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Vincent Duché

@vvwddd

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bookshop & publishing @fondationpernodricard
teacher @univparis8

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🌀 Le samedi 13 juin 2026 de 14h à 18h, la librairie de la Fondation Pernod Ricard présente la seconde édition de Spirale, un événement dédié aux pratiques éditoriales, imaginé en collaboration avec l’ENSAPC.

À l’image de la spirale — un type de reliure, et plus largement une forme ouverte, cyclique, en constante évolution, qui s'écarte de son centre — cet événement se veut un lieu de circulation où l’objet imprimé devient à la fois support, archive, et vecteur de pratiques discursives, performatives et filmiques.

Stands édition : Pauline Baudry, Nicholas Clary Bounat, Apolline Delassus, Nadia Ermakova, Louisa Foy, Raoul Gadish, Audrey Gambier, Iris Guerchouh, Chloé Lamiable Blázquez, Alix Laulanie, Maxime Le Godec, Hyewon Mia Lee, Alexis Lorendeau, Virgile Lepinay, Gloria Lois Mendes, Piotr Mikhaylov, Luiza Lima Novara, Mila Joao, Lola Pacchiani, Étienne Puaux, Árbol Ruiz, Eden Servaes, Félix Szpirglas, Milosz Tschannen-Nardello, La liasse et Pelle au Jardin.

Lectures, performances, projections : Alex Castel, Raoul Gadish, MB LOU B., JOUY, Kiss Me Kate et Iona Schindler

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🌀 On Saturday, June 13, 2026, from 2:00 p.m. to 6:00 p.m., the Pernod Ricard Foundation bookstore presents the second edition of Spirale, an event dedicated to publishing practices, conceived in collaboration with ENSAPC.

Like the spiral—a type of binding, and more broadly an open, cyclical, constantly evolving form that diverges from its center—this event aims to be a space of circulation where the printed object becomes at once a medium, an archive, and a vehicle for discursive, performative, and filmic practices.

Visuel : Luiza Lima Novara et Milosz Tschannen-Nardello

@ensapc @librerer_
@alexcastel_ @jouyssif_ @ionataann @raoul_gadish @glorialoismendes @audddraw @mb_lou_b
@ermakovakova @louisafoy @raoul_gadish @audddraw @glorialoismendes @irisdesyeuxirisducoeur @200plumes
@cloclolido @max1m3l3g0d3c @felixszpirglas @h_circleeeee

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my oh my here’s a little pink book & somewhat of a labyrinth show bringing together magnetically-charged, attention-suspending, euphoria-inducing works by @nosenorita @jonathannnmartin @clemenceltdp

‘Over the top, undercover’ opened this Monday at the @fondationpernodricard — it is the second edition of the institution’s new formula for its former prize, which I’ve been honored to curate in the steps of many other colleagues & friends I admire. What a delight! it has been. I cannot thank enough @antoniascintilla & @franck_balland for their ongoing trust and support, @noepac for her knowledge, ideas and relentless energy, @mi.mouss @virginia_qdj #claudiamaniaweiss for their expertise, guidance and kindness all along the way. To Leonore, Marion and Lily Rose for joining us in our final moments and now taking great care of the show.

100000 thank you to @claire__hemming @simonrafaelzaborski for giving this exhibition its shape, skin and contours… we’ve been so very lucky to work with you.

Merci merci merci to dear friend & editor extraordinaire @aodhanmadden for conceiving of this gorgeous glossy sexy publication, beautifully coordinated by @vvwddd designed by @studio_des_signes and featuring the brilliant, delicious writing of @letoybarra @per.wa.na & @aliceblackhurst 🙏

Thank you to @elsevettier for her wisdom, friendship & help, @alexis_debonis for being the best partner in everything at @shmorevaz even when we’re far away from our beloved 27sqm2

Last but most evidently not least, all my gratitude, awe and admiration to Rosa, Jonathan, Clémence — it has been such a mind-boggling joy to think alongside you & your works these past months 🥹 and for all the laughter 🩷

‘Over the top, undercover’ is on view in Paris at @fondationpernodricard until Oct. 31st 💄

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🗞️ Demandez à l’accueil votre exemplaire de La Traverse 10, le journal gratuit de la Fondation !

