictably. The resulting forms are biological and cellular, shaped as much by accident as intention. This lack of control is not incidental; it mirrors the instability of my own body and the daily negotiations required to exist within it.

Each piece is intentionally temporal and modular. The materials are non-archival and will degrade over time, reinforcing the reality that bodies are not permanent. At the same time, every unit is movable. Installations are composed of dozens or hundreds of individual works; the first iteration contains 300 separate 3x3-inch abstractions. Every installation becomes a new configuration, responding to space, circumstance, and my own evolving physical condition. The work never resolves into a fixed form.

This series began during a period of creative stillness and grief, when I realized that my sadness stemmed from not making at all. By returning to the most elemental act—mark making—I found a way to create without mastery, endurance, or certainty. These works hold tension between agency and surrender, fragility and persistence.

They are not representations of my body.
They are new iterations of my physical self.

Thank you to my friend Manda for documenting!

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I love my friend Manda. Every time we’re together, it’s nonstop laughter and chaos in the best way. She is vivacious, sassy, brutally honest, and effortlessly hilarious—truly one of the best people I’ve met all year. We just get each other, and we love goofing off like it’s our job. Being around her feels easy, loud, and full of life, and I’m so grateful for that kind of friendship.

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