Avec les contributions d’After 8 Books, Romane Constant, Camille Azaïs, Vérane Guillard, Graham Hamilton, Saodat Ismailova, Alexandre Khondji, Raphaël Massart, Studio Des Signes et Hélène Yamba-Guimbi.

À propos de ce numéro :
▪️Du white cube à la black box, les lieux de l’art et de la création sont fréquemment qualifiés par les espaces clos qui les accueillent.

▫️Mais plus qu’une forme favorable à la production et à la monstration des œuvres, cette « boîte » en elle-même est régulièrement apparue comme un motif dans l’histoire de l’art sans que l’on sache bien encore de quoi cette adhésion est-elle le nom…

#NouveauProgramme @saodatismailova #AlexandreKhondji @ok.bisou @liberty.adrien @betsabeabo @romane.constant
@after.8.books @camilleazais @graham__hamilton @raphaelmassart @studio_des_signes

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2 sunburnt twinks honeymoon in majorcaaa

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📚 Le samedi 14 juin dès 14h, la librairie de la Fondation Pernod Ricard inaugure Spirale, un événement dédié aux pratiques éditoriales, imaginé, pour cette première édition, en collaboration avec l’ENSAPC.

À l’image de la spirale — un type de reliure, et plus largement une forme ouverte, cyclique, en constante évolution, qui s'écarte de son centre — cet événement se veut un lieu de circulation où l’objet imprimé devient à la fois support, archive, et vecteur de pratiques discursives, performatives et filmiques.

Au programme : Vente d'ouvrages auto-édités rythmée d'une programmation de lectures, de performances, de projections et d’ateliers.

Avec Kenza Belkadi, Nathalie Chollet, Mariama Conteh, Nadia Erkmatova, Emma Fleury-Cancouet, Iris Guerchouh, Louise Guegan, Selma Hyka, Hyungee Kang, Florian Lehegarat, Chloé Lamiable, Nolan Menager, Piotr Mikhaylov, Manu Pozzo, Milosz Nardello, Malone Perrotey, Marsu Roqueplo et Eden Servaes.

Coordination : Lionel Catelan, responsable de l’atelier édition de l’ENSAPC et Vincent Duché, chargé des éditions et de la librairie à la Fondation Pernod Ricard.
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📚 On Saturday, June 14th from 2pm, the Pernod Ricard Foundation bookshop inaugurates Spirale, an event dedicated to publishing practices, imagined, for this first edition, in collaboration with ENSAPC.

In the image of the spiral - a type of binding, and more broadly an open, cyclical, constantly evolving form that deviates from its center - this event is intended to be a place of circulation where the printed object becomes at once a support, an archive, and a vector for discursive, performative, and filmic practices.

@ensapc @selma.akyh @the_late_piotr @miltschannen @marsulfureux @64couette @ceriisemiam @nathalie__chollet @kenza_bkdi @nolan.mngr @mains.krakra @38pascaline @alexandrecastel_ @clocloclido @emma_footballclub @irisdesyeuxirisducoeur @mariamapossehlouise @heengeephoto @ermakovakova @librerer_ @lionel_catelan @vvwddd
© N. Chollet et S. Hyka

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C’est Internet. Itinéraire alternatif pour penser le GP Explorer – Soirée de lancement de l’auto-édition collaborative 🎉

On est hyper heureux.ses de célébrer autour d’un verre l’aboutissement de ce projet initié en septembre 2023 🌝

📅 Date : 20 janvier 2025
🕒 Heure : 17h
📍 Lieu : Fondation Lucien Paye, 45b bd Jourdan, 75014 Paris - accès libre

✨ Programme de la soirée :
🕔 17H00 : Accueil & consultation de l’édition en accès libre
🕔 17H45 : Performance de Nicolas Bailleul & Lorena Lisembard
🕔 18H15 : Présentation de l’ouvrage & discussion
🕔 18H30 : Apéritif

Résumé de l’ouvrage : Le 9 septembre 2023, nous nous sommes rendu·es sur le circuit des 24 Heures du Mans pour assister à la seconde édition du GP Explorer, une course grandeur nature de Formule 4 organisée par Squeezie, « premier youtubeur de France », qui a vu s’affronter vingt-quatre célèbres créateur·rices de contenu sur Internet. Pour tenter de comprendre pourquoi, comme l’affirme Squeezie, le GP Explorer « c’est Internet », cet ouvrage propose un chemin alternatif, une sorte d’itinéraire de délestage inspiré de notre exploration, enrichi des contributions de chercheur·euses, designers et artistes.

Avec les contributions de : N O R M A L S, Cyrus Khalatbari, Alice Lenay, Vincent Duché, Hortense Boulais-Ifrène, Angelica Ceccato, Jorge Sosa, Adrien Péquignot et David Gaillard.

Direction, mise en récit & mise en page : Nicolas Bailleul & Lorena Lisembard.

L’édition sera vendue sur place 🌞

En espérant vous voir nombreux.ses !

Un grand merci à l’EUR ArTeC qui a financé ce projet, aux contributeur·rices, relecteur·rices et à tout ceux qui nous ont aidé à rendre ce projet possible !

Cette auto-édition a été réalisé dans le cadre du projet de recherche mené par Lorena Lisembard et Nicolas Bailleul. Ce travail est soutenu par l’EUR ArTeC dans le cadre de l’appel à projet collaboratif des doctorant·es ArTeC 2024. Il bénéficie d’une aide de l’État gérée par l’Agence Nationale de la Recherche au titre du programme d’Investissements d’avenir portant la référence ANR-17-EURE-0008.

@eurartec @ @alice_lenay @vvwddd @n.o.r.m.a.l.s @cyrus_khalatbari @phaxalotl @cattivissssima @jorgesosaro @_adrip_

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My video/online performance “How to access your desired reality (a tutorial)” is currently part of ROOM TOUR: ART IN THE AGE OF REMOTE WORK, a pavilion of @thewrong.biennale curated by @vvwddd

Very happy to share this online exhibition bedroom space with brilliant people like @berenice.serra @nicolas_blll @fleuryfontaine @gabstem @gwenola_wagon @alice_lenay

Why is the bedroom overly exposed on the internet? How has the domestic space become a monetizable ressource through digital cultures and surveillance capitalism? To put it differently, what does “intimacy” really mean today?

Room tour. Art in the age of remote work is an online exhibition as well as a research project and an artwork in itself. Inspired by the “room tour” trend on YouTube, which consists of sharing and commenting on the personal space, this exhibition takes place in the curator’s bedroom. It shows works that question the mediation of the domestic space on the internet from various points of view and various social, cultural and political perspectives.

Whether it corresponds to the generalization of remote work since the Covid-19 pandemic, or the emergence of new jobs related to content creation (streamers, influencers, digital sexworkers, etc.), or the invisible work of machines producing data in our homes (smart objects), it seems that digital practices have reconfigured the distinctions between the private and the public, the personal and the professional...

In the meantime, more and more artists are creating, producing and sharing from their bedrooms using laptops or smartphones. Not only has the internet become the main subject of their work but it is also their preferred medium. Screen capture, found footage, saved footage, desktop film, internet essay, online investigations... all the works exposed here question web-based and (or?) remote practices on a broader scale.

In the curator’s bedroom, each artwork is assigned to a personal object: one selected by the artist or one added by them (from their own bedroom?).

check it out here 👉 room-tour.github.io

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La vidéo SUPREME I, II, III & IV en collaboration avec Unglee Izi sera projetée dans ROOM TOUR - Art in the age of remote work lors de The Wrong Biennale 2023/24
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Merci aux curateurs Vincent Duché et Faustine de Bock
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Official pavilion The Wrong Biennale 2023/24 - Opening November 1st
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Avec Nicolas Bailleul, Faustine De Bock, Vincent Duché, Raphaël Fabre, Fleuryfontaine, Gala Hernández López, Alice Lenay, Bérénice Serra, Gabrielle Stemmer, Gwenola Wagon et Pierre Cassou-Noguès, Kévin Zanin.
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Design Graphique @lancelole

